The Replacement Killers (1998) Poster

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7/10
Chow Yun Fat chews up Hollywood perfectly!
Movie-Misfit22 July 2014
I'm a huge fan of CYF - for almost 30 years now. His on-screen persona is just the finest and he is one of the best actors out there!

But with other HK stars transfers to Hollywood - where the big wigs all claim that they know what is best - I was quite concerned for his debut.

Replacement Killers actually plays quite well!

Still carrying that 90's look, we are treated to 85 minutes of stylish Hong Kong wanna-be shoot outs and angles that sometimes overdoes the John Woo homages - some of which are pretty good, some that just ended up quite slow.

Regardless, it was a great introduction to the US audience for HK's coolest actor, and an enjoyable film nonetheless!
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7/10
Great music, pretty good plot
Calicodreamin4 June 2020
The soundtrack is killer for this movie, giving off an edgy yet sexy vibe that the whole movie relies on. The storyline is fairly well developed, the acting is pretty good, and the main characters have good chemistry. The action delivers well enough and keeps up through the whole movie.
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7/10
Fast-paced, enjoyable fun.
tarbosh2200010 April 2016
Warning: Spoilers
John Lee (Yun-Fat) is an expert marksman/gunman/assassin/gun enthusiast who works for crime lord Mr. Wei (Tsang). All his life he's followed the orders of his superiors, but when his latest hit is meant to be carried out not just on a hardworking cop named Zedkov (Rooker), but also his seven-year-old son, Lee finds he can't pull the trigger. In order to disappear and get back to his family in China, he needs forged documents, so he goes to see Meg Coburn (Sorvino), an expert in such things. Soon enough, Wei sends many waves of goons to kill off the unlikely duo. When an underboss, Kogan (Prochnow), can't kill them fast enough, Wei sends for "The Replacement Killers" - played in the movie by Schweiger and Trejo - to kill not just Zedkov but also Lee and Coburn. This all sets the stage for lots and lots of gun shooting. Who will get killed and who will get replaced? Find out today...

It seems pretty obvious, especially looking back now, that The Replacement Killers was an attempt to bring John Woo-style action to Hollywood. Woo did act as executive producer, after all, but did not direct the film. That, in this case, went to Fuqua, and this was his first feature-length production after a career making MTV videos in the 90's, and it really, really shows. There is a lot of style and flash, but not much of a narrative structure, as you might expect from a background like that, and certainly on someone's first attempt. (Evidently there was more character development at one point, but it was left on the cutting room floor). If this all sounds like negative criticism, it's not. The movie is lightweight and entertaining, and without a doubt it delivers the action goods.

Chow-Yun Fat is one of the coolest cats around, and no one looks more awesome shooting guns or putting on sunglasses. In the 90's there was an attempt by Hollywood to also put Jackie Chan in theaters, and that was appreciated, but seemingly did not last long. We, of course, enjoyed seeing Operation Condor (1997) and Jackie Chan's First Strike (1996) on the big screen. If it could be done with Kung Fu, why not Gun-Fu? And who better to play the classic "killer with a conscience" than Chow-Yun Fat? With endless gun battles and slo-mo moments (slo-moments?...actually that would be misleading as there are no slow moments in the film), all set to the sounds of the prerequisite late-90's electronica such as Tricky, The Crystal Method and Death in Vegas (apparently Portishead was unavailable), how can you lose? If you're a fan of action setpieces (and who isn't), you don't.

Such things as described above were tried unsuccessfully before, i.e. Killing Time (1998), but, thankfully, The Replacement Killers gets the simply-plotted assassin shooting movie right. There's enough cannon fodder for the good guys to shoot at and it never really lets up. Backing up Fat and Sorvino is an impressive cast of Comeuppance favorites: Michael Rooker as the cop, Danny Trejo as one of the Replacement Killers, the fascinatingly-named Clifton Collins Jr. is the "Machine Gun Joe" character, Patrick Kilpatrick as a baddie, Jurgen Prochnow as another baddie (looking a lot like Robert Davi here), and, in blink-or-you'll-miss them goon roles, action mainstays James Lew and Al Leong. And at only 84 minutes without the credits, it all comes in at a good running time. More movies - hell, ALL movies - should be 84 minutes. Kudos to the production for a reasonable length here.

