Wake (2003) User Reviews

Wake Me When It's Over

[SheBear · 5/10 · 3 December 2004]

Four actors who look nothing like brothers get together to do some bad acting while pretending to be brothers and after a night of pills, booze, gunplay and strippers someone ends up dead.

I'm all for keeping the audience guessing but there is nothing that these people say to each other that is straightforward, everything is alluded to and it gets old quick. That being said, you don't need to be a genius to figure out what's going on here, that is, assuming that you care.

Ex-con bro and blonde-sleaze bro are both so annoying that I was hoping the booze and pills would promptly render them null and void. Even the talented and yummy Gale Harold as crazy bro can't salvage this material -though he does do a fetching drunken strip tease and he can puke and pass out with the best of 'em. The other bro, well, his name was Sebastian and that's about all I remember.

The house looks like a studio set built too small for the actors, either that or the only thing the actors/brothers have in common is that they are tall.

In keeping with tradition started with my Particles of Truth review I'd like to add that Gale Harold looks better in a lacy housedress than any man has a right to.

Gibbons shines, but story a bit slow.

[ellew33 · 7 July 2003]

I love a great independent, and I love Hollywood legends. Put them together and I am one happy film-goer. This film had both, the independent feel, and one of Hollywood's most recognizable face: Martin Landau. Instead of getting to heavy, not a bad little movie about the Riven brothers and their multitude of dysfunction. The cast is well ensambled, many faces I recognize from various television and indie works. Gale Harold, whos fans swooned quite loudly during the flick, was a convincing Kyle. Though the character lacked much in the way of bite. Emotionally troubled characters take time to flush out, and the time just wasn't here for a character I believe the writer's falsely made the focus of the story. More interesting and impressive was Blake Gibbons, as a stern (if that's even the right word!) Raymond Riven. Something very dynamic about the way Gibbons handled the various scenes. It's not a sex appeal (though he is quite attractive). It's not intensity (he had it at times). It's just seemed natural. He became Raymond. Just overall impressive. Not a bad flick, but not one I would overly recommend. Some wonderful moments for these actors and not a bad storyline. See it if your a straight girl with Showtime, between the ages of 15 and 50, who thinks Mr. Harold is a cinema star because you can see him naked each week on "Queer As Folk". Otherwise, I have plenty of other independents I can easily recommend if your looking for something worthwhile.

Average film

[scoup · 4/10 · 12 April 2012]

I'm not sure how this film is rated 6. I suspect there were inflated reviews.

Wake is an okay film which is definitely watchable, but there are many things left unanswered or vague.

Some scenes where bordering on cheesy.

I like Martin Landau but he was underutilized and seemed only to be a famous name attached to a project to give it weight.

The brotherly interaction bordered on unreal. Even though I know there are very dysfunctional families, there was an element of contrived behavior.

This movie needed some script adjustments.

Dark, Compelling and Very Well-Acted

[ducdebrabant · 10/10 · 16 November 2003]

I saw the movie at the Queens International Film Festival. I thought it was excellent - atmospheric, beautifully photographed (though the digital projection at the festival was a bit dark), well edited, superbly acted across the board, and (this was an added bonus) well scored. The movie begins with Landau's voiceover (we see him as he types) writing a story of the flashback events. I must say, the prose in his bookend scenes was a bit flowery, and even contained an obvious pronoun error (in fact, I believe there's a moment in later dialogue when Blake Gibbons's grammar is corrected by Dihlon McManne, and McManne - the younger version of Landau - is wrong then too). Finch's script was much better in the the more important departments of dialogue, character, plot, pacing, etc., where it was truly fine.

The premise is that one of four brothers, an escaped con (Raymond), has chosen the family house to rendezvous with his accomplice brother Jack (who brings along a couple of party girls for the road) and abscond with some ill-gotten money. They happen to arrive on the night that the eldest - Sebastian - plans to euthanise their cancer-ridden mother with drugs he has persuaded the youngest brother Kyle to supply. All the acting was wonderful (and it helped that the parts were uniformly wonderful). The characters were each dysfunctional in different ways. The brother who has stayed with the mother to hold it all together (Dihlon McManne) is a weakling; Jack (John Philbrick) is an amoral, sadistic loser; Raymond (Blake Gibbons) is caught between good and evil, a cunning but stupid con man with both a genuine family affection and a sadistic, controlling, larcenous streak.

