Party 7 (2000) User Reviews

Kinki and weird - a great recipe!

[UberNoodle · 7/10 · 30 September 2005]

Today I acquired the "Party7 - Perfect Edition" DVD, released by Tohokushinsha Film, on their Best Selection brand. Initially the DVD caught my eye because of the beautiful girl on the cover (the gorgeous Akemi Kobayashi), but then I saw that it was another film by Katsuhiro Ishii, so I had to get it. For any of you who aren't aware of his work, you can look here (http://www.imdb.com/name/nm0411002/); his film Sharkskin Man and Peachhip Girl is classic, and you all know of The Taste of Tea.

So about the film. On the cover, there is the aforementioned, "beautiful girl" (in a silver bikini top, and red black and white flame print leather. or are they PVC, hotpants, mind you! :D). Under the film's title, it says "Perfect Edition", and I am not sure why exactly. I wonder if it is not just some "english" garnering on top, but it's probably because there is an adventure game that enables you to view trailers, sketches and other extras, on the disc.

I have already mentioned the heartbreakingly cute Akemi Kobayashi, but the film also stars Masatoshi Nagase, Keisuke Horibe, Yoshinori Okada, Tadanobu Asano, Yoshio Harada, and Tatsuya Gashuin: seven characters, hence Party7. All of them are larger than life, and some are truly bizarre and would be perfect in an anime or comic. In this film, all of the characters are at least a little strange, but I think that that is the point, and if you have already seen SM&PG you know what to expect.

The film jumps back and forth between 2 major story-strands, and some auxiliary ones, but it primarily centers around Nagase's character Miki, and the hotel room he is hiding in. With very similar premise to Ishii's previous work Sharkskin Man and Peachhip Girl, he has stolen crime syndicate money, and is on the run. However, Party7 is by no means a re-run of old ideas. There is so much more in this film that differentiates it from that, and any other film .. of any genre: This movie is very weird. Delightfully strange in fact. From the stylishly animated opening, to the creative design and editing throughout the film, to the enigmatic peeping-tom superhero, Captain Banana; this film is rarely predictable.

Captain Banana? Oh yeah, I jumped head a bit ... this film has a few story-strands that interweave and cross over each other. The story centers on Miki, who is hiding out with the stolen money, in Hotel New Mexico, when an old girlfriend, Kana (the pants stretchingly delicious Akemi Kobayashi) comes looking for him, looking to clear some debts. At the same time, a hit-man (Horibe) is sent by the Syndicate Boss, to find and kill Miki. In the background to all this, a serial peeping-tom, Okita (Asano) is released from prison, and visits his dying father in hospital. On his deathbed, he tells Okita of a secret room in a hotel: a room from where he can spy on the guests. Upon sneaking into this room through a vent, Okita finds himself faced with the PVC clad, helmeted, Captain Banana (Harada) - the master of this high-tech and comfortable Peeping-Room. Together they spy on the adjacent room, occupied by Miki, and the story unfolds.

I can't say too much about the plot though, because, though simple, so much of it is a surprise. It is really supported by the fantastic dialogue, and I am sure many mainstream movie-goers have already compared it Tarantino's work, but they would be denying this film maker his credit. The conversations are hilarious, ranging from amusing squabbles, to some perverse re-countings of peeping-tom adventures. As is the style of the director, the viewer often arrives in the middle of a conversation, and has to work backwards to find out the topic. It's really well done, and very involving.

Party 7 is a unique, and engrossing film, that has, at its heart a very simple story. However, it's the organs and limbs around that heart that make it truly fantastic. I didn't find it to be as special as SM&PH, but that film is a hard one to top, and maybe it is Party 7's simplicity that holds it back a little. This kind of surreal and twisted film-making is perfect for after-showing conversations with friends (over beer of course, or Pepsi for you youngsters .. hey you can't watch this anyway!:P ), and there is definitely much to puzzle over.

Don't get me wrong though, there is much more to this film than it being an oddity. It is its oddness that makes it so good. There are not many films out there like this, and if you haven't seen this, you are doing your brain an injustice!

party 10

[squelcho · 7/10 · 18 August 2005]

I was expecting a livelier affair than this after watching Sharkskin Man, but that didn't stop me enjoying it. The dialogue in the hotel reception, the fabulous peep suite, and the pivotal travel agency, eclipsed the rather predictable goings on in the hotel room itself. Not much happens, but the finer parts of the script, and the absurdity inherent in Captain Banana's dual existence as yakuza boss and superheroic peeper kept me interested. Nowhere near as satisfying as Sharskin Man and Peach Hip Girl, although the anime title sequence is probably worth the price of admission on its own. How long before my rental store has a copy of Trava?

Katsuhito Ishii has his own unique style with live action movies. Unique enough to interest me in seeing his third and fourth films. I can understand why some people think it's all style and no substance, but I'm old enough to remember people saying the same thing about Clockwork Orange and Diva when they were first released. This is a conversational film with a lazy feel about it, but that doesn't prevent it from being amusing, or looking good in a nonchalant absurdist fashion. All ten of the featured actors seem to be enjoying themselves immensely, and the final scene, interwoven with the credits, is sublimely funny. Maybe Ishii's habit of mixing the credits into the finale is his way of making sure that everyone involved actually gets some recognition for their efforts.

Here's hoping that one of the more progressive European distributors will eventually realise that there's a wider audience for Ishii's work outside Japan.

Party 7 (2000)

[SnakesOnAnAfricanPlain · 6/10 · 13 September 2012]

Scattershot and hyperactive in a way only Japanese cinema can get away with, Party 7 is an enjoyable frantic mess. After a speedy animated introduction to 7 different characters, we are suddenly thrust into a narrative about some stolen money. As the man hides in a hotel room, he has no idea he is being watched by some professional peepers (one dressed in super-hero garb and calling himself Captain Banana). As people come looking for the money, the hotel room gets crowded, and twists are revealed. It's very claustrophobic, being set in just two rooms, which is painfully awkward given the over-the-top style. The humour is broad and weird. Funny and fun, even though I was disappointed that the image on the DVD case is nowhere to be found in the film :(

Fantastic film

[craigb-1 · 1 February 2002]

This is the funniest film I have ever seen. I will say no more, really- preposterous, brilliant, and hilarious. Great work.

The actors dive into the script head first, with absolutely no let up, ever, turning in the best ensemble comedy work I have seen in years. Laugh out loud excellence, Captain Banana is worth the price of admission.

Craig

Captain Banana.

[morrison-dylan-fan · 7/10 · 17 September 2015]

With a poll taking place on IMDbs Classic Film board for the best titles of 2000,I started to search around for overlooked movies on Amazon Uk,and I ended up stumbling upon a stylish-looking Japanese film,which led to me getting ready to party.

The plot:

Stealing a suitcase full of cash from a gangster, Shunichirô Miki decides to go into hiding at a hotel in the middle of nowhere.Whilst Miki enters the hotel,the owner of the building lays on his death bed,and talks to his son Okita Souji.With Souji having been caught dozens of times being a peeping tom,he is delighted to hear that his dad has designed a special room,which will allow Souji to secretly peak at all of the hotel guests.Entering the room,Souji is greeted by family friend, (and fellow peeper) Captain Banana,who gets Souji to sit back and watch,as Miki discovers how secret his location is,when Miki's ex-girlfriend walks in.

View on the film:

Exploding with a dazzling Anime opening credits scene from Peter Chung,writer/director Katsuhito Ishii & cinematographer Hiroshi Machida blend the Anima atmosphere into a warped live action world,filled with vibrant splashes of neon yellows and wet blues.Along with the wild colours, Ishii also gives each of the characters a delightfully strange appearance,which goes from Captain Banana looking like a superhero in waiting,to Miki Shunichiro looking like a burnt out Film Noir loner.

Largely taking place in one hotel,the screenplay by Ishii surprisingly stays away from taking things in an anthology direction,with Ishii criss-crossing the characters with oddball comedic shots taking poo falling from the sky,and Souji being an unwilling protégé of Banana. Displaying a skillful eye for when to step out of the hotel, Ishii gradually builds to a deliciously sharp twist ending,as the party begins.