So while wags may complain that there's not much substance and the whole thing is like an extended music video, those people are missing the point. There's no time to waste as The Replacement Killers remains fast-paced, enjoyable fun.
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papa sorvino is right to be proud
loui-in-stlouis13 June 2005
i think this movie rocks -- it is the best place to watch Mira Sorvino be entertaining and hot.

i just bought the DVD in a bargain bin and i can't stop watching it. OK it's a bit of a TV movie script. but it's a year ahead of the matrix, and i dare you to watch it without making production comparisons. in fact, i can't watch the matrix any more. so much for movies with great scripts.

so much of the goodness of this movie relies on Mira Sorvino's screen presence that it plays a bit like a bit music video -- it's just plain fun to see her on screen. Chow Yun Fat is good, and this American Chinese boy (me) likes seeing a hybrid movie like this... well, it's fun to see the Chinese guy wear nice suits and kick some a$$ too. i can't watch any of the crappy hong kong stuff that the other users seem to think is superior to this. i can see how HK martial arts lovers wouldn't like this -- it's a very different, very American movie. personally, i'd rather see more clones of this movie than more jackie chan.

hey, did i mention Mira Sorvino is hot? i even like the relationship chemistry that develops here -- sort of like the David Carradine character wandering the desert in the Kung Fu TV shows -- he never even gets to kiss the pretty girl who falls for his decency, but the mutual respect is better that way. more movies need to take this route.

i'm not a Mira watcher -- i've only seen her aphrodite and some awful film school $hit i'm sure she wishes she never made, and her happy day on the Oscar alumni stage. as a Harvard guy, i'm not sure i want to see her in romy and michelle. this was simply a great role for a very underutilized actress at the right time in her life during the era of east-west action fusion. if i were producing movies, i'd kick myself for not watching this movie sooner and taking advantage of Mira Sorvino in her prime. it's not too late -- check our her recent IMDb pics. papa sorvino was right -- his daughter is great, and anyone who says otherwise should get a cap in his knee. this movie is the proof.
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7/10
Chow Yun-Fat's Hollywood debut
Tweekums28 May 2017
Warning: Spoilers
When the son of Triad leader Terence Wei is killed by Detective Stan Zedkov he is determined to get revenge so sends his best hit-man, John Lee, to kill Zedkov's young son. John has the boy in his sights but can't pull the trigger. He is now in trouble; having failed Wei he wants to get back to China so he can protect his family from Wei's inevitable revenge. To do that he needs fake documents so goes to see forger Meg Coburn. Wei's men aren't far behind and the two of them end up on the run together. As they run Wei brings in even more killers.

