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Eternal Sunshine of the Spotless Mind (2004)

 -  Drama | Romance | Sci-Fi  -  19 March 2004 (USA)
8.4
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Ratings: 8.4/10 from 504,400 users   Metascore: 89/100
Reviews: 1,461 user | 255 critic | 41 from Metacritic.com

A couple undergo a procedure to erase each other from their memories when their relationship turns sour, but it is only through the process of loss that they discover what they had to begin with.

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Title: Eternal Sunshine of the Spotless Mind (2004)

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Top 250 #83 | Won 1 Oscar. Another 65 wins & 62 nominations. See more awards »

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Cast

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Ryan Whitney ...
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Brian Price ...
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Young Bully (as Paul Litowski)
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Storyline

A man, Joel Barish, heartbroken that his girlfriend Clementine underwent a procedure to erase him from her memory, decides to do the same. However, as he watches his memories of her fade away, he realizes that he still loves her, and may be too late to correct his mistake. Written by anonymous

Plot Summary | Plot Synopsis

Taglines:

Our memories makes us who we are. You can't change the past. See more »

Genres:

Drama | Romance | Sci-Fi

Motion Picture Rating (MPAA)

Rated R for language, some drug and sexual content | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

| |  »

Country:

Language:

Release Date:

19 March 2004 (USA)  »

Also Known As:

Eterno resplandor de una mente sin recuerdos  »

Box Office

Budget:

$20,000,000 (estimated)

Opening Weekend:

$268,118 (Japan) (18 March 2005)

Gross:

$1,747,623 (Japan) (8 April 2005)
 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

(as dts)|

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The scene where Joel and Clementine watch the circus go through the streets was made up on the spot, as the film crew and cast happened to be working nearby and Michel Gondry decided it could work well in the film. The part where Clementine disappears suddenly is one of Gondry's favorite moments of the film, as Jim Carrey didn't know Kate Winslet was going to disappear and Gondry likes it because Carrey's face appears so saddened. When the sound blanks out in the final film, Carrey is actually saying "Kate?" See more »

Goofs

In the beginning of the movie, as Clementine is walking on the beach, you can see her take a couple of steps on the wet sand near the water, but in the next shot, as Joel is looking at her, she is standing on dry sand. See more »

Quotes

[first lines]
Joel: [voice over] random thoughts for Valentine's day, 2004. Today is a holiday invented by greeting card companies to make people feel like crap.
See more »

Crazy Credits

The text in the opening credits appears quickly and then slowly withers away, like a memory. See more »

Connections

References Tommy (1975) See more »

Soundtracks

Light And Day/Reach For The Sun
Written by Tim DeLaughter (as Timothy DeLaughter)
Performed by The Polyphonic Spree
Courtesy of Hollywood Records
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Interior Landscape
22 March 2004 | by (USA) – See all my reviews

Of all Kaufman's screenplays that delve into the interior landscapes of its characters, Eternal Sunshine is the most fully formed and moving story of the bunch, a rumination on the possibilities and consequences inherent in making the process of removing unwanted memories from your consciousness as easy as going for a checkup. Kaufman here plays on our desire to forget the bad things that happen to us and what happens when we are given the power to forget those things permanently, and the conclusion he arrives at is that it ultimately creates as many - if not more - problems than it solves. At the very least, it can result in making the same mistakes again ("Those who ignore history are doomed to repeat it"); at the worst, it eliminates the possibility of our ever reconciling and coming to terms with our life experiences, the way we relate to the people who help to shape our lives and whose lives we shape through ours.

The film explores these ideas in a novel and engaging way: by taking the audience inside the mind of Joel Barish (Jim Carrey), a man who, after breaking up with his girlfriend Clementine Kruczynski (Kate Winslett), discovers later that she has had her memory of him wiped clean from her mind. He finds out how she had this procedure done and, despondent not only about the breakup but even more so about her having completely erased him from her mind, searches out the doctor who performed the procedure and signs up to have the same procedure done to him, so that he may also have no memory of her. He is rendered unconscious for the procedure but his subconscious is still active. Once the procedure is initiated and he becomes aware that his memories of the woman he loved - and still loves - are vanishing from his brain, he starts having second thoughts and wants the procedure stopped. His challenge then becomes to figure out how to protect as much of his memory of her as he can, and to find a way stop the procedure despite the fact that he is in an unconscious state.

The manner in which he comes to realize and confront his dilemma is played out entirely within his interior landscape, a realm which (as anyone who remembers their dreams upon waking from sleep can attest) is a very surreal extension of our day-to-day experiences. Michel Gondry's visual style and direction works exceptionally well here in conveying the slippery, chaotic unpredictability of the worlds we construct from our memories and experiences; the clever interplay between this interior world and the goings-on of the outside world helps keep the viewer off-balance just enough to illuminate the fuzzy line of demarcation separating the two worlds and the peculiar manner in which they play off one another.

Jim Carrey and Kate Winslett do an exceptional job of bringing this abstract story concept to life with characters that are endearing, poignant, believable and utterly human. The supporting players are equally impressive: Tom Wilkinson as the mind-eraser doctor, Mark Ruffalo and Elijah Wood as the technicians, Kiersten Dunst as the receptionist all have relationships to the main protagonists and to one another that come to light as the story unfolds and help to propel the plot; as friends of Joel and Clementine, David Cross and Jane Adams are hilarious as a couple who seem to be stuck in the same rut that compelled the protagonists to break up and have each other erased from their respective minds. Kaufman juggles all these relationships masterfully and in such a way as to ensure none of them are superfluous to the ideas he is trying to get across in this story.

While there are elements of the plot that seem to place this movie in the realm of science fiction, the focus of the movie stays on the interior states, emotions and relationships between the characters. As such, the film is more of a romantic comedy than anything - albeit unlike any other romantic comedy you're ever likely to see. I saw a late showing of this movie with my girlfriend the day it was released at a local multiplex and there were only 20 or so people in the theater, yet at the film's conclusion everyone broke out in a spontaneous round of applause. This gives an idea of how compelling this movie can be. If you give this film a chance to creep under your skin, you will likely find yourself reflexively thinking about your feelings toward the important people in your life, as well how you relate to those feelings, as well as your memories and how you relate to them. A thought provoking, moving and entertaining film - I can imagine that a working title of this film might have been "Warts And All."


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