Out of work actor Joe volunteers to help try and save his sister's local church for the community by putting on a Christmas production of Hamlet, somewhat against the advice of his agent ... See full summary »
During World War I, in an unnamed country, a soldier named Tamino is sent by the Queen of the Night to rescue her daughter Pamina from the clutches of the supposedly evil Sarastro. But all is not as it seems.
The RSC puts a modern spin on Shakespeare's Hamlet in this filmed-for-television version of their stage production. The Prince of Denmark seeks vengeance after his father is murdered and his mother marries the murderer.
Mike Church is a Los Angeles private detective who specializes in finding missing persons. He takes on the case of a mystery woman who he calls Grace. She is suffering from amnesia and has ... See full summary »
Hamlet, son of the king of Denmark, is summoned home for his father's funeral and his mother's wedding to his uncle. In a supernatural episode, he discovers that his uncle, whom he hates anyway, murdered his father. In an incredibly convoluted plot--the most complicated and most interesting in all literature--he manages to (impossible to put this in exact order) feign (or perhaps not to feign) madness, murder the "prime minister," love and then unlove an innocent whom he drives to madness, plot and then unplot against the uncle, direct a play within a play, successfully conspire against the lives of two well-meaning friends, and finally take his revenge on the uncle, but only at the cost of almost every life on stage, including his own and his mother's. Written by
John Brosseau <email@example.com>
Hugh Crumwell was the then-principal of the RADA in which Kenneth Branagh studied. Crumwell was on the set all the time; he came as a request by Branagh to give an objective critique for the performance of each take. See more »
After Hamlet speaks with his father in his woods, while he runs and is met by Marcellus and Horatio, there is a quick pan shot in the woods where you see a ladder covered by a long board on the ground. See more »
Whose grave is this sir?
[Resumes singing his ditty]
I think it be thine indeed, for thou liest in't.
You lie out on't sir, and therefore it is not yours. For my part I do not lie ins't and yet it is mine.
Thou dost lie in't to be in't, and say 'tis thine. 'Tis for the dead not for the quick, therefore thou liest.
'Tis a quick lie, sir. 'Twill away again from me to you.
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I must say that, looking at Hamlet from the perspective of a student, Brannagh's version of Hamlet is by far the best. His dedication to stay true to the original text should be applauded. It helps the play come to life on screen, and makes it easier for people holding the text while watching, as we did while studying it, to follow and analyze the text.
One of the things I have heard criticized many times is the casting of major Hollywood names in the play. I find that this helps viewers recognize the characters easier, as opposed to having actors that all look and sound the same that aid in the confusion normally associated with Shakespeare.
Also, his flashbacks help to clear up many ambiguities in the text. Such as how far the relationship between Hamlet and Ophelia really went and why Fortinbras just happened to be at the castle at the end. All in all, not only does this version contain some brilliant performances by actors both familiar and not familiar with Shakespeare. It is presented in a way that one does not have to be an English Literature Ph.D to understand and enjoy it.
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