- A comedy of frustration as assistant director Edgar Kennedy is under pressure to complete a film at the studio in spite of a temperamental star and his obnoxious in-laws.
- Assistant director Edgar Kennedy is exasperated enough in he and his wife Florence having to live with his mother-in-law and brother-in-law, but what's worse is that they don't seem to respect him or his abilities. He could direct a picture if he wanted to,... except the one he's working on now as it stars the temperamental and thus impossible to work with Carol Benet. He is thrown into the lion's pit when he has to take over directing the final few scenes of the movie which need to be completed by the end of the day. Beyond the fact that Miss Benet also doesn't respect him, whether Edgar is able to finish the movie or not by the deadline, if he doesn't which could mean the end of his career, is largely affected by the fact that Florence and her family have sneaked onto the studio lot.—Huggo
- Edgar (Edgar Kennedy) gets a call from the studio to come in and direct the last scene of a film in production. But, before he can leave the house, his wife Florence (Florence Lake) and her Mother (Dot Farley) make him dress the part with riding breeches, a beret, an ascot, a crop and riding boots, and this rig is met with much derision by both cast and crew when he arrives at the studio. Carol (Jean Fontaine), the star of the movie doesn't want Edgar as the director and makes things difficult for him, especially after she hears the producer (Nat Carr) tell him he is limited to making no more than two shots on any scene. Meanwhile, Florence, Mother and Brother (Billy Eugene)decide to drop in on the set and watch Edgar at work. Because of his relatives or Carol, Edgar is forced to shoot the same scene over and over.—Les Adams <longhorn1939@suddenlink.net>
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