Kyle, the youngest (Gale Harold) is really the strongest of the four (he has quit alcohol and drugs and holds a job), and the best (he never quite gets away from his best instincts, whatever the provocation). He's also the most damaged (Raymond comes in second). He is haunted by the horrific family past, and he take prescription drugs - apparently to deal with some form of schizophrenia. As the haunted one, he experiences terrible flashbacks brought on by the appearance of Raymond and Jack. It's a very dark film, but very compelling. You have to pay attention to it, and that makes it a real moviegoing experience, where the dark theatre and absence of distractions keep you intent on it. I would really recommend that your first exposure to it be in a theatre rather than on TV or a DVD (unless you watch the DVD on your hard drive from your computer chair).

I want to mention finally that the music by Henry LeRoy Finch and Chris Anderson is very good and atmospheric, and that it is augmented by some original songs by a folksinger/songwriter named Ramsey Midwood, with whom I am not familiar. I have made a note to myself to look for an album of his, because the songs were terrific. Very literate folk songs, a bit like Tom Waits's stuff. I have only one quibble, apart from the flowery prose of the elder Sebastian (McManne/Landau), which is that I didn't need the early exteriors of Raymond and Kyle on their way to the house. I already knew the brothers were coming, and it would have been better to see McManne going about his routine, and get more of a sense of how isolated he was there with the uncommunicative, dying mother. However, the footage of Gale Harold tearing down wooded roads on his motorcycle is something some of you may be glad to see.

How is Gale Harold? Excellent technically, as is everybody - especially Blake Gibbons - but he brings to it all the depth and complexity he brings to everything else. And though he's a mess, and gets messier, there just isn't any way to keep him from being beautiful. And that works for the script, because Kyle has a goodness that none of this ghastly family has ever quite been able to kill, and that at least two of his brothers recognize and, in their own ways, cherish. John Philbrick's Jack is the most unredeemed and unsympathetic, but not the scariest. That's Blake Gibbons's Raymond, who is alternately scary, appalling, and strangely sympathetic. I don't agree with the previous contributor that the Raymond character ought to have been the center of the film, however. He's interesting at all times, but Gale Harold's character is one of those doomed angels - deeply damaged by past events that Blake Gibbons's Raymond doesn't even seem to remember very well. And Harold is simply hypnotic in the part.

Long day's journey into one very long night

[Rogue-32 · 8/10 · 31 May 2004]

The reason I went to see Wake was because of Gale Harold, who gives a superbly credible performance here as Kyle, one of the four Riven brothers who reunite for one long night of insane plotting and torturous reminiscing, culminating in disaster (as these nights always do). What sets this film apart from other dysfunctional family reunion rehashes is how realistic it feels -- you genuinely get the sense that these four wrecks actually share history, which is very hard to depict - most writers wind up over-stating the facts to let the audience in on it, but first-time screenwriter Henry LeRoy Finch manages to convey their shared anguish without doing this -- he tells us just enough, relying on mood and the actions of the characters to fill in the rest.

Brilliant Film

[joyelmer · 10/10 · 1 March 2004]

Brilliant feels inadequate to describe this film. It is beautifully filmed, superbly edited, and amazingly acted.

Basically, it's a film focusing on four brothers, with a shared history of alcoholism and abuse, inflicted upon them, and by them, and their unexpected coming together for a night of celebration, freedom, and finality, that quickly turns on it's heel. Gale Harold and Blake Gibbons will take your breathe away. As raw and intense as it is, there is still plenty of humor, though at first, you'll be hesitant to laugh, but do, because there is plenty to laugh at. When Jack says "what's the difference between pink and purple? The grip!" It really is okay to exhale, and laugh.... It's a real film that doesn't end with some pretty satin bow at the end, but makes you think, and makes you want to see it over and over again....

