Directed by
| Don McKellar | ||
Writing Credits
| Don McKellar | ... | (written by) and |
| Michael Goldbach | ... | (written by) |
Cast (in credits order) complete, awaiting verification
Produced by
| Niv Fichman | ... | producer |
| Daniel Iron | ... | producer |
| Jennifer Jonas | ... | producer |
Music by
| Christopher Dedrick | ||
Cinematography by
| André Turpin | ||
Editing by
| Reg Harkema | ... | (as Reginald Harkema) |
Casting By
| John Buchan | ||
Production Design by
| John Dondertman | ||
Costume Design by
| Debra Hanson | ||
Makeup Department
| Debra Johnson | ... | key makeup artist (as Deb Johnson) |
| Traci Loader | ... | first assistant makeup artist |
| Mary Monforte | ... | key makeup artist |
| Taraleigh Wallace | ... | assistant hair stylist |
Production Management
| Matt Cahill | ... | post-production supervisor |
| Maribeth Daley | ... | production manager |
Second Unit Director or Assistant Director
| Richard Black | ... | second assistant director |
| Vicki Henton | ... | trainee assistant director |
| David Manion | ... | first assistant director |
| Neil Winemaker | ... | third assistant director |
Art Department
| Garry Honcharuk | ... | property master |
| Norm Ouzounis | ... | props |
| David Sauder | ... | assistant art director |
| Adam Urquhart | ... | set dresser |
Sound Department
| Erik Culp | ... | foley mixer |
| Robert Fletcher | ... | sound recordist |
| Martin Lee | ... | re-recording mixer |
| Steve Munro | ... | sound designer |
| Lou Solakofski | ... | re-recording mixer |
| Iain Stewart | ... | boom operator |
| David Drainie Taylor | ... | dialogue editor |
Special Effects by
| Tim Good | ... | special effects supervisor |
Visual Effects by
| Naomi Anderlini | ... | main title designer |
| Rob Gyorgy | ... | digital effects artist |
| Chad Malbon | ... | digital film producer / visual effects producer |
Stunts
| Tiny Good | ... | stunt rigging |
| Brayden Jones | ... | stunts |
| Alison Reid | ... | stunt coordinator |
Camera and Electrical Department
| Max Armstrong | ... | camera trainee |
| Blayne Badge | ... | electrician |
| Terry Banting | ... | gaffer |
| Dean Dallas Bentley | ... | grip |
| Pauline Edwards | ... | second assistant camera: second unit |
| Andy Gondek | ... | best boy electric |
| J.W. Lee Ionson | ... | generator operator |
| Eric Jennings | ... | first assistant camera: second unit |
| Lainie Knox | ... | first camera assistant: "b" camera |
| John Pogue | ... | electrician |
| John Price | ... | first assistant camera |
| Joe Strazzeri | ... | key grip |
| Clayton Tiedemann | ... | still photographer (as Cylla von Tiedemann) |
Casting Department
| Jonathan Payne | ... | casting assistant |
Editorial Department
| Louis Casado | ... | film timer |
| Kenn Elliott | ... | colorist: HDTV dailies |
| Jim Fleming | ... | digital film colorist |
| Branko Vasovic | ... | assistant editor |
Location Management
| A.J. Hordal | ... | location manager |
Music Department
| Velma Barkwell | ... | executive producer: soundtrack album |
| Erin Hunt | ... | music coordinator: S.L. Feldman & Associates |
| Natalie Pancer | ... | coordinator: soundtrack |
| Michael Perlmutter | ... | music supervisor: S.L. Feldman & Associates (as Michael A. Perlmutter) |
| Ron Searles | ... | music score recording engineer |
Script and Continuity Department
| Oliver Olsen | ... | script supervisor |
Additional Crew
| Cynthia Amsden | ... | unit publicist |
| David Betances | ... | production assistant |
| Tom Bishop Jr. | ... | horse wrangler |
| Janet Cavanagh | ... | set supervisor |
| Gary Eisler | ... | stand-in: male |
| Eric Fieland | ... | production assistant |
| Jason Graham | ... | pressbook designer |
| Indira Guha | ... | legal and business affairs: Telefilm Canada |
| Kris King | ... | assistant production coordinator |
| Arlene Lott | ... | pressbook designer |
| Julie McLeod | ... | stand-in: female |
| Carole-Ann Woods | ... | production coordinator |
Thanks
| Atom Egoyan | ... | special thanks |
| Ron Sexsmith | ... | special thanks |
