Flower and Snake (2004) User Reviews

Aya Sugimoto is Amazing

[ebiros2 · 5/10 · 25 October 2012]

The ultimate focus of this film is Aya Sugimoto, who've grown up from a graphic idol of the'80s into an entrepreneur and an actress amongst other things. She's really matured from the beautiful young girl into a nice multi-talented lady. A rarity in a field where new comers fade away just as quickly as they appear.

If you look at the combination of Dan Oniroku, and Takashi Ishii, you can bet that this is going to be a hard core movie in many ways (and it is).

A husband in debt is asked to submit his wife to a 95 year old man's pleasure item. He has little choice but to submit. The wife (Aya Sugimoto) who doesn't know anything about the deal becomes the unwitting sacrifice in the game of sadistic sexual display.

I actually haven't seen Aya Sugimoto for almost 20 years, and had to do a double take to make sure that she was the same Aya Sugimoto that I've seen in the '80s. She's changed, but into a respectable lady.

I'm not a big fan of Dan Oniroku or Takashi Ishii, but this movie was of good quality mainly due to the performance of Aya Sugimoto.

Flower and Snake

[Scarecrow-88 · 7/10 · 4 December 2008]

Aya Sugimoto is one of the most beautiful Japanese actresses I have laid eyes on. And, she gives a daring and courageous performance, prepared to do whatever her director, Takashi Ishii, desires to bring an authenticity and dramatic depth towards a female character treated with the utmost hostility, sexual degradation, rape and bonafide humiliation through some shocking acts of indecent behavior towards her by a powerful 95 year old Yakuza king whose stoic, deeply serious lieutenant assists in continuing the success of a underground establishment, known as The Coliseum, where they service a secret society of the most wealthy and elite with sex & torture shows. Sugimoto portrays a popular tango dancer, Shizuko Tôyama, whose weak, alcoholic husband, a president of a business going under, has sold her to the elderly Yakuza boss to pay off serious debts. Her husband regrets this decision and plans to bring her home, but discovers that Shizuko seems to be enjoying the depraved and violently sexual conduct performed in front of a costumed crowd. The film before Shizuko is kidnapped, displays how her marriage is quietly dying and that she has been having recurring S&M fantasies. So, in a dark sense of irony, what she had often dreamed is coming true. Her kickboxing female bodyguard, Kyôko Nojima(Misaki), is also kidnapped and sexually molested and mistreated. While the old man and his lieutenant look on from a room through a wide screen at the shows presented for their "entertainment", Shizuko is put through a rigorous and highly exhausting series of "performances", her life in possible danger if she doesn't cooperate. Any attempts to escape seem futile. The ending opens a possibility that the torture shows and those behind them may not be what they seem.

The film seems built to shock, but is incredibly well made and probably the most artistic representation of S&M mistreatment ever made. Or, one of the best. While Ishii doesn't exactly wallow in the fine details, there's enough indecency and deviant behavior to satisfy the kind of crowd yearning for so. The acting by the cast, especially from Sugimoto who is superb, is quite good. But, prepare for a lot of startlingly unpleasant sequences involving Shizuko, including a disturbing "reinactment" of Christ's crucifixion between two thieves, and our heroine's decision to make love with the very old Yakuza sleaze bag who uses his tongue to caress throughout her rope-bound body. A definite signature of torture in this film is how Shizuko, and Nojima, are often bound tightly to wood by rope...you can actually hear the sound and see the expressions of pain which really sell these scenes which are certain to make a few wary viewers squirm. There is a LOT of nudity, and Sugimoto often is featured naked, her fantastic physique put to the test often. It takes a committed performer to put herself through what this role demands.

Not much nudity

[Dave_douell · 4/10 · 27 September 2018]

I don't know who writes these parents guides but they must have seen a different movie than I did! Mostly breasts are just shown and a few shots of thick pubic hair. No genitals ever shown, which is ok, just really tired of the morons who write the parents guide. They will write an entire essay describing every kiss or low cut dress! They even include when a guy is shirtless now!! It is however a torture/bondage film and not too bad in that respect.

An erotic masterpiece of sexual humiliation.

[HumanoidOfFlesh · 9/10 · 6 August 2006]

Incredibly hot Aya Sugimoto stars as Shizuko,a bored and unfulfilled wife of a wealthy businessman.When her husband is blackmailed by the Yakuza,Shizuko is sold to Oyabun Tashiro as payment.Tashiro quickly places Shizuko in a private S&M show for an elite audience in order to satisfy his own unfulfilled sexual needs.Shizuko is then subjected to sexual humiliation in front of the masked audience."Flower and Snake" is based on Oniroku Dan's highly successful novel.The film is perverse and sexually explicit,so fans of Japanese pinku eiga should get it as soon as possible.A famous Japanese singer and model Aya Sugimoto spends lots of her screen time naked and she has truly wonderful body.The story may be shocking for casual viewers,however if you are curious give this stunningly erotic masterpiece a look.9 out of 10.

greatest film ever made featuring extreme bondage and ballroom dancing

[christopher-underwood · 9/10 · 28 February 2008]

The first of director Takashi Ishii's own versions of this tale of BDSM and honour, following the very first in 1974. Here we have a much more sexy tale, a lot of the edge has been smoothed away. We still have an enema scene of sorts here but it is by no means as central to the lead character's degradation as it was in the first films. So, whilst this film will appear totally unacceptable to the average film-goer, it is much easier and less uncomfortable to fans of extreme Japanese cinema. In some ways this may be a more transgressive movie because we do come extremely close here to an acceptance, possibly an enjoyment and even an empowerment as a result of the pain, suffering and ultimate 'showing of the real face'. Having said all that for those partial to the sight of female bodies in exquisite bondage, this is the movie for you. Pubic hair is also, unusually, on view and this is certainly the greatest film ever made featuring extreme bondage and ballroom dancing. The men come off very badly, as usual, spending all their time in power games whilst they hand the power straight to the ladies.

