The late Jim Holliday is revered by some as film historian and erstwhile director, influential (to this day) for his emphasis on sex as all-important over storytelling in Adult Cinema. He practices that principle with very poor results in this formula sex comedy, intentionally stupid.
So we see pretty girls, notably stars Shayla LaVeaux, Alexis Devell, Kaylan Nicole and Keisha, trapped in a non-story that's corny, pointless and largely abandoned in favor of random sex scenes and failed comedy. The entire male cast, overacts and embarrass themselves, notably Mike Horner as a crank professor who invents an all-day-sucker for candy magnate Devell, and the anti-comedy team of T. T. Boy and Marc Wallice as a couple of wannabe hoods presaging "The Sopranos".
For some reason, probably egotistical, director Holliday insists on popping up in an idiotic cameo as The Man in White, wearing shades, dressed in white and popping out of Shayla's closet to regale her with a dumb reference to Dwight Frye in Universal's original "Dracula" movie. I assume as film historian he thought this was clever. In the same vein, Ron Jeremy shows up as a fire inspector in a completely irrelevant cameo, talking very fast (and flubbing his line a bit) in an effort (successful) to break up Keisha, cast as Devell's secretary and unaccustomed to being the comedy straight man.
Lesbian scenes pop up regularly, with an unusual emphasis on foot-fu*king by the gals.
So we see pretty girls, notably stars Shayla LaVeaux, Alexis Devell, Kaylan Nicole and Keisha, trapped in a non-story that's corny, pointless and largely abandoned in favor of random sex scenes and failed comedy. The entire male cast, overacts and embarrass themselves, notably Mike Horner as a crank professor who invents an all-day-sucker for candy magnate Devell, and the anti-comedy team of T. T. Boy and Marc Wallice as a couple of wannabe hoods presaging "The Sopranos".
For some reason, probably egotistical, director Holliday insists on popping up in an idiotic cameo as The Man in White, wearing shades, dressed in white and popping out of Shayla's closet to regale her with a dumb reference to Dwight Frye in Universal's original "Dracula" movie. I assume as film historian he thought this was clever. In the same vein, Ron Jeremy shows up as a fire inspector in a completely irrelevant cameo, talking very fast (and flubbing his line a bit) in an effort (successful) to break up Keisha, cast as Devell's secretary and unaccustomed to being the comedy straight man.
Lesbian scenes pop up regularly, with an unusual emphasis on foot-fu*king by the gals.