- Title Card: Let us go behind the motion picture screen, into the shadow land of Make Believe, to meet the men and women who create our photoplays - to follow them in their work from the birth of a story to its first showing in a theater.
- Title Card: A direct wire keeps M-G-M in touch with New York.
- Title Card: It is the director who takes the script and translates the written story into the animated tableau.
- Title Card: There are 200 dressing rooms for the stars and supporting cast. The women dress on the 'upper decks' - - and a matron sees that their needs are attended to.
- Title Card: 'What will we wear?' That's the first thought of the women stars. Here is the wardrobe mistress, Mrs. E. F. Chaffin, who will supervise the making of their clothes. - Assisted by her wardrobe staff, all experts in the frills and foibles of milady! It would make any woman's heart flutter just to peep into this workshop of fashion.
- Title Card: The chic, the smart, the unusual in style creations originate with Romaine de Tirtoff Erte, the world's foremost designer, who has moved Paris to the M-G-M lot. He drapes the beautiful figure of Lucille Le Sueur, an M-G-M "find" of 1925.
- Title Card: To attempt a picture without cameras is like trying to make an omelet without an egg-beater - nothing stirring!
- Title Card: Women haven't any monopoly on paint. These boys use it every day - - dolling up the sets. The boss painter and decorator, E. H. Tate.
- Title Card: John Nickolaus, in charge of the laboratory and the workers who breathe life into the film. "Cutters," they're called. And their job is to edit the film.
- Title Card: A bob, a shave, a manicure, a shine - - the Studio barber shop keeps M-G-M employees looking young.