An utterly wasted opportunity

[rch427 · 2/10 · 8 October 2007]

First, I should mention that I really enjoyed ISHII Katsuhito's previous film "Samehada Otoko to Momojiri Onna" ("Shark Skin Man and Peach Hip Girl"). Although it owed a debt to Tarentino's "Pulp Fiction", Ishii's cast was up to the task of carrying the story, and the entire film crackled with energy. The scenes between ASANO Tadanobu and GASHUIN Tatsuya were particularly engaging. There was action, intrigue, bizarre characterizations, enough sex to keep things interesting, and an utterly unpredictable story line.

So it was with a certain amount of anticipation and optimism that I began to watch "Party 7". And my enthusiasm was certainly piqued with the opening credits, which left my wife and I actually stunned by how dynamic and exciting they were; the mix of anime and live-action work was brilliant! Then, the actual movie started. Actually, it didn't so much "start" as sort of shuffle in the side door and stand there, fumbling through its pockets, looking uncomfortable.

The entire film takes place in three rooms. One is a futuristic voyeur's paradise (borrowed a bit from "Shark Skin Man..."), another is a travel agent's office, and the third (and far the most used) is a seedy hotel room. In that room, a cast of seven characters meets and...does approximately nothing. Really. I'm no stranger to "talking" films. One of my all-time favorites is "My Dinner with Andre", the talkiest of all talking films. "My Dinner with Andre" is far more exciting, and it just has two middle-aged men discussing their lives over dinner. The key is that Andre Gregory and Wallace Shawn tell interesting stories. The cast of "Party 7" literally just whine at each other for the entire film. "No, you don't!" "Yes, I do!" "No, you really don't!" "Yes, I really do!" "No, you really, really don't!" Yes, I really..." you get the idea, I hope. I wish the directer had.

"Party 7 is an unbelievably unengaging film. There is only the flimsiest of plots (money stolen from the Yakuza, just like in "Shark Skin Man..."), accompanied by almost no action. There is no interesting dialog. The characters are largely uninteresting. It was as if Ishii took the throwaway conversational moments from Tarentino's films and built an entire film around them. But Tarentino's conversations always have their own internal logic and wit ("They call it a 'Royale, with cheese'"). Not so with the dialog here, which is duller than you can imagine. If it weren't for the brief, hilarious cameo from Gashuin (who is always marvelous) and a low-key performance from the awesome ASANO Tadanobu, I would've given "Party 7" a single star. It really was chore to make it all the way through.

SF Bay Area

[simon_booth · 10/10 · 5 August 2003]

When it comes to boundary-pushing off the wall cinema, Japan is the world's undisputed leader. Party 7 is one of the most bizarre, creative and hilarious films I've seen in a very long time. Set almost entirely in a hotel room with adjoining peep-suite, the film thrusts together an ensemble of quirky characters and feeds them a non-stop supply of bizarre, perverse and highly amusing dialogue. The plot is almost non-existent, yet manages to be clever and surprising, and the delivery is perfect. You haven't seen anything like it, and you're either going to love it or hate it... it's as simple as that.

Me, I loved every little bit of it!

(And yes, Sharkskin Man and Peach Hip Girl is a great film as well)

Would've probably worked better as a short film

[danielatala8 · 4/10 · 5 November 2023]

Party 7 is another one of Katsuhito Ishii's creations and it is just as baffling as it is fascinating. The plot is incomprehensible, the characters follow a very specific logic, and the movie is in a permanent standstill until the end. Am I glad I saw it? Yes! Would I see it again? Not really!

Let's get the positives first, Katsuhito Ishii knows how to create aesthetically appealing characters that ooze with confidence charisma and style. That style is translated to his own visual language as well that uses both animation and very purposeful shots throughout the movie and it has some fun flashes of quirky humour ... if only that translated to one of the most core important things of filmmaking. An engaging and cohesive plot.