Ice Queen Princess Learns Lust

[djestic03 · 8/10 · 18 September 2008]

This is what Eyes Wide Shut should have been. This is Zalman King eroticism with a sharp story line and excellent acting. Super erotic without blatant pornography; that would seem to be the test of great acting/directing/storytelling. I'd give it 10 but the ending seems subject to much interpretation. Although much of the movie is involved in bondage and forms of S&M, I get easily bored if THAT'S all that is going on. There's much more to this, the sequences do not feel contrived, and the reaction of the actors seems very genuine. This is not a slasher/blood splatter flick. In many respects, this is more erotic than what an actual porn flick would be. Overall, a very well done movie!

Brutal, erotic, handsomely produced masterpiece of sexual politics

[fertilecelluloid · 9/10 · 12 March 2006]

Superb, brutal, erotic, handsomely produced sado-masochistic masterpiece from director Takeshi Ishii. It could have been titled "Wife To Be Sacrificed" because Shizuko (Aya Sugimoto), the wife of a wealthy businessman, is sacrificed in order to pay off her husband's debts.

Everything "Eyes Wide Shut" pretended to be this is. It does not cower from its powerful subject matter or merely titillate. It is the work of an incendiary artist with a firm grip on the material and the material's ability to emotionally resonate.

Sugimto, who is one of the strongest, most stunning, most beautiful creatures ever to ignite the cinema screen, is totally convincing as a woman plunged into a cruel, nihilistic, carnal hell referred to only as The Coliseum. It is a stadium-like space where the rich and powerful get their kicks watching beautiful women raped, beaten, bound and, in some cases, murdered, in a pretentious, circus-style setting.

This is a big budget extravaganza of ravishing perversion and beauty mixed with a violent white collar crime plot. Ishii's direction of both the violent confrontations and sado-masochistic set pieces is stunning. His camera dives, swirls, caresses and illuminates the provocative tableaux.

Goro Yasukawa's score is beautiful, and artfully enriches every aspect of this sensational production. It took three cinematographers to fully realize the striking visual style that brings Ishii's original vision to life.

The Oniroku Dan novel, 'Flower and Snake', has been filmed before, but this is the definitive version and the most sincere, a hardcore smack to the chops of conservative culture.

A Soft-Core Rope-Bondage Lover's Wet-Dream...

[EVOL666 · 8/10 · 4 May 2006]

Takashi (ANGEL GUTS series, EVIL DEAD TRAP) Ishii has succeeded in making an extremely sexy and interesting film. Apparently an adaptation of some Japanese S&M novel (I don't have time to read anymore - too much sleaze to watch...) which has been made into film several times - FLOWER AND SNAKE has more sexy rope-bondage and humiliation action than you can shake your dong at...and get this...even has a pretty decent storyline.

Shizuko is a famous Japanese tango dancer whose husband sells her out to the Yakuza. Seems the 95 year old Yakuza leader has a thing for the beautiful rug-cutter, and will do anything necessary to possess her. The leader's henchmen hatch a plan with the begrudging help of Shizuko's husband - who agree to cancel his debt if he gives up his wife. Kidnapped, along with her sexy female bodyguard and her driver, Shizuko and crew are taken to a place called The Coliseum, where rape and snuff torture shows are played out for high-class clientelle. The driver is killed early on (no big deal - I'm here for the rope-bondage, not a sausage party...) and Shizuko and her hot bodyguard are repeatedly bound, raped, and humiliated for the pleasure of the ancient Yakuza boss for pretty much the rest of the film. There is more to the "story" then that, but I don't wanna give away too much - plus honestly - who cares? I'm on this one to see smokin' Japanese chicks get brutally molested...

But seriously, FLOWER AND SNAKE starts off pretty tame and really gets going after the first half-hour or so. The bondage and humiliation scenes are more sexy than "rough" as Shizuko and her bodyguard are bound with ropes and contorted into a bunch of wood-inducing positions. There's lots of protracted close-ups on various female body parts, tons of nekkidness, and one of the highlights: an "intersting" dildo mask double-penetration rape sequence that ends in a forced golden-shower. There's even a decent amount of full-frontal for a Japanese feature (guess they're starting to relax their "no-bush on film" laws...) and tons of tits-n'-ass. I pray for the day that Japan starts allowing film-makers to "show-all" - cuz if FLOWER AND SNAKE would have been a little more explicit - it would have gotten an 11. That being said, I'm surprised at how "tasteful" and professional the film is for the subject matter. It really doesn't come off as a fetish film, though 70% of the films run-time is basically watching chicks being bound and humiliated. Ishii somehow deftly weaves a story of obsession, betrayal, despair, and strength out of a bunch of nudie shots. The ending leaves a bit to be desired (as most Japanese films these days do...) and knocks it down just a bit for me. Overall, I would recommend FLOWER AND SNAKