In a Norwegian city with a 24-hour daylight cycle a Swedish murder investigator has been brought in on a special case. Sleep deprived, he makes a horrible mistake which is discovered by the killer he has been hunting.
Rex and Saskia, a young couple in love, are on vacation. They stop at a busy service station and Saskia is abducted. After three years and no sign of Saskia, Rex begins receiving letters from the abductor.
Johanna ter Steege
In a modern version of Ibsen's stage play we meet TV-celebrity Tomas Stockman going back to his native village to produce the world's purest bottle water. The plant will bring new life and ... See full summary »
Kaisa is a Scot, a successful London lawyer, who snorts coke and has one-night stands with strangers. Her mother calls from Aberdeen with some story begging her to fly to Norway and collect... See full summary »
Hans Petter Moland
Larsen, an aspiring poet in 20's Oslo, leaves his girlfriend to spend a year as a trapper in East Greenland. There he is teamed with a seemingly rough old sailor/trapper, Randbek, and a ... See full summary »
Hans Petter Moland
Gard B. Eidsvold,
Ulrik is reluctantly let out of prison after serving 12 years for murder. He has to cope with his gang, his ex, a few women - and a snitch. His son has a fiancé. Her family doesn't approve ... See full summary »
The movie portrays Norway's most spectacular robbery, where 11 men occupied central Stavanger for twenty minutes and escaped with 57 million kroner (appx $10 million). A police officer was shot and killed.
In a Norwegian city with a 24-hour daylight cycle, a Swedish murder investigator is brought in to find an elusive killer. But when the officer accidentally kills his own partner and covers it up, a double sided game of cat-and-mouse ensues. Written by
Daniel Jos. Leary
Usually, when a director wants to set a dark mood, he or she relies on shadows and gloom in the camera frame. Here the exact opposite has been achieved through the perpetual midnight sun which throws the descent of Jonas Engstrom into madness all too clearly. At first the effect is subtle, but as the picture continues and there is never any nightfall one begins to feel the same bone-deep weariness and lethargy experienced by the protagonist. I watched it for the first time late at night and it completely threw me off my sleep cycle for the night. Most powerful.
I speak neither Swedish nor Norwegian, but I didn't find the subtitles a hindrance at all--indeed, I much prefer subtitles to dubbing every time. I found that I had to work harder to notice everything that was happening on screen, which was a welcome change from the constant "eye candy" that seems to be the norm coming out of the movie business these days. All of the performances were understated yet brilliant, especially, of course, that of Stellan Skarsgard. I was particularly intrigued by the opening title sequence, showing the murder through the eyes of the murderer in a disjointed and confused sped-up manner, and this point of view is a foreshadowing of how both Engstrom and the viewer will feel by the end of the picture.
I have not seen the remake yet, and I'm not sure that I want to do so. The Hollywood movie business never seems to know when to leave well enough alone. I'll be able to make a better recommendation when or if I get around to the remake.
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