(2001)

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8/10
Great Short Film
zennokangae25 July 2004
Excellent and moving story of the end of a uniquely intimate affair. Then again, the point of the film, to paraphrase another comment, is that every relationship can be unique and intimate. A truly quality short film which caught me at my busiest, yet had the power to pull me down onto the sofa and watch, fixed and quiet, for the duration. Bobby and Tessa are powerfully moving characters and anyone who has suffered the end of a love affair will find this film to be a cathartic exercise. Beyond that, the 'film within a film' idea plays out very well with this cast and is quite riveting, though in a somewhat melancholic way.
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10/10
Disturbing, but in a good way.
reihldeal12 January 2005
At the beginning of this film, which I found myself watching on IFC in the wee hours of the morning, I was filled with a sense of claustrophobia and general discomfort. The feeling of being trapped with no way to escape was so powerful that I didn't know if I wanted to continue watching...although it didn't really seem to me that I had much of a choice, so compelling was the situation.

Gradually, though, that feeling of discomfort waned (although it never really disappeared entirely), and I felt drawn into Tessa & Bobby's predicaments, and really just hoping against hope that they might get back together.

Really just a moving, powerful story fit snugly into a tiny package. I had no idea that Sarah Polley had anything to do with it until perusing her trivia, so now I love it even more.

I definitely recommend it. ...If your lucky enough to catch it on the Independent Film Channel sometime, or wily enough to figure out some other way to view it.
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10/10
Love Sucks!
derbyhandicap31 January 2005
In moments of desperation were willing to do whatever it takes to win. I loved how the Maple Leaves futility was used as a metaphorical basis for Bobby and Tessa. The acting was accurate by far superior from the hogwash intake given by the film industry.

Great editing! At the end of the short I felt it was a bit incomplete but so is life and this is were life and art waltz into cinematic masterpiece.

Excuse me while I rinse off the cheese whiz, but I guess it's acceptable at certain times.

Two scenes which I must point out are: The bath tub and the couch scene.

The couch scene for Tessa was a defining moment and 360 of the human condition. Throughout the short I viewed her as a brute, but now we see her true reality. Her mind spoke before her heart. Need I say more about the bath tub scene.
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10/10
Excellent
nvondell20 November 2001
This is a very moving film that takes a new twist on somewhere we've all been: a relationship as it's about to end. Kristen Thomson's performance as Tessa, desperately trying to hold onto her connection with Bobby for just one more day, is extremely convincing and moving and takes you right into the story. Who hasn't been faced with the end of a relationship and at least wanted to shout out tearfully, "Just one more night!" When he does give her one more night, the journey that these two people share makes you pause and think about how precious every truly close relationship can be, and how each one - whether permanent or not - should be treated with respect, rather than simply thrown away.
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Quirky short film
fooltank775 November 2002
I saw this movie as an opener for The Law Of Enclosures, and much preferred it to the "feature presentation." The dialogue was funny, the female lead was very effective, and overall the story was affecting. Has the potential to be a good tv series, I'm sure the CBC would accept a Sarah Polley project down the road.
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3/10
Stalkers and Psychotic Exes Rejoice: THIS FILM IS FOR YOU
notarepublican11 March 2003
This film seems well made, and more efforts should be made to promote films by women. That aside, this film is also profoundly disturbing in that it justifies the manipulative and psychotic machinations of a character that is profoundly disturbed. If you've seen any of the promotional material, you might think this is a poignant film about a relationship that's reached its end, but none of that suggests how really disturbing the central premise is:

A woman threatens suicide unless her soon to be ex agrees to relive here most treasured memories of their relationship. When told how unfair (to say the least) that such a threat is, Tessa (the purported protagonist) suggests that "life's not fair."

Huh??? This character also uses tears to manipulate her former lover into staying, and coaxes him into sexually oriented behavior (which she initially denies as a motive) all the while assuring him "this isn't sex."

Reverse the genders, have the leads played by Tracey Gold and Brian Austin-Green and this could air in feature length on Lifetime with a title like "Hostage to Obsession." There is no medically accepted definition of sound mental and emotional stability that would encompass Tessa's behavior in this film.

Props to Kristen Thomson for playing a border-line psychotic, manipulative ex to a T, perhaps too well because there is no well-adjusted person, male or female, who could watch this and not have shivers run up their spine.
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9/10
Bitter Sweet Angst
Marion_Ravenwood24 February 2003
So real and surreal, all in one. I remember feeling like Tessa. Heck, I remember being Tessa. This was a beautiful vignette of a relationship ending. I especially liked the protesters tangent. It is nice to see symbolism in a movie without being smacked over the head with it. If you get the chance to see this, take it. It is well worth the 30 minutes.
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10/10
Phenomenally skilled writing, direction, acting and editing
downtek24 September 2005
Warning: Spoilers
I was half-dozing as I watched a late night selection of short films--but sat bolt upright from the first frames of "I Shout Love" and could not take my eyes away for its full, brief, perfect length. With incredibly assured pacing and performances, this film maintains its funny/sad/insightful tone throughout. The credits at the end went by so quickly and in such small type, I had to go online to find out the person responsible for this master work. What a pleasing surprise to see the name of Sarah Polley, a major actress who is too seldom seen.

Kristen Thomsen (Tessa) and Matthew Ferguson (Bobby) turn in rich, touching performances as a couple in the throes of breaking up. As they work through a reprise of Tessa's favorite moments from their time together, both actors reveal dimensions of their characters and their relationship in ways that bring nothing but honor to their talents--and to the director/writer's skills. The film creates a moving narrative with laugh-out-loud moments and caught-breath sorrow.

"I Shout Love" is unquestionably one of the greatest and most memorable short films I ever expect to see. It has wit, heart and stunning originality. It matters.
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