6.4/10
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53 user 50 critic

Winter Passing (2005)

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2:28 | Trailer

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In 1959, a young journalist ventures to Cuba to meet his idol, the legendary Ernest Hemingway. In the middle of a revolution, a friendship would unite two friends and help them find their literary voice.

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Cast

Cast overview, first billed only:
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Ray
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Bartender
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Rob
Laurie Kennedy ...
Nun
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Storyline

Actress Reese Holden has been offered a small fortune by a book editor if she can secure for publication the love letters that her father, a reclusive novelist, wrote to her mother, who has since passed away. Returning to Michigan, Reese finds that an ex-grad student and a would-be musician have moved in with her father, who cares more about his new friends than he does about his own health and well-being. Written by IMDb Editors

Plot Summary | Add Synopsis

Taglines:

Sometimes you go looking for something you want. . . and find what you need.

Genres:

Comedy | Drama

Motion Picture Rating (MPAA)

Rated R for language, some drug use and sexuality | See all certifications »

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Details

Country:

Language:

Release Date:

15 June 2006 (Portugal)  »

Also Known As:

Au fil de l'hiver  »

Filming Locations:

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Box Office

Budget:

$3,500,000 (estimated)

Opening Weekend:

$35,813 (USA) (17 February 2006)

Gross:

$101,228 (USA) (7 April 2006)
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Company Credits

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Technical Specs

Sound Mix:

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The piano song played in the end of the film is 'Bittersuite' composed by Zooey Deschanel. See more »

Goofs

In the scene in which Zooey is having missionary sex, the gaffer tape over her nipples can be seen. See more »

Quotes

Corbit: Well, I gotta go rock. And if you see Holdin, tell him his balls are clean.
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Connections

References Cops (1989) See more »

Soundtracks

Rise
(2001)
Written by Orenda Fink and Maria Taylor
Performed by Azure Ray
Courtesy of Warm Electronic Recordings
See more »

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User Reviews

 
Show, Don't Tell
1 June 2006 | by (East Bay, CA, United States) – See all my reviews

One of the challenges Winter Passing faces is getting the audience to empathize with characters enough to ride the film's emotional ups-and-downs. Director Adam Rapp took a risk by placing so many of the events which define each character outside of the story, instead conveying these details through conversations between characters (i.e. "Who's pills are these?" or "Who is Corbit and why does he live here?").

The potential reward of this "Tell-Don't-Show" approach is that the director can add dimension to the characters by providing a greater quantity of personal history and details. The risk, however, is that the audience won't invest enough emotionally in the characters to really care about what happens to them.

The acting was quite good; I'm always glad to see Will Ferrell push beyond his slapstick beginnings, and he and Zooey Deschanel have very believable chemistry. But by relying so heavily on dialogue and description, the film subverts the medium, and made it hard for me to identify with any of the four main characters.


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