Paris-based sales house Charades has acquired international sales rights to “In a Violent Nature,” the debut feature film from writer and director Chris Nash that is set to premiere in Sundance’s Midnight Section on Jan. 22.
Produced by Shudder under the streaming service’s Shudder Original banner, the film follows a vengeful undead monster as he methodically slaughters a group of campers in the wilderness after they remove a pendant from his resting grounds. Peter Kuplowsky and Shannon Hanmer are also producers on “In a Violent Nature,” which is set for release in 2024.
“‘In a Violent Nature’ reminded us of ‘The Texas Chainsaw Massacre’ and ‘Angst,’ but most of all, it’s the discovery of an incredibly talented director,” said Charades co-founders Pierre Mazars, Yohann Comte and Carole Baraton. “We are very grateful to be working with Shudder once again with whom we are building an incredible track record of genre films from ‘Revenge,...
Produced by Shudder under the streaming service’s Shudder Original banner, the film follows a vengeful undead monster as he methodically slaughters a group of campers in the wilderness after they remove a pendant from his resting grounds. Peter Kuplowsky and Shannon Hanmer are also producers on “In a Violent Nature,” which is set for release in 2024.
“‘In a Violent Nature’ reminded us of ‘The Texas Chainsaw Massacre’ and ‘Angst,’ but most of all, it’s the discovery of an incredibly talented director,” said Charades co-founders Pierre Mazars, Yohann Comte and Carole Baraton. “We are very grateful to be working with Shudder once again with whom we are building an incredible track record of genre films from ‘Revenge,...
- 1/16/2024
- by Alex Ritman
- Variety Film + TV
Paris-based sales company is bringing eight new titles to Rendez-Vous.
Julie Delpy’s immigration-themed comedy Meet The Barbarians (Les Barbares) is among eight new titles Paris-based sales company Charades is launching at Unifrance’s Rendez-Vous with French Cinema this month.
The event takes place from January 16-23 in Paris.
Charades extensive Rendez-Vous line-up also includes 3D animation Flow, romantic comedy Just A Couple of Days starring Camille Cottin, Jeremie Sein’s Olympic sports comedy Game Changers, Antoine Raimbault’s political thriller Smoke Signals, Gustave Kervern’s revenge story Enough Is Enough!, dark comedy Plastic Guns plus recently announced adaptation And...
Julie Delpy’s immigration-themed comedy Meet The Barbarians (Les Barbares) is among eight new titles Paris-based sales company Charades is launching at Unifrance’s Rendez-Vous with French Cinema this month.
The event takes place from January 16-23 in Paris.
Charades extensive Rendez-Vous line-up also includes 3D animation Flow, romantic comedy Just A Couple of Days starring Camille Cottin, Jeremie Sein’s Olympic sports comedy Game Changers, Antoine Raimbault’s political thriller Smoke Signals, Gustave Kervern’s revenge story Enough Is Enough!, dark comedy Plastic Guns plus recently announced adaptation And...
- 1/9/2024
- by Rebecca Leffler
- ScreenDaily
Courtroom drama had UK premiere at BFI London Film Festival.
MetFilm Distribution has acquired UK-Ireland rights to Cedric Kahn’s courtroom drama The Goldman Case.
The French feature was a box office hit in its home country, recently crossing 327,000 admissions following a September release through Ad Vitam.
It premiered as the opening film of Directors’ Fortnight at Cannes this year; and had a UK premiere at the BFI London Film Festival in October.
The Goldman Case follows the 1975 trial of Pierre Goldman, a left-wing activist facing a life sentence who accepts charges of robbery but denies involvement in two murders.
MetFilm Distribution has acquired UK-Ireland rights to Cedric Kahn’s courtroom drama The Goldman Case.
The French feature was a box office hit in its home country, recently crossing 327,000 admissions following a September release through Ad Vitam.
It premiered as the opening film of Directors’ Fortnight at Cannes this year; and had a UK premiere at the BFI London Film Festival in October.
The Goldman Case follows the 1975 trial of Pierre Goldman, a left-wing activist facing a life sentence who accepts charges of robbery but denies involvement in two murders.
- 11/17/2023
- by Ben Dalton
- ScreenDaily
"Star Trek: Strange New Worlds," currently wrapping up its second ten-episode season, has stood apart from the many other "Star Trek" shows by possessing a much lighter, more genial tone than its immediate predecessors. Since 2009, "Star Trek" has been largely dour, violent, and dark. Some of the more recent episodes of "Star Trek: Discovery" and "Star Trek: Picard" have contained many, many murders, and the Kelvin-verse movies have been hyperactive action pictures (one of them is even called "Star Trek Into Darkness"). It's telling that the better Trek shows of more recent vintage have been more or less comedy shows. "Star Trek: Lower Decks" is a 30-minute animated "Star Trek" sitcom, while "Strange New Worlds" is lighter -- literally; the set is more brightly lit -- and features stories that verge on the silly. In "The Elysian Kingdom," the characters are all magically transformed into Ren Faire characters. In "Charades,...