Party 7 is about 7 characters in a hotel that converge in one single hotel room, two peepers watching from the outside and the rest in their own unfolding drama on the inside, this could make for a very interesting Tarantino-esque plot (Katsuhito is clearly inspired by Tarantino) but it sort falls under its own logic and pace. When the movie finally gets to somewhere, the movie ends. I would understand if this movie is more character-driven or more of a "vibe" piece but it's neither as the characters that we get introduced to in the movie are so paper thin they're almost like Katsuhito Ishii's 2D animations. There's no one that you really engage with for the plot. The result becomes quite messy and unfocused! Which is a shame cause all of the actors are really doing an amazing job!

In turn this movie would've worked far better if it was a short film, which is what I feel about most of Katsuhito Ishii's efforts. They're just not engaging enough to warrant a full length movie... I think in the context of Katsuhito Ishii's own filmmaking career it is a very interesting movie to watch, but don't expect something engaging, it's just a very fun experiment that didn't quite pay off.

(It's worth noting that this movie is now available in Blu-ray as a part of a Katsuhito Ishii compilation made by Third Window, really happy I have this)

IT'S REALLY, REALLY, REALLY TRUE

[nogodnomasters · 10/10 · 26 May 2019]

This is indeed a cult movie. Miki stole money from the Yakuza (Japanese mob) and is hiding out in a remote location known only to his loose lipped travel agent. Soon other people show up. They are being peeped on by two seasoned peeping Toms, Captain Banana and Okita. Eventually there will be 8 people in the room with many showing up late in the film. These include Kana, Miki's ex-gf who wants money, her geeky fiancee, Miki's brother who also works for the Yakuza and a paid assassin.

The characters are introduced in the beginning by a 10 minute animated segment. The strength of the film is the dialogue, which means an English version would be more entertaining to an English speaking audience. Actually this would be a great film for the Brits to redo. The quirky conversations concern hairdos, lying, using the word "really" , cameras, suits, and peeping. It seems most of the characters are liars or BS artists. They are in a hotel room run by an expected dysfunctional staff.

Enjoyable cult style dark comedy film.

Parental Guide: Infrequent F-bomb. No sex or nudity. Akemi Kobayashi shows off her belly button during the film, but is never dressed like she is depicted on the cover.

Weird, though I really didn't see much purpose behind the weirdness.

[planktonrules · 4/10 · 9 May 2013]

I like weird and offbeat films. And, some of the weirdest and most enjoyable have been some of the Japanese films, such as "Happiness of the Katakuris" and "Zebraman". However, sometimes films are just plain weird and don't seem to have much to them apart from their strangeness. Such is the case with a Japanese film, "Party 7". It's certainly quirky and strange...but it also left me feeling unsatisfied.

The film is about a room in a hotel in the middle of no where. Into one room in the hotel come some very odd guests--a thief, his old girlfriend, her new and super-nerdy boyfriend, an assassin and an assassin who's out to get them all. But here is where it gets a lot weirder...as well as pretty disturbing. While Japanese audiences might have found the characters of Captain Banana and Yellow Man, most Americans probably would find them disgusting and no understand how audiences were expected to laugh at some sex offenders. Yep...these two get off watching folks from a hidden room and they are clearly intended to be comical. I just don't know what to think of all this. It was meant to be funny, but the sum total of all the pieces just seemed disjoint and unfunny.

Perhaps this is a film best seen with a Japanese friend who can explain all this. I just felt confused and a bit disturbed.

See It While You Can...

[poikkeus · 6 February 2002]

The Japanese company that owns the film has apparently declded to put it on the shelf, so the inevitable DVD (probably without subs, and definitely with Region coding) may be your only chance unless you act quickly. If Cult Cinema is your groove, Party 7 is likely o be your party. In the bowels of a tacky Japanese hotel, Mr Banana -- dressed in a yellow and black hero suit -- is trying to anoint a multiple-convicted peeper into his special world, which has direct view into promising rooms. As the hotel room drama plays out, there's a hood in a pink leather suit who has a suitcase filled with money, a former girlfriend who wants the same money, her trendy camera expert boyfriend out to keep his girlfriend, and a tough but gullible yakuza. Vinyl-suited Mr Banana and his assistant Mr Yellow peep as its all happening. There are flashbacks, extreme humor, and enough bizarre twists to keep anyone guessing. The cast is first-rate, composed mostly of great genre actors. The filmmakers probably weren't making it up as they went along, but Party 7 has that feeling, and it makes for a refreshing change of pace.

Fun hi-jinks

[InzyWimzy · 8/10 · 3 August 2005]

Party up @ Hotel Mexico for a mixer of mayhem, tangential dialogue, and bizarre circumstances starting right from the courtesy desk!

Socially maladjusted Okita, played to an eccentric point by the wonderfully gifted Tadanobu Asano, shows us fits of joy, sadness, and paranoia. Asano playing Okita, no matter how odd he is, successfully brings out his human factor. Also, there are unwanted guests, lies uncovered, shady bellhops, windows peered, stylized camera shots, a wacky hotel staff, and a very costumed eccentrics I've ever seen. Party 7 makes you laugh and in an unconventional way. If you like a variety in your film buffet, come down to Hotel New Mexico. Kana (AkEMI-KuN!) makes it all worthwhile!

The Japanese "Weird" genre has another good entry

[ChungMo · 8/10 · 7 December 2006]

There are many very strange films coming out of Japan over the past few years and they are slowly making their way to the United States. Party 7 has two actors who later appear in the better known "Survive Style 5".

The plot is very simple; a stupid criminal tries to hide in an out of the way motel with the mob money he stole. Several people, an ex-girlfriend, her new fiancé and the criminal's partner in crime, manage to find him and confront him in his motel room. These confrontations are observed through a one-way mirror/painting by the owner of the motel, in his Captain Banana suit, and the son of his recently deceased best friend. There are also two strange motel employees involved and a yakuza boss in flashbacks. And a twitchy travel agent.

There are about 5 sets in the film total, it's almost like watching a play. The whole film is based on the characters' interactions as opposed to visual action. While there is lots of action in the crazy animated title sequence which was done by Peter Chung of Aeon Flux fame, it calms down a lot for most of the movie. Great art direction and photography, droll script and very good acting.

Recommended.

Hilarious, weird

[malarcon · 9/10 · 11 January 2001]

I saw this movie in a film festival and I laughed out loud ALL the time (and I saw this subtiteled which usually isn't the best for comedies). This film is weird and has a lot of comic and manga influence, although not in the plot, which has some nice twists and turns despite being rather simple. Here is the deal: 1 Hotel Room, 7 People (Among them the infamous Captain Banana. Only the sight of this guy made me break into fits of laughter not to mention sidekicks "The" Mr. Yellow and Mr. Polar.) and a suitcase of money. If you find this movie: WATCH IT!

PS: I hope I can find Sharkskin Man and Peachhip Girl this Directors first film!

mystery

[flagrantsake · 9/10 · 4 August 2003]

wow...i was looking for a Japanese film that was the perfect cross between 'Mystery Men' and 'Mystery Train'. the cinematography is exceptional, very isolated and claustrophobic.....you really get no sense of an outside world until near the end. Mystery Train' had to be a huge influence on this movie. the animation was maybe the only distraction for me...the ending, not to give it away, was perfect.

A crazy Get-Together definitely worth joining! ;)

[kmevy · 10/10 · 17 November 2007]

Being my second Ishii movie after "Taste of Tea" "Party7" simply amazed me with its unique style, character-design and hilarious dialog. Now i am really looking forward to all the other films!! ;)

Some reviews criticized the fact that there is no actual story. Well, in my opinion there ARE actually multiple stories packed within the characters and in the way of directing. Simply the appearance of the cast is telling its own story; about the characters past, about their minds, even about humans in general; about their behavior etc. An interesting element of this film is that all these hilariously comedic elements are linked to tragedy. If you look closely at all these protagonists you won't overlook the fact that all of them are bearing a burden related to their past. The line between comedy and tragedy is often being crossed, but it is amazingly well executed; i would even say in a poetic way.

There isn't a need for typical ways of storytelling. Especially the lacking of such typical elements makes Ishii's films so unique, interesting and funny. It has even a little bit of an impressionistic vibe ;) But there is at least one story-related twist which brings this film niftily to an end.

Oh!! I mustn't forget to mention again that all these ideas and dialogs are simply ingenious!! Although some might not enjoy the "slightly" kinky Japanese humor ... well! In that case: My deepest condolences!! ;P