Failing to kill anymore because of his conscience, a troubled hit-man seeks aid from a forger to help him get papers to China. However, the drug-lord has hired replacements to finish the job and kill the hit-man.
Playboy does to softcore sex films what HBO's Tales from the Crypt did for horror. Contains the stories: "Natalie Would"; "Modivation"; "Put Asunder"; "Save The Wetlands"; "The Thief"; "... See full summary »
A marksman living in exile is coaxed back into action after learning of a plot to kill the President. Ultimately double-crossed and framed for the attempt, he goes on the run to find the real killer and the reason he was set up.
R'n'B pop wunderkind Usher, captured here wowing the ladies with his infectious blend of rhymin' and jivin'. Hits include 'U Don't Have to Call', 'I Need a Girl', and 'You Make Me Wanna', among others.
Special will delve deep into the life and storied exploits Suge Knight, Death Row Records co-founder, as well as the volatile and highly influential era in music that he presided over. With... See full summary »
John Lee is the best hitman money can buy. But when John refuses to kill because of the seven year-old son of his target, John's bosses send someone after John to kill him and then take his place in the ring of hitmen. John then teams up with Meg Coburn to help him escape these "Replacement Killers." Written by
In the music that plays over the introduction of the "replacement killers" as they walk through the airport terminal, the female voice that is heard singing is actress Claire Trevor singing "Moanin' Low" from the film Key Largo (1948). See more »
When Zedkov is running after John and Meg after the carwash scene, there is a point at which he fires twice, producing two separate muzzle flashes. There is only one gunshot in the audio track. See more »
Hits the center of the bulls-eye with hair-raising accuracy.
Wild and absolutely menacing thriller involving Chow Yun-Fat (in his American film debut) as John Lee, a quiet yet resourceful hit-man who along with a sarcastic forger, Meg Coburn (Mira Sorvino), become involved when Lee refuses to take out someone close to a cop (Michael Rooker), who shot and killed his mobster boss' drug-dealing son during a drug bust and in the process, Coburn and Lee are also targeted by his superiors.
It's a brilliant debut for Yun-Fat and director Antoine Fuqua ("Bait", "Training Day"), both of whom show their skills with such respect. Some of the shoot-outs that take place in some areas that you wouldn't even think of (car wash, alley, movie theater, etc.). Plus, the cinematographer Peter Lyons Collister and composer Harry Gregson-Williams excell in making the movie even more entertaining. The scenery has a very colorful and artistic look to it and the music doesn't get too loud. I think of the movie as "Lethal Weapon" made like in the style of John Woo, who is one of the film's producers.
"The Replacement Killers" certainly hits the center of the bulls-eye with hair-raising accuracy.
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