- 7/30/2023
- by Witney Seibold
- Slash Film
This Star Trek: Strange New Worlds review contains spoilers.
Star Trek: Strange New Worlds Season 2 Episode 8
Star Trek: Strange New Worlds has delighted in subverting our expectations about what a sci-fi adventure series like this is supposed to be and do, embracing wild shifts in tone, genre, and format from week to week and telling what should be familiar stories in fresh new ways. Season 2 has featured episodes that range from a courtroom drama (“Ad Astra Per Aspera”) to a trip into an alternate past (“Tomorrow and Tomorrow and Tomorrow”), a relationship comedy (“Charades”), and a heartfelt and hilarious crossover with a Star Trek animated series (“Those Old Scientists”).
Granted, “Under the Cloak of War” does make for a particularly jarring tonal shift after the Strange New Worlds meets Lower Decks episode. This installment is…well, it’s pretty darn dark, especially for a show that generally tries so valiantly...
Star Trek: Strange New Worlds Season 2 Episode 8
Star Trek: Strange New Worlds has delighted in subverting our expectations about what a sci-fi adventure series like this is supposed to be and do, embracing wild shifts in tone, genre, and format from week to week and telling what should be familiar stories in fresh new ways. Season 2 has featured episodes that range from a courtroom drama (“Ad Astra Per Aspera”) to a trip into an alternate past (“Tomorrow and Tomorrow and Tomorrow”), a relationship comedy (“Charades”), and a heartfelt and hilarious crossover with a Star Trek animated series (“Those Old Scientists”).
Granted, “Under the Cloak of War” does make for a particularly jarring tonal shift after the Strange New Worlds meets Lower Decks episode. This installment is…well, it’s pretty darn dark, especially for a show that generally tries so valiantly...
- 7/27/2023
- by Lacy Baugher
- Den of Geek
In the second season of "Star Trek: Strange New Worlds," the show has proven itself worthy enough to get silly. The original series prequel has been great since day one, but its sophomore season feels especially playful, following the spirit of Gene Roddenberry's original down goofy paths as well as emotional and philosophical ones.
One of the show's goofiest paths to date came in the season 2 episode "Charades," which saw Spock (Ethan Peck) briefly turn human just before an important ceremonial meeting with his future in-laws. The episode has prompted some mixed reactions, but it's classic Trek, especially when it comes to the characterization of Spock himself. Anyone who feared that the emergence of Spock's human side might erase the things we love about him doesn't realize how much humanity Leonard Nimoy's Spock always brought to the role, even if it was via the quirk of an eyebrow.
One of the show's goofiest paths to date came in the season 2 episode "Charades," which saw Spock (Ethan Peck) briefly turn human just before an important ceremonial meeting with his future in-laws. The episode has prompted some mixed reactions, but it's classic Trek, especially when it comes to the characterization of Spock himself. Anyone who feared that the emergence of Spock's human side might erase the things we love about him doesn't realize how much humanity Leonard Nimoy's Spock always brought to the role, even if it was via the quirk of an eyebrow.
- 7/24/2023
- by Valerie Ettenhofer
- Slash Film
2D computer animation also took the distribution award.
Sebastien Laudenbach and Chiara Malta’s French-Italian 2D computer animation Chicken For Linda! won the Cristal for best feature film at Annecy International Animation Film Festival this evening.
It was one of two prizes received by the film, alongside the Gan Foundation award for distribution.
Scroll down for the list of feature film winners
Chicken For Linda! (French title: Linda veut du poulet!) follows a mother and daughter, grieving following the loss of the mother’s late husband, who go on a quest across strike-paralysed Paris in search of the key ingredient...
Sebastien Laudenbach and Chiara Malta’s French-Italian 2D computer animation Chicken For Linda! won the Cristal for best feature film at Annecy International Animation Film Festival this evening.
It was one of two prizes received by the film, alongside the Gan Foundation award for distribution.
Scroll down for the list of feature film winners
Chicken For Linda! (French title: Linda veut du poulet!) follows a mother and daughter, grieving following the loss of the mother’s late husband, who go on a quest across strike-paralysed Paris in search of the key ingredient...
- 6/17/2023
- by Ben Dalton
- ScreenDaily
The second season of Star Trek: Strange New Worlds exudes even more of the breezy freshness of a sharply written, back-to-basics TV series than its first season. Increasingly, showrunners Akiva Goldsman and Henry Alonso Myers are solving the puzzle of how to make the hoary old Star Trek format new again. A welcome shift away from rigidly serialized storytelling has greatly benefited this prequel series, allowing it to cast off the chains of cause and effect that bind together each episode of Discovery and Picard.