This might not be as thrilling as some of the films Chow Yun-Fat made in Hong Kong with director John Woo but it is still pretty good. Chow Yun-Fat is the epitome of cool managing to make his character sympathetic even though it is clear he is a hired killer; the fact that English isn't his first language isn't a problem. Mira Sorvino does a fine job as Meg Coburn; she might not look like an action star but she pulls it off impressively. The action is exciting with lots of shootouts; it is filmed stylishly without appearing too over-the-top… at least within the context of an action move. The story is pretty simple; which to my mind was a good thing; who wants to waste time on a complicated plot that needs lots of exposition when the film is all about the next shootout! Director Antoine Fuqua does a fine job creating what feels like a Hong Kong action film in Hollywood. Overall I wouldn't say this is a must see but if you want action it is worth checking out… and if you enjoy this check out some of Chow Yun-Fat's other films such as 'The Killer' or 'Hard Boiled'.
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7/10
Impressive American Debut for Chow Yun-Fat
eric26200324 October 2020
Warning: Spoilers
The realization that there is something innately cockeyed about The Replacement Killers sets in with the awareness that the movie isn't about what its title indicates: The lead characters portrayed by Asian action hero Chow Yun-Fat and Mira Sorvino are actually the targets of the titular assassins. A Westernization of the Hong Kong movies of Chow, here making his American film debut, and exec producers John Woo and Terence Chang, this mechanical effort is studied rather than heartfelt and will disappoint aficionados and thwart potential fans. Result will be tepid box office returns (in 1998 from the moment was released it was a disappointment in the Far East where it opened), with limited play. Follow-up ancillaries should be okay, but it remains a niche genre item. Chow is on familiar ground as John Lee, a hired gun with a debt to pay to Manhattan-transplanted Asian crime czar Terence Wei (Kenneth Tsang). His final mission is to murder the seven-year-old boy of the cop (Michael Rooker) responsible for the death of Wei's son during a botched drug transaction. However, in as sequence that seems like a variation on the opening scene of Woo's Face/Off, when he has the boy in his sights, a crisis of conscience prevents him from pulling the trigger. Lee knows his decision will make him a target of whoever is brought in to finish the job. He also realizes that his mother and young sister back in Shanghai are living on borrowed time. On the way to the airport for his return to China , he contacts master forger Meg Coburn (Mira Sorvino) to get a phony passport. But before the rush job is ready, Wei's trigger men descend and Lee and Coburn begin their long flight, pursued through New York discos, restaurants and a car wash. First time feature director Antoine Fuqua, a hot music video and commercials director, and script writer Ken Sanzel have obviously studied every slow-motion sequence and violently choreographed ballet of blood Hong Kong has served up in recent years. While an apt homage, the set pieces here are technical but not visceral, feeling menu fractured rather than originally integrated into the plot. The performances too, have a rote quality. Chow shot much in the way that catapulted him to stardom in Woo's films, The Killers and A Better Tomorrow. He's an elegant, soulful presence with a heart-beating behind those cold eyes, a man who conveys the instincts and nine lives of a cat. But still he needs significant quality time with a voice coach to have a prayer of a career beyond the former Crown Colony. Sorvino is once again in much form, though for most of the picture's running time, she fires off rounds of ammunition without coming close to doing physical injury. She has the requisite humor but lacks the flinty quality necessary for the role. The supporting players are good in undemanding parts, but it's a disappointment to see German star Til Schweiger's talents squandered in the thankless role of one of the title characters. Fuqua directs The Replacement Killers with a glee of a big, loud music video that's not particularly interested in content. It's a rudderless style piece; as the old saw cautions, accept no substitutes.
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7/10
Cool action movie from childhood or Big showdown in little America
lyubitelfilmov5 May 2020
Crime thriller. The debut work of the famous American director Antoine Fokua, known to a wide range of viewers thanks to such films as "Training Day", "Olympus Fall", "Left-Handed" and two parts of "The Great Equalizer", and then he was an ordinary clip maker. As you can already understand, if you read my reviews, then I have a personal story connected with almost all the old paintings. Well, it will be the same here. This was the first time I watched this action movie on a VHC tape, oh, there were times, there was still no sense of the Internet, and not everyone had a video recorder, I literally had to cassette tapes, they often deteriorated, then scandals and so on. Oh sorry, I'm a little distracted. So, I don't remember exactly how this tape turned out to be with me (maybe I even begged it out), but I rubbed it into holes. Reviewed an unlimited number of times. In childhood, this picture seemed perfect to me. But now, having reviewed it already at a conscious age, with the look of a cynical beast who criticizes cinema, I realize that the picture is not so cool. There was no disappointment, I just remembered this action movie much better than it really is. And here is my brief opinion - A cool action movie from childhood. Despite a certain nostalgia, I intend to consider both the advantages of this picture, and the cons that are striking too persistently. Then let me get started! So, the pros: 1. Atmosphere - you will be surprised, but it is here, and even very solid. The closest analogue that comes to mind is "Without a Face", and early paintings by Guy Ritchie. The picture literally from the first frame makes it clear that in the next hour and a half we will find a cool and inconspicuous criminal action movie, where a cool hero will throw the adversaries with one left, protecting someone along the way. And, here's a surprise, the way it is! 2. Music - the well-known composer Harry Gregson-Williams who wrote very suitable music for this picture was responsible for it. There are Eastern motives, and sad ones, and pop music, which was playing from every teapot at that time. All this is very harmoniously combined, for each melody or song sounds out of place and does not have time to get bored. Unfortunately, there are no catchy tunes here, but this is purely my nit-picking. 3. Skirmishes - oh yes, it was because of them that I watched this picture countless times, and then imagined myself as the main character John Lee and played in the courtyard with the boys in the war. It was after watching this picture that I bought a gun with bullets for my pocket money. Oh, I'm sorry, I was distracted again, but it was just that. Oh yes, the shootings in this picture occupy almost eighty percent of the entire timing (plus or minus ten percent, but that's not accurate), and they were shot very soundly. Bullets whistle, adversaries die, blood spurts within reasonable limits, professionals work with professionals, in general - class! Do not think it wrong, the shootings here are not a masterpiece, but at one time the picture set a record for the number of shots, which says a lot. 4. History - the seasoned killer ruined the order, as a result of which he became a target, now he has to not only deal with the former employer, but also save several lives, including the life of an unexpected ally who was involved in this whole channel through him. The story for a criminal action movie is quite simple - and this is its plus. I saw a detailed scenario move, for example, in the film "The Crying Killer", "John Wick" and many others. After all, the militants are not looking for complicated stories with an unexpected turn, but for the shootings, fights and chases. The sad moments that reveal the characters of the heroes were also brought into history, thanks for which. Especially now I have watched an extended version of the picture, which added interesting and sometimes sad dialogs. The picture ends at the right moment, although in something sad. For this genre - just right. It is a pity that the picture failed at the box office. So cons: 1. Scenic holes - not without it. At the first viewing, they obviously will not catch your eye, and in childhood I did not notice them at all, but now. Let's just say that in several scenes the actions of both heroes and bandits defy any logic. Does this hit perception hard? No, not much. But when you think about it, you want to exclaim - "Juno, take you!" 2. Final - yes, I already said that it breaks off in the right place, but you know me, I'm a romantic damn! I want another finale, well, please! A little about the main characters: 1. John Lee, played by Chow-Yun-Fat, is a Chinese expat, a top-notch hitman working for a very influential crime boss. He ruined the task, as a result of which he became a walking target. A killer, but with his code of honor. Something like Leon. As a child, I tried to be like him, but I talked about this above. How does he really like a suit and pistols, which he skillfully uses. An unrealistically cool hero, which Chow perfectly embodied on the screen. which is not surprising, given his experience in Hong Kong action movies! Bravo Chow! 2. Meg Cowburn performed by Mira Sorvino is a casual acquaintance of John, whom he dragged into disassembly, and now bears responsibility for it, though the lady is not from a timid dozen, but is able to fend for herself no worse than her forced ally. True, they will not tell us about the acquisition of these skills that saddens. The Beauty of the World coped with this role perfectly, you can't argue. 3. Terence Way performed by Kenneth Zahn is John's crime boss. After the failure of the order, orders to eliminate the insolent. Typical bigwigs. Rich, domineering, and not forgiving. Kenneth just fit perfectly. Still here, cool guys such as Danny Trejo and Til Schweiger lit up. As a result, we have a good action movie from the nineties with a good atmosphere, excellent shootings, a simple but memorable story, charismatic heroes, high-quality music and excellent acting.
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7/10
"You're like a walking bulls-eye."
classicsoncall4 December 2016
Warning: Spoilers
I was expecting more in the way of martial arts action in this one and it didn't deliver on that score. Turns out it's a fairly standard assassins flick with not much thought put into a story line as it's far from compelling. Perhaps the best that can be said here is that the picture had an eclectic international cast, but beyond that, it's only the action sequences that keep the picture moving forward to a completely expected conclusion. A tip for future assassin film makers - by the time a professional killer rises to the top of the ranks, he's pretty much decided whether he would ever kill a kid or not. This should not have been a surprise to Terrence Wei (Kenneth Tsang), particularly after he described John Lee (Chow Yun-Fat) as ruthless but honorable. Even more so, Lee should already have known that about himself as well.
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4/10
Action films aren't SUPPOSED to be boring, are they?
David N.21 March 2000
Sheesh! Chow Yun-Fat has the silky charm and coiled rage of a tiger, and Mira Sorvino has great legs, but they are both wasted in this dull, Hong Kong action flick-wannabe. The film, about a hitman (Yun-Fat) who refuses to kill a young boy and becomes hunted by mercenaries, is the cinematic equivalent of a fast-food restaurant's neon sign. Flashy and colourful, noisy and shallow, "The Replacement Killers" is never as cool or as exciting as it could have been.

