This 1983 Broadway revival of YOU CAN'T TAKE IT WITH YOU, which played 312 performances (and 7 previews) at the Plymouth and Royale Theatres may not have even been filmed originally for the Great Performances series which to our great benefit frequently (aways?) rebroadcasts distinguished productions initially aired elsewhere. The opening credits clearly indicate that this document was initially a Showtime (cable network) presentation. For those who SHOULD be searching out the copyright holders to get the property back out to the public with the relatively excellent film and hoards of second tier productions, this production (which reunited the amazing cast of the award winning 1972 production of Eugene O'Neill's MOON FOR THE MISBEGOTTEN, Jason Robards and Colleen Dewhurst) was first put out on VHS by Vestron Video based in Stamford Ct. and later (at least on my copy on inferior tape stock which did not hold the sound well) by Video Treasures, Inc. based in Hauppauge, NY.. The copyright notice on both packages says the rights were held by the Broadway Producer, Ellen M. Krass Productions. I fully agree with the earlier poster, please, please, PLEASE get this back into print! I'll be first in line to purchase a copy for my personal collection and my university's library.
5 Reviews
and the greatest performance was...
chiarafumo11 July 2004
"Nixon in China", which was shown on April 15, 1988. Peter Sellars directed his usual wonderful cast of James Maddalena as Richard Nixon and Sandford Sylvan as Chou En-lai in John Adams' superb opera about Nixon's visit to China in February, 1972. (Alice Goodman's libretto was sculpted from the actual words of the historical characters.) One of the nicer touches was that Walter Cronkite, who followed the Nixon entourage, gave the historical grounding for the opera before the performance and then during the intermission.
The music is lyrical and incantatory and the entire cast does it justice. And the staging!... I vividly remember the end of Act 1, when Nixon and Chou toast each other's countries ("Gambei") and as they clink glasses a score of newspaper photographers snap their pictures -- and then all the house lights went out! Wowzy-wow-wow! And Nixon's entrance, as he walks out of a huge mock-up of Air Force One and gives his stiff arms-up salute made me applaud wildly, and I am a flaming leftist.
Ah, if only this were on DVD. Or even VHS. It's unfortunate that it can't be seen at all. After I emailed WNET, the original sponsors of "Great Performances", I received a response that said that they did not own the copyright and weren't really sure who did!
Consider this posting a cry in the wilderness -- please, someone make this work of art available to us.
The music is lyrical and incantatory and the entire cast does it justice. And the staging!... I vividly remember the end of Act 1, when Nixon and Chou toast each other's countries ("Gambei") and as they clink glasses a score of newspaper photographers snap their pictures -- and then all the house lights went out! Wowzy-wow-wow! And Nixon's entrance, as he walks out of a huge mock-up of Air Force One and gives his stiff arms-up salute made me applaud wildly, and I am a flaming leftist.
Ah, if only this were on DVD. Or even VHS. It's unfortunate that it can't be seen at all. After I emailed WNET, the original sponsors of "Great Performances", I received a response that said that they did not own the copyright and weren't really sure who did!
Consider this posting a cry in the wilderness -- please, someone make this work of art available to us.
Great Performances is a gem
patrickfilbeck13 November 2021
The concept of this great series works like a beautiful bouquet of flowers. Watching the episodes, enjoying the drama, but also being sucked out of the everyday troubles into the world of asking questions in the spirit of Berthold Brecht's epic drama, is an achievement of the art form television that should not be underestimated. The interdisciplinarity that is put together here is of great value for keeping alive both art forms that meet here: film & TV and classic stage theater. In retrospect, often during the process (in small bites), you can always discuss what is on offer and, by looking at a work of art, you can get into long conversations on a beautiful evening by looking at a work of art. The intellect is addressed, the aesthetics of the human being understood and art is bravely practiced. Just wonderful.
Ballet king?
evening19 January 2023
Warning: Spoilers
Having viewed a couple films about Johann Strauss on TCM, I thought I'd tune in to this annual celebration of the 19th-century composer in his native city of Vienna.
The Musikverein could not have been more sumptuous for a ringing in of 2023, bedecked as it was with flowers, crisply attired members of the famed local symphony, and kids from Vienna's renowned children's choirs, all performing wonderfully under Franz Welser-Most, who even drew the audience in at the end, with rounds of spirited clapping to the beat.
Home viewers like me were not expected to simply sit and absorb the pretty music. Rather, the TV audience was transported to castle-like interiors and bucolic gardens and streams, and amidst it all we watched...ballet.
Yep, while some of Strauss's most famous waltz works got an airing -- i.e., "The Blue Danube" -- not once did we observe actual performance of the master's trademark dance. Rather, artistes in period costume pirouetted and leapt to familiar strains.
I won't argue that the performances weren't good. However, I couldn't help but wonder...why?
The Musikverein could not have been more sumptuous for a ringing in of 2023, bedecked as it was with flowers, crisply attired members of the famed local symphony, and kids from Vienna's renowned children's choirs, all performing wonderfully under Franz Welser-Most, who even drew the audience in at the end, with rounds of spirited clapping to the beat.
Home viewers like me were not expected to simply sit and absorb the pretty music. Rather, the TV audience was transported to castle-like interiors and bucolic gardens and streams, and amidst it all we watched...ballet.
Yep, while some of Strauss's most famous waltz works got an airing -- i.e., "The Blue Danube" -- not once did we observe actual performance of the master's trademark dance. Rather, artistes in period costume pirouetted and leapt to familiar strains.
I won't argue that the performances weren't good. However, I couldn't help but wonder...why?
Part of the PBS tradition.
Scurfield12 November 1998
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