American Masters (TV Series)
D.W. Griffith: Father of Film (1993)
Full Cast & Crew
Directed by
| Kevin Brownlow | ||
| David Gill | ||
Writing Credits (in alphabetical order)
| Kevin Brownlow | ... | (writer) |
| David Gill | ... | (writer) |
Cast
Produced by
| Kevin Brownlow | ... | producer |
| David Gill | ... | producer |
| Susan Lacy | ... | executive producer: American Masters |
| Ian Martin | ... | executive producer: Thames Television |
| Patrick Stanbury | ... | associate producer |
Music by
| Carl Davis | ||
| Nic Raine | ||
Sound Department
| Frances Bowen | ... | sound editor |
| David Brill | ... | sound recordist |
| Peter Brown | ... | dubbing mixer |
| Bill MacCollom | ... | sound recordist |
| Mark Mandler | ... | sound recordist |
| Greg McCleary | ... | sound recordist |
| Alan Strusser | ... | sound recordist |
| Ben Baird | ... | sound recordist (uncredited) |
Camera and Electrical Department
| Brian Clery | ... | camera operator |
| Steve Elkins | ... | camera operator |
| Denny Furey | ... | camera operator |
| John Hanlon | ... | camera operator |
| Ken Lowe | ... | camera operator |
| Ken Morse | ... | rostrum camera |
| David Rabinovitz | ... | camera operator |
| G. John Slagle | ... | camera operator |
Editorial Department
| Michael Peatfield | ... | on-line editor |
Music Department
| Richard Bradford | ... | music recording |
| Harry Rabinowitz | ... | music conducted by |
Additional Crew
| Nick Adams | ... | telecine engineer |
| Joe Adamson | ... | research |
| Chris Bezant | ... | Cuedos advisor |
| Laurence Butler | ... | research |
| Rusty Casselton | ... | film source (as Harold Casselton) |
| Thomas Cripps | ... | historical adviser |
| Tommy Duncan | ... | stills |
| William K. Everson | ... | historical adviser |
| Raye Farr | ... | research |
| John Fell | ... | historical adviser |
| John Hope Franklin | ... | historical adviser |
| Gerrie Griffith Richard | ... | stills |
| Tom Gunning | ... | historical adviser |
| Edna Harron | ... | stills |
| Bruce Lawton | ... | archival film transfer supervisor |
| Scott MacQueen | ... | research |
| Muriel Marvin | ... | stills |
| Andrew McKay | ... | stills |
| Russell Merritt | ... | special consultant |
| George J. Mitchell | ... | stills |
| Alanna Nash | ... | stills |
| Barry O'Riordan | ... | title design |
| Joanna F. Rapf | ... | historical adviser |
| Penelope Read | ... | production assistant |
| William Stott | ... | historical adviser |
| Arnold Taylor | ... | historical |
| David Thaxton | ... | additional film research |
| Ted Timreck | ... | film source |
| Lynne Wake | ... | stills research |
| Graham Walker | ... | aston operator |
| Cy Young | ... | additional film research |
Thanks
| Edward Brockway | ... | grateful thanks |
| Ray Deibel | ... | grateful thanks |
| Ruth Deibel | ... | grateful thanks |
| John Dorr | ... | grateful thanks |
| Mia Galison | ... | grateful thanks |
| Ira Gallen | ... | grateful thanks |
| Mia Gallison | ... | grateful thanks |
| Frank Holland | ... | grateful thanks |
| Marty Kearns | ... | grateful thanks |
| Helen Kellum | ... | grateful thanks |
| Arthur Lennig | ... | grateful thanks |
| Bruce Long | ... | grateful thanks |
| Walt Lowe | ... | grateful thanks |
| Andrew Mackay | ... | grateful thanks |
| Gloria Pritts | ... | grateful thanks |
| Richard Schickel | ... | grateful thanks |
| John Sorensen | ... | grateful thanks |
| Liz Sutherland | ... | grateful thanks |
| Nancy Weidman | ... | grateful thanks |
| Linda Kowall Woal | ... | grateful thanks |