There's one great sequence - a shoot-out in a car wash - and any film with Michael Rooker in it isn't completely worthless. Most of the film, though, is a cluster of pedestrian action scenes centred around a group of characters with no depth. Sorvino is on autopilot as the brash, hard-as-nails chick; the villains are instantly forgettable; and Yun-Fat only gets to glower.

To tell you the truth, I have no desire to write any more about this movie. Having never seen an actual Hong Kong action movie, I can only guess they're better than "The Replacement Killers." In any case, you'd be better off renting one of those.
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6/10
Violent thriller with non-stop action, tension , twists and spectacular crossfire in John Woo style
ma-cortes28 January 2022
This is a criminal and nail-biting drama of merciless killers with full of intrigue , unstopped action, tense , suspeseful , and lots of violence . John Lee (Chow Yun Fat) is the best hired hitman but a relentless vendetta emerges when he refuses to commit a murder because of a morally complicated target . However, the drug lord (Kenneth Tsang) has hired replacements (Til Schweiger, Danny Trejo) to finish the job , and kill the hitman . John then teams up with Meg Coburn to help him getaway these "Replacement Killers¨. Along the way , they're partenered to defend themselves and save a cop (Michael Rooker) and his seven year-old son . Both of whom will fight at whatever cost and they'll stop at nothing to get it , facing off Chinese bands and Triads chasing them , along with The Replacement Killers. Later on, things get awry more and more . Both , John Lee and Meg Coburn are drawn into a cobweb of violence , treason and deception. Kill or be replaced. When people need to disappear, they come to see Meg. When they're about to go, they never see John coming. Conscience has no place in the heart of an assassin. No law. No rules. No justice.

Slick and passable crime thriller in which two divergent characters , a Chinese hitman and a young Caucasian take on a war against hoodlums , rival bands and other underworld factions .Attractive action movie with thrills , action-packed , violence , betrayal and bloodletting shoot'em up . The movie has a John Woo style , there are amount of shoot-outs , frenetic action and running men while they are shooting . Chow Yun-Fat finally receives a Hollywood stardom that already had before internationally in Asia . Nevertheless , the action segments suffer in comparison to his work in John Woo films . While Mira Sorvino is fine as the tough forger and she showcases the talents that previously showed in other movies as Woody Allen's Mighty Aphrodite , Academy Award included. The thrilling script and interpretation are top-drawer , and there's crossfire enough to satisfy the average appetite for destruction. A good starring duo , Chow Yun-Fat as a troubled hitman who seeks aid from a forger to get papers and Mira Sorvino as the resourceful forger , both of them giving acceptable performances , being well accompanied by an appropriate support cast , such as Michael Rooker , Kenneth Tsang , Clifton Collins Jr , Carlos Gómez, Frank Medrano, Patrick Kilpatrick , Randall Duk Kim and Danny Trejo , Til Schweiger as the ring of hitmen and special appearance by the veteran German actor Jürgen Prochnow.