Wake will keep you awake - amazingly complex, intriguing, must-see movie

[lprocktor · 9/10 · 17 March 2005]

Wake is a must-see movie for anyone who loves a good character driven movie, with a twisted ending, and of course, any Gale Harold fan ---- but there's many more fine performances here too! The movie is beautifully shot, with a dark, foreboding atmosphere and the all the actors are amazing in their roles. It reminded me of Mystic River or Fight Club in it's tone, and the troubled story. It's about four brothers who have reunited for a night at their family home - it's obvious they have experience trauma in their early lives and they eventually end up drinking and fighting while we are given clues to what is really going on and their dark history together as a family--- don't want to give too much else away. Blake Gibbons gives a commanding performance, and Gale Harold truly shines --- everything is so real, you really feel the troubled nature of these brothers. With great sound and background, as well as a story that will keep your mind interested, you will definitely love this movie. A great alternative to the mindless schtick of big-budget special effects movie - this one has realism, intrigue, and great acting, especially by Gale.

Good Things Come to Those Who Wait.....

[evayner · 10/10 · 2 June 2004]

The release of this movie was a source of great anticipation for me. For one reason or another I wouldn't make any of the screening for Wake over the last year, so for me by the time I saw Wake I walked out thinking that the phrase "Good Things Come to Those Who Wait" to be very true.

As I think most people would agree, (at least those that go to a movie to actually WATCH the film) Wake is a haunting film to say the least. If you are tired of the mindless, the fluff, the unsubstantial flick that Hollywood tends force feed us, then give this brilliant indy film your $10 bucks. Wake is just extraordinary. Everything from the depth of the storyline, to the interactions between the 4 brothers, to the intimate setting and the inviting yet foretelling music, Wake offers a true movie experience. You get sucked in and taken to places in your own mind that maybe you didn't want to go. But isn't that what movies are meant to do.

Enlighten, entertain, engage you... Well Wake does all of that. But above and beyond all else it was the acting and the depth of the story that got me back into the theater a second time. I knew there was something I missed the first time around and just needed to make sure that I got it all.

The acting is just magic. Gale Harold's acting talent was no great surprise. His talent, his dedication, his willingness to take on the dark, the doomed, the distraught character of Kyle goes along with what I have long believed about Gale Harold... He takes risks in the hopes of growing professionally and perhaps personally as well. Well I hope this role did that for him, because it shows in his performance. For the sake of not getting to flowery ... Gale Harold was magical as Kyle. And for that we all owe a ton of gratitude to one Susie Landau Finch and one Henry LeRoy Finch for convincing Mr. Harold to try his hand at acting and for creating the opportunity to play Kyle ... respectively. I was not familiar with Blake Gibbons until last Friday, but now I wonder why. He is a phenomenal actor who nailed the role of Roy. What I found most remarkable was his ability to go inside himself, deeply enough to bring about this performance. Roy is a character that can be a self-centered prick on one hand, yet clearly loving and caring on another. It is almost as if he battles between the two simultaneously in each scene.

There isn't enough to be said for Henry LeRoy Finch. Its simple really, if it wasn't for his brilliance, dedication, guts and obvious talent, Wake would not be.

This is not just another movie...

[mareewell1 · 10/10 · 13 March 2004]

This is not a movie that you sit down, watch quietly and then forget about. I just wish to clarify this now. Animated discussions amongst my friends were abound following the screening of this film and to date they are continuing.

I saw this film in the presence of a group of friends, however whilst watching, was unaware of their proximity. From the beginning I was drawn in to the story and remained as such until the credits began to roll.

The film focuses on the relationship between four brothers who, although obviously connected, are of different personalities and spheres of existence. We see into their psyches for brief moments and come to understand their places within the family and the world in which they have carved their niche.

All the actors perform superbly and with a fluidity that enhances the subtext of the dialogue. In particular, Gale Harold (of Showtime's Queer as Folk), in an inspired performance, conveys the vulnerability of his character openly and sometimes, heartbreakingly to the audience.

The director, producer and editor of this movie have much to be proud of, as unlike most films nowadays, all the answers are not displayed to the audience with neon lights flashing. They are carefully hidden within the storyline and camera angles. This aura of mystery seeps through to the audience who find themselves captivated and curious, empathizing with the characters through their own experiences and needing to know how it will all end.

This is a film that I could watch more than once, knowing that new feelings and insights could be gained with each viewing. My only wish... to view this movie again.

