Directed by
| James Desmarais | ||
| Tim Doyle | ||
| David Lipman | ||
| Robert Rhine | ||
Writing Credits (in alphabetical order)
| Gil Christner | ... | (written by) |
| Tim Doyle | ||
| Mark Kadlec | ... | (written by) |
| David Lipman | ... | (written by) |
| Steve McCambridge | ... | (written by) |
| Robert Rhine | ||
| Brad Slaight | ... | (written by) |
Cast (in credits order)
Produced by
| Dennis J. Carlo | ... | executive producer |
| Connie Kingrey | ... | executive producer |
| David Lipman | ... | producer |
| Charles Luria | ... | executive producer |
| Eric Parkinson | ... | executive producer |
| Dean Ramser | ... | line producer |
| Robert Rhine | ... | producer |
| Vicki Rhine | ... | associate producer |
| Ivor Royston | ... | executive producer |
Cinematography by
| Thomas E. Spalding | ... | director of photography |
Editing by
| Bob Applegate | ... | video tape editor |
| David L. Bertman | ||
| James Desmarais | ||
| Robert Rhine | ||
| Raoul Rosenberg | ||
Art Direction by
| Holly Durham | ||
Costume Design by
| Robin Cook | ||
| Julie Rhine | ||
Makeup Department
| Theresa Baca | ... | makeup artist |
| Jane Ballard | ... | make-up |
| Katie Crocker | ... | make up |
| Shane McMahon | ... | additional makeup artist |
| Christopher Nelson | ... | make up |
| Patti Olsen | ... | make-up |
| Francisco X. Pérez | ... | effects makeup (as Frank Carrisosa) |
| Lorraine Watson | ... | hair |
Production Management
| Daniella Louisoder | ... | production manager |
Second Unit Director or Assistant Director
| Patricia Hollander | ... | assistant director |
| Karen Kasaba | ... | assistant director |
| Brad Zutuat | ... | assistant director |
Art Department
| Wanda 'Beau' Peterson | ... | set designer |
| Phil Zarling | ... | props |
Sound Department
| Bill Anderson | ... | post-production sound |
| Brian Bennett | ... | sound effects |
| Lindsay Bigelow | ... | post-production sound |
| John Boegehold | ... | sound designer |
| Kirk Brer | ... | sound |
| Rebecca Goldsmith | ... | sound boom |
| Rob Ke | ... | sound |
| Ken Merriman | ... | sound recordist |
| John Pooley | ... | post-production sound |
| Charlie Shepard | ... | location sound (as Charlie Sheppard) |
| Tony Smyles | ... | sound mixer: Hairline |
Camera and Electrical Department
| Gary Armstrong | ... | grip |
| Todd Busch | ... | lighting assistant |
| Shanna Disk | ... | camera |
| Bob Grant | ... | camera / lighting |
| Mehrdad Haghiri | ... | grip |
| Michael Huvar | ... | grip |
| David Jaffe | ... | assistant camera |
| Shawn Lee | ... | grip |
| Ed Mooradian | ... | assistant camera |
| Rudy Narbon | ... | assistant camera |
| Darrell Roberts | ... | gaffer |
| Francisco Rodiguez | ... | grip |
| Peter Shaner | ... | lighting (as Pete Shaner) |
| Bill Thompson | ... | grip |
| David Thompson | ... | still photographer |
| Jonathan Tucker | ... | best boy |
Costume and Wardrobe Department
| Jane Ballard | ... | wardrobe |
| Gayle Hayashi | ... | wardrobe mistress |
Editorial Department
| Charles Bernuth | ... | editing consultant |
| Helaine Bruck | ... | assistant videotape editor |
| David Thompson | ... | assistant videotape editor |
Music Department
| John Boegehold | ... | composer: song "Road Lawyers" |
| Tony Smyles | ... | Hairline / music mixer / music scoring mixer |
| Edward David Zeliff | ... | composer: theme music |
Script and Continuity Department
| Myra Chason | ... | script supervisor |
| Fran Houk | ... | script supervisor |
| Richard Kraft | ... | script supervisor |
| Constance Stewart | ... | script supervisor |
| Debra Von Bernuth | ... | script supervisor |
Additional Crew
| Chris Banks | ... | production assistant |
| Charles Bernuth | ... | budget |
| Tim Biddle | ... | production assistant |
| Pam Boddie | ... | still photgrapher |
| Jason Bootman | ... | production assistant |
| Paul Clatworthy | ... | faculty advisor |
| Arthur Dryer | ... | vehicle constructor |
| David Howard | ... | faculty advisor |
| John Howe | ... | faculty advisor |
| Cynthia Hunter | ... | production assistant |
| Shelly Johnson | ... | additional photographic services |
| Kevin Kemper | ... | production manager |
| George Lohr | ... | faculty advisor |
| Bob Miller | ... | faculty advisor |
| Earl Roth | ... | faculty advisor |
| Catherine Rowand | ... | still photgrapher |
| Edgar Stroke | ... | special limbo consultant |
| Al York | ... | technical advisor |
| Gregg Zamarin | ... | motorcyclist |
| Mort Zarcoff | ... | faculty advisor |
| Phil Zarling | ... | production assistant |
| John Zutuat | ... | production assistant |
Thanks
| Michael Ahnemann | ... | special thanks |
| Arnold Baker | ... | special thanks |
| Arnold Baker | ... | special thanks |
| Gail Blumberg | ... | special thanks |
| Jim Caplan | ... | special thanks |
| Jim Daniel | ... | special thanks |
| Linda Dorn | ... | special thanks |
| Stacy Gabrielson | ... | special thanks |
| Leon Gladstone | ... | special thanks |
| Crystal Gonzales | ... | additional thanks |
| Joanne Held | ... | special thanks |
| Edwardo Herrera | ... | special thanks |
| June Krisel | ... | special thanks |
| Mira Loma | ... | special thanks |
| George Maxwell | ... | special thanks |
| Michael Mayhew | ... | special thanks |
| Br. Phillip | ... | special thanks |
| Mary Remi | ... | special thanks (as Sr. Mary Remi) |
| David Rever | ... | special thanks |
| Rose Rever | ... | special thanks |
| Robin U. Russin | ... | special thanks (as Robin Russin) |
| Leroy Schmaltz | ... | special thanks |
| Eric Sherman | ... | special thanks |
| Daniel Van Meter | ... | special thanks |