It contains an adequate and colorful cinematography by Peter Collister . As well as moving and thrilling score by Harry Gregson-Williams , composed by means of synthesizer and lots of oriental sounds . The motion picture was professionally directed by Antoine Fuqua , providing from his standout cast some decent interpretations . Fuqua originally did not want to do John Woo's trademark "Mexican Standoff" in this film , but producers begged him to include these kinds of rip-roaring scenes . This fine craftsman, director Antoine Fuqua , frequently deals with familiar conflicts set in N. Y , keeps the film slick and stokes up the race some , but this only accelerates the flick's deafening rush toward the top and ever over. Fuqua handles the explosive and the psychological undercurrents with equal assurance . Antoine Fuqua has made a lot of succesful movies , such as : The Magnificent Seven , Olympus Has Fallen, The Equalizer , Equalizer 2 , Southpaw , King Arthur , Training Day , Shooter , Tears of the Sun , Bait , among others. Rating : 6/10 . The yarn will appeal to Chow Yun Fat and Mira Sorvino fans.
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4/10
Mindless Shoot-em-up
esh-329 August 1999
This could have been a good movie with just a bit more thought and better plot. I get very tired of heroes that can gun down four bad guys (all shooting back with machine guns) with just a pistol. Mira Sorvino and Yun-Fat Chow wasted their talents creating believable characters in this.
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10/10
An excellent movie that I've enjoyed through many viewings
Mitche26 February 2002
I suppose this is actually a B movie, but there's something about this movie that keeps me coming back to see it again every few months. Maybe it's the rather unique (for Hollywood, anyway) relationship between Meg and John. I mean, they don't even so much as kiss each other and barely touch at all! But I think they make the screen sizzle, nonetheless.

I must admit I love the action in this movie, too. Every once in a while I wonder how a small time forger learned to fight and shoot like she does, but then I blissfully ignore it and just enjoy the movie.

Great action scenes, wonderful relationship development and great acting by Mira and Yun-Fat Chow make this a movie I'm sure I'll see many more times.
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7/10
Pretty good emulation of John Woo's action movies.
KineticSeoul13 January 2017
Warning: Spoilers
So this is Antoine Fuqua's directorial debut and it's obvious he is a fan of Hong Kong action cinema. And he did the best he could to emulate John Woo's style of action and gunplay or gun-fu. And the results are pretty darn cool, especially for a movie from the 90's. He even hired Chow Yun-Fat as an assassin working for the Chinese mafia. This is a very short action movie, but it's full of cool and stylish gun-fu action while taking on that cinematic flare. So if you want to watch a short but pretty good emulation of John Woo's action movies this might be worth the watch for you.

7/10
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4/10
Forgettable action thriller.
poolandrews12 September 2008
Warning: Spoilers
The Replacement Killers starts late one night during a drugs bust on the dock's, cop Stan 'Zeedo' Zedkov (Michael Rooker) shoots Chinese smuggler Peter Wei (Yau-Gene Chan) in self defence but Peter's father & crime-lord Terence Wei (Kenneth Tsang) is rather upset about his son being killed by a cop & orders John Lee (Chow Yun-Fat) to kill the cop's seven year old boy in revenge. John cannot bring himself to do it though which also upsets Terence Wei & John is soon added to his hit list, John needs to get out of the US & back to China & hires forger Meg Coburn (Mira Sorvino) to knock him up some fake papers. However before she completes them Wei's men catch up with her & John, after a shoot-out John & Meg are left stranded on the run from Wei's men & influence as he wants them both dead at any cost...

Directed by Antoine Fuqua I personally think that The Replacement Killers is a very shallow & forgettable HK action style US action thriller that I didn't like when I saw it in the cinema back in '98 & still didn't like it when I saw it again last night. The Replacement Killers is yet another one of those films available in more than one version, there's the common theatrical cut which was widely released & then there's the 'Extended Cut' (interestingly not known or advertised as a 'Director's Cut' anywhere) which runs for around ten minutes longer give or take a couple of minutes & I will be basing my comments on the ordinary theatrical cut which is the only version I have ever seen. The plot is very thin, it contains all the hallmarks of a John Woo Hong Kong action flick dealing with themes likes trust, betrayal, honour, family, loss & revenge but The Replacement Killers is a very shallow & forgettable US attempt at copying that distinctive John Woo action style. The character's are paper thin (although to be fair to it the 'Extended Cut' apparently has more development), the dialogue is sparse & almost minimal & the actual action scenes are surprisingly poor & lacklustre. Virtually every action sequence in The Replacement Killers is the same as the last with constant shoot-outs between bad guy's who can't shoot straight & good guy's who rarely ever waste a bullet. It becomes very tiresome & I found it pretty tedious too, I just thought it was a poor story with poor repetitive action scenes & overall I am really struggling to say anything particularly positive about this film.

Apart from a shot up car & an exploding van at the end every action scene in The Replacement Killers feels exactly like the last with lots of people shooting at each other. OK sure the locations change but various people jumping over things, sliding across the floor & dodging bullets are essentially exactly the same from one scene to another. I usually like the big budget brainless Hollywood action films & find them very entertaining but this I just couldn't get involved with or get into at all. Although the shoot-outs are well choreographed they are fairly flat & repetitive in my opinion. The film tries to be very cool with lots of dance music, stylish cinematography that keeps the camera moving & darting about & there's lots of posturing & posing as various character's wear the latest sunglasses, carry & shoot using two guns instead of one & dress in sharp suits but there's absolutely no substance to go with the style.

According to the IMDb this had a budget of about $30,000,000 which amazes me, I can't really see where all that money went at all. There are no big Hollywood stars, not much in the way of action & I don't understand why this cost so much to make. Shot in Los Angeles in California. The acting is alright but no-one is given too much to do, this was Chow-Yun Fat's US feature film debut, Sorvino is OK while Michael Rooker is wasted in nothing more than a cameo.

The Replacement Killers is a Hong Kong style action thriller that I thought was actually pretty poor all round, a really shallow & dull plot along with some repetitive action scenes kill it for me.
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Great action
Kazuya-425 July 1999
Regardless of what many other people say, if you like action then you should check this out. Granted, the film is not going to win any awards for storyline, in fact the storyline is fairly weak, but in terms of action this is one of the most adrenaline filled action packed movies I have ever seen. I am a big Chow Yun Fat fan and although this is not on par with some of his HK films, it is better than the debuts of many other HK actors/directors (John Woo and THAT terrible Van Damme film anyone?). Mira Sorvino is a great co-star too. Overall, if you are looking for an action packed roller coaster of a film then check this out, but if you prefer to have a little more substance in your movies then you should check out The Corruptor which places more focus on the storyline.
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7/10
Solid and stylish late 90's action
dworldeater18 December 2014
The Replacement Killers is not only the US debut of Chow Yun Fat, but also the first film project for director Antoine Fuqua. Before his masterpiece Training Day, Fuqua was known for Coolio's "Gangsta's Paradise" video and this film. Heavily influenced by John Woo's The Killer. The Replacement Killers is a very stylized, sharp looking and well acted action film. Of course, there is only one John Woo and this film is not nearly as good or as intense as his best work. Though somewhat restrained by comparison, The Replacement Killers is a solid action film in its own right and has an excellent cast. Chow Yun Fat, Mira Sorvino, Michael Rooker, Jurgen Prochnow, Kenneth Tsang and Danny Trejo all give incredible performances that elevate the material beyond that of standard action fare. The film looks great and the shootouts are abundant and high quality as well. In today's world this sort of film is nearly extinct. For what it is(straight up action), The Replacement Killers is well done and much better than most of the action films coming out recently.
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7/10
This is '90s action in its purest form.
Mr-Fusion12 January 2015
Warning: Spoilers
Chow Yun-Fat has an distinctive screen presence; suit-n-tie, stylish sunglasses. Dude just screams lethal. And when the man dual-wields a pair of Berettas, it's like watching a master artisan plying his trade. And the people behind THE REPLACEMENT KILLERS know this all too well. There's the promise of some sweet gunplay and very little else. Sure, there's story, cute Mira Sorvino as tough guy, and plenty of gun porn, but it's all about the promise of high energy well-choreographed shootouts. Style over substance? You bet, but here it's a shameless badge of honor.

7/10
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6/10
"My condolences"
boscofl27 July 2021
The Replacement Killers is notable for being the first feature film of director Antoine Fuqua and the initial American movie for international action superstar Chow Yun-Fat. It contains shootouts galore, piles of dead bodies, and minimal dialogue. The supporting cast is solid featuring plenty of familiar faces; some of whom were pretty popular in 1998 and a few more who would enjoy future success. Enhanced by techno music from the period and oozing with bloody violence the film should satisfy action enthusiasts.

The uncomplicated plot is a prime asset: John Lee (Chow) is a hitman employed by crime lord Terence Wei (Kenneth Tsaing); in order to provide security for his family in China Lee has made a deal to perform 3 tasks. He swiftly accomplishes the first two because they involve assassinating gangsters but he cannot fulfill the third: murdering the young son of police detective Zedkov (Michael Rooker). As a result Wei sends his army of gunmen after Lee and brings in replacement killers to complete Lee's task. Lee must survive long enough to escape to China and protect his mother and sister from more of Wei's goons. Along the way he acquires an ally in Meg Coburn (Mira Sorvino) whom he employs to concoct the phony travel documents required for his journey.