Kudos to Henry Leroy Finch and Suzie Landau Finch

[griffiths · 10/10 · 1 February 2005]

A very dark, haunting movie but excellent acting, especially by Gale Harold and Blake Gibbons. The four brothers in this dysfunctional family collide by circumstance and the story's spiral downward flow is brilliantly brought about by the superb acting. Lavish sets and locations are not necessary and not missed as the whole pivotal story centres around the childhood home of Jack, Kyle, Sebastian and Raymond. The story is told by the older Sebastian, as portrayed by Martin Landau. A must-see for Gale Harold fans. My mind definitely didn't wander off throughout the whole movie. The range of emotions portrayed is riveting and the actors must have gone home drained. Excellent music score and directing.

What an indie movie should be

[morag-7 · 9/10 · 6 March 2004]

Dark, intense, brooding, with a little black humour. I liked this for the way it left so many things ambiguous, and didn't feel the need to spell everything out. We get just enough backstory to understand the gist of the brothers' issues with each other and their past. As the audience, we're left to put things together in a way that works for us, which is challenging without being frustrated. The dark underlying tension between the brothers feels menacing, but the dysfunction, shared history, and unresolved issues are universal for anyone with siblings or a family. This is Gale Harold's best non-QAF work. He and Blake Gibbons both shine as two brothers who are polar opposites, or perhaps the complementary yin and yang of this particular unhappy family.

Wonderfully dark and disturbing tale; don't miss it!

[bigbaf · 10/10 · 13 July 2003]

In a dilapidated old farmhouse in Maine an elderly lady lies dying while her solicitous son looks on. He is soon joined by his three brothers and a dark tale of violence and perversion ensues! The house reeks of decay and death and so do the boys as they squabble over missing money, ancient crimes, long hidden secrets. The tensions among them are utterly believable even as every attempt to reach some resolution just unearths another mystery. The viewers' loyalty shifts from one brother to another as each in turn progresses from sympathetic to monstrous; from victim to predator.

The cast is universally excellent and the script and direction would do David Lynch proud! The story is rich enough to reward multiple viewings and is a perfect example of why we need independent productions like this so desperately; it actually makes you think all the way through!

A Must see

[GaleHaroldRandyHarrisonlove · 9/10 · 21 December 2004]

A dark family drama in which only more danger can ensue. Gale Harold as Kyle Riven is wonderfully portrayed and proves that Gale can do more than give life to Brian Kinney.I was solely interested in this movie because of my interest in Gale Harold (Queer As Folk) However, I must say this was a major treat in Mr. Harold career as Kyle. I was moved by his characters situation and the environment that he inhabits, Kyle is worked over and over and yet craves his family's love but never receives it.Hurt, anger, deception, and lust push the limits of the brothers and take their toll on the sanity of each. I would recommend for any person, Gale fan or not-to take the chance to see Wake.

well done

[ggilman · 10/10 · 16 July 2003]

Just saw Wake earlier this week at the Maine International Film Festival introduced by the director and producer, and really enjoyed it. Contrary to what one reviewer observed, the movie is not full of improvised scenes. Credit the director with great natural writing. It was very exciting to see such a professional looking and well written film come out of Maine. Brother Stingray stole the show for me, a character you're rooting for, and simultaneously scared of.

Great acting, direction & production plus a Geary's cameo all make this a very worth while effort.

Hope they get a theatrical release and distribution!

Later, Greg

Everything an indie movie should be!

[scumgrl · 10/10 · 9 April 2003]

There are good indie movies and there are bad indie movies. They seem to possess the same qualities - yet sometimes the movie works and other times it doesn't. Wake manages to synthesize the tricks of independent cinema in a way that most definitely works.

Dark, messy, raw and confusing, with unexpected flashes of humor, this movie gets right inside your head and makes itself at home. You might not enjoy the things it does in there; but independent cinema has never exactly been about enjoyment. The movie is designed to attack you. At that, it succeeds beautifully.

One of the reasons the film succeeds to such an extent is that it leaves enough room for its actors to roam and rant and rave. The best scenes in the movie are improvised. Every actor shines. Even the two women, who are not much more than set pieces, are absolutely perfect. Ironically, the only pointless thing about the movie is the presence of the one name actor (and the producer's father), Martin Landau.

The centerpiece of the movie, Gale Harold, however, is absolutely perfect. If this movie ever comes out, Harold just might pull in an Oscar nomination.