As in the halcyon Star Trek days, each episode of Strange New Worlds explores a new, pulpy sci-fi scenario played for thrills, yuks, or, yes, sometimes heavy-handed progressive grandstanding. The writing this season nails the middle ground between the silly-but-sometimes-smart space operatics of the original series and the warm surrogate-family vibe of The Next Generation. Plots that alternate their focal points channel that Next Gen...
As in the halcyon Star Trek days, each episode of Strange New Worlds explores a new, pulpy sci-fi scenario played for thrills, yuks, or, yes, sometimes heavy-handed progressive grandstanding. The writing this season nails the middle ground between the silly-but-sometimes-smart space operatics of the original series and the warm surrogate-family vibe of The Next Generation. Plots that alternate their focal points channel that Next Gen...
- 6/12/2023
- by Pat Brown
- Slant Magazine
Actress Karen Black.
I grew up hearing about Karen Black as far back as I can remember. She would pop up on television and my mother would point her out as a compatriot from their college days at Northwestern University, a mixture of pride and wistfulness in her voice as the memories came back. When I finally got the opportunity to sit down with Karen during the summer of 2007, the venerable actress had turned playwright, with a well-received L.A. production of "The Missouri Waltz," a musical for which she penned the book. Black was alternately eccentric, passionate, grounded and fascinating during our chat, her obvious intelligence shining through the entire proceedings.
“Black brings to all her roles a freewheeling combination of raunch and winsomeness,” Time magazine wrote about her in 1975. “Sometimes she is kittenish. At other times she has an overripe quality that makes her look like the kind...
I grew up hearing about Karen Black as far back as I can remember. She would pop up on television and my mother would point her out as a compatriot from their college days at Northwestern University, a mixture of pride and wistfulness in her voice as the memories came back. When I finally got the opportunity to sit down with Karen during the summer of 2007, the venerable actress had turned playwright, with a well-received L.A. production of "The Missouri Waltz," a musical for which she penned the book. Black was alternately eccentric, passionate, grounded and fascinating during our chat, her obvious intelligence shining through the entire proceedings.
“Black brings to all her roles a freewheeling combination of raunch and winsomeness,” Time magazine wrote about her in 1975. “Sometimes she is kittenish. At other times she has an overripe quality that makes her look like the kind...
- 8/9/2013
- by The Hollywood Interview.com
- The Hollywood Interview
By MoreHorror.com
Dawna Lee Heising of MoreHorror in Hollywood interviewed the creative talents of Richmond Riedel and Eric Shapiro about the upcoming powerful drama about cults called The Devoted.
Please check out the video interview below the official details about the project.
MoreHorror in Hollywood has announced the availability of a recent discussion with the creative team intent on bringing The Devoted to the big screen. In the new video segment Dawna Lee Heising questions the team about the reason they chose to “The Devoted,” the story’s plot, the estimated opening date and the goals of filmmaker Richmond Riedel, his producing partner Thom Michael Mulligan and writers Eric Shapiro and Rhoda Jordan.
The Devoted was written by Eric Shapiro and Rhoda Jordan. Shapiro and Jordan co-produced the film Rule Of Three, and which, like Target Practice, was released in 2010 by Big Screen Entertainment Group. Earlier this month, Ravenous Shadows,...
Dawna Lee Heising of MoreHorror in Hollywood interviewed the creative talents of Richmond Riedel and Eric Shapiro about the upcoming powerful drama about cults called The Devoted.
Please check out the video interview below the official details about the project.
MoreHorror in Hollywood has announced the availability of a recent discussion with the creative team intent on bringing The Devoted to the big screen. In the new video segment Dawna Lee Heising questions the team about the reason they chose to “The Devoted,” the story’s plot, the estimated opening date and the goals of filmmaker Richmond Riedel, his producing partner Thom Michael Mulligan and writers Eric Shapiro and Rhoda Jordan.
The Devoted was written by Eric Shapiro and Rhoda Jordan. Shapiro and Jordan co-produced the film Rule Of Three, and which, like Target Practice, was released in 2010 by Big Screen Entertainment Group. Earlier this month, Ravenous Shadows,...
- 4/16/2012
- by admin
- MoreHorror
Richmond Riedel has worked the editing bay with directorial greats like Michael Mann, Peter Berg, and many others. He’s also a prolific screenwriter, having had quite a few scripts optioned and purchased over the years. One of those scripts eventually became Charades (1998), starring Erica Eleniak and Karen Black. This year Riedel finally took the leap into becoming a feature film director himself, and after a great festival run his film Target Practice hits DVD this week. Riedel took some time to talk to Paste about Friday Night Lights (the film and the TV show), editing with Berg and Mann,...
- 11/21/2010
- Pastemagazine.com
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