The setup for the film is the best part. Early scenes showcase Lee as an almost otherworldly assassin as he mows down thugs in a crowded nightclub which is followed by establishing Zedkov as an honorable cop forced to kill Wei's hotheaded son in a police raid. Wei is shown to be ruthless and unconcerned with the circumstances surrounding his child's death; he is determined to eliminate Zedkov's son as a reprisal. Meg is presented as a resourceful purveyor of bogus documents who lives by her wits and is one step ahead of the law until John Lee comes into her life. Unfortunately once Meg and Lee are thrown together the film devolves into an ever-escalating succession of increasingly ludicrous shootouts.

Director Fuqua cut his teeth as a music video director and that experience is omnipresent in his initial movie. The film is very episodic with clever camerawork, weird angles, slow motion action, and numerous techno songs to dileanate each violent set piece. Unfortunately the action becomes positively farcical in its excesses. There are endless shootouts with an infinite number of bullets being fired; most of which hit nothing but walls, windows, and furniture. The title characters in particular are two of the most incompetent assassins ever committed to celluloid. It would seem to me professional killers would be more careful with their ammunition, more subtle, and more stealthy; they certainly would avoid shooting up public places when they're only supposed to eliminate one or two targets. Even John himself never uses one well placed bullet when 8 will do. One particularly idiotic sequence requires a common automobile to absorb a hundred rounds of bullets and protect its occupants while remaining drivable. And of course my favorite trope permeates the story: supposedly professional gunmen can knock off every unimportant character with minimal effort but can never hit the heroes.

The Replacement Killers survives and endures on the charismatic performance of Chow Yun-Fat who demonstrates the kind of screen presence that made him a global superstar. He has minimal dialogue but clearly conveys every emotion his character has through body language and facial expressions. Of course, no one looks more natural handling a pair of pistols and Director Fuqua wisely incorporates some of Chow's iconic spinning moves when firing off rounds that he made famous in several John Woo films. He is most graceful in these moments and these action sequences achieve a balletic quality.

Chow receives able support from the cast. Mira Sorvino is particularly effective as Meg; she is both tough and vulnerable while looking like a natural with firearms. Her role is well-written and she is completely believable. Michael Rooker is hampered in his role of the noble cop only by lack of screen time as he delivers a compelling performance as well. Kenneth Tsang underplays perfectly as the thoroughly corrupt Terrance Wei while Juergen Prochnow conveys menace as Wei's top thug. The two title characters,Til Schweiger and Danny Trejo, look intimidating in their leather outfits and comically obvious as bad men while having perhaps 4 words of dialogue between them. Clifton Collins turns up in an abbreviated role as a small time hoodlum and hilariously overplays the part; it's a shame he didn't have more opportunities.

The Replacement Killers is a film that ultimately emerges as a bunch of music videos stitched together with a narrative thread that grows more tenuous as the show progresses. There are plenty of individual scenes that are compelling and action packed although in the context of the entire film they become ridiculously over the top and repetitive. All in all this movie will provide a fair amount of entertainment value and showcase action superstar Chow Yun-Fat in a representative role.
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7/10
I'll need more guns....
FlashCallahan5 June 2014
Warning: Spoilers
John Lee owes a debt to Mr. Wei, a Notorious LA drug-lord.

When a cop kills Wei's son during a drug bust, Wei instructs Lee to kill the cop's seven- year old son while they are at play. Lee can't pull the trigger, and he knows Wei will punish him by going after Lee's mother and sister in Shanghai.

To reach them fast, Lee needs a hot passport. He seeks out Meg Coburn, an expert in counterfeit ID.

But Wei's men are already on Lee's trail, and they must fight them off, evade the cops, face the titular hit men imported to finish Lee's job.....

If the film were about The Replacement Killers, then it would have starred Trejo and Schweiger, sounds more intriguing. But that would be if it was made now, and the film would have sounded a lot like a romantic comedy if it were called John and Meg.

But to get maximum enjoyment from this movie, you really need to take Chows earlier movies he did with John Woo, because if you go into this expecting something like that, you will find that you will dislike it a lot.

Its a big explosion of a film, light on plot and narrative, huge on big, loud set pieces, wonderful mid nineties techno soundtrack, and very clunky dialogue.

And its a lot of fun, Fuqua gives the audience very little time to breath between set pieces, and Chow is as cocky as you'd expect him to be, and you will forget Sorvino won an Oscar two years prior to this.

All In all, a big dumb, loud summer action film, very cool to look at and to listen to, but it will rot your brain if watched lots and lots of times.
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3/10
Not Enough Gunfights
quake-417 May 2003
This movie, despite what you think it may be about, is really about gunfights. There are more gun battles in this film than there were in the Civil War. Pistols capable of shooting dozens of rounds without reloading, criminals who could not hit their target (even wounding it) despite blazing away with - oh let's say - a billion rounds of ammunition, and a hero that is capable of killing them by the dozens. Did you know that you cannot be shot if you drop and roll? Yes, it's true, the gangster shootout version of duck and cover during an atomic attack. Drop and roll deflects all bullets headed your way. So, if you like gunfights with automatic and semi-automatic weapons, and the only reason your life has meaning is to see gunfights with automatic and semi-automatic weapons, then this, believe me, is the movie for you.
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4/10
Derivative thriller delivers the action goods
Libretio25 December 2004
THE REPLACEMENT KILLERS

Aspect ratio: 2.39:1

Sound formats: Dolby Digital / SDDS-8

John Woo (who else?) co-produced this debut US vehicle for Asian superstar Chow Yun-fat (or 'Mr. Fat', as he's known to some careless movie fans), in which Chow plays a hired killer pursued by ruthless gangster Kenneth Tsang Kong (BISHONEN) after refusing to assassinate the family of a cop (Michael Rooker) who killed Tsang's son during a drugs bust. Mira Sorvino plays the plucky con artist hired by Chow to provide him with forged documents so he can flee the country, only to find herself caught up in Tsang's lust for vengeance, as monstrous hit men Til Schweiger (DER BEWEGTE MANN) and Danny Trejo (BLOOD IN BLOOD OUT) arrive on the scene to exterminate both Chow and his immediate family. For all its flashy visuals and explosive soundtrack, Antoine Fuqua's derivative film ploughs a well-worn furrow, slavishly imitating the Hong Kong action-thrillers which first brought Chow to Hollywood's attention, whilst completely disregarding the emotional/thematic resonance that distinguishes Asian cinema from its western counterparts. Chow is OK, as usual, but the part doesn't require him to do very much, and the entire cast (including an underused Jürgen Prochnow) plays second fiddle to the slam-bang pyrotechnics. Routine stuff, with few redeeming features.
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9/10
Hits the center of the bulls-eye with hair-raising accuracy.
mhasheider17 April 2002
Wild and absolutely menacing thriller involving Chow Yun-Fat (in his American film debut) as John Lee, a quiet yet resourceful hit-man who along with a sarcastic forger, Meg Coburn (Mira Sorvino), become involved when Lee refuses to take out someone close to a cop (Michael Rooker), who shot and killed his mobster boss' drug-dealing son during a drug bust and in the process, Coburn and Lee are also targeted by his superiors.

It's a brilliant debut for Yun-Fat and director Antoine Fuqua ("Bait", "Training Day"), both of whom show their skills with such respect. Some of the shoot-outs that take place in some areas that you wouldn't even think of (car wash, alley, movie theater, etc.). Plus, the cinematographer Peter Lyons Collister and composer Harry Gregson-Williams excell in making the movie even more entertaining. The scenery has a very colorful and artistic look to it and the music doesn't get too loud. I think of the movie as "Lethal Weapon" made like in the style of John Woo, who is one of the film's producers.

"The Replacement Killers" certainly hits the center of the bulls-eye with hair-raising accuracy.
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7/10
A visually spectacular action film.
allmoviesfan13 January 2024
Warning: Spoilers
Sure, the acting isn't much and the script won't be winning any awards for originality or dialogue...but Antoine Fuqua (with an executive producer assist from the great John Woo) have delivered a spectacular vehicle for Hong Kong star Chow Yun Fat.

From the opening scene in the nightclub to the final confrontation on the balconies of Chinatown, 'The Replacement Killer' is full of slick, spectacular, and almost beautiful (despite the graphic violence) sequences of gun play, featuring the stylised, slow-motion action that John Woo has become famous for. There are cool scenes in a theatre, arcade and even a carwash.

Yun Fat plays John Le, an assassin for a crime family who refuses to carry out a job - the killing of a police officer's young son - and has to fight for his life to get from America to China to save his own family from retribution.

Mira Sorvino plays his unlikely ally, Meg Coburn, a forgery specialist who is more than a match for Le. Michael Rooker is Zedkov, the cop whose son Le couldn't kill. Til Schweiger and Danny Trejo play the 'Replacement Killers', who are brought in to do the job Le wouldn't.

A brilliant action film.
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3/10
Mira Sorvino needs a "Replacement Agent"
jpn28 December 1998
This movie has almost no plot, and so it relies on an almost endless series of shootouts to make up its hour and a half length. Don't get me wrong, I like a good action shooter film, but this just isn't one of them. The trailers for the film touted Academy Award winner Sorvino, but her acting contribution is non-existent. This one isn't even worth a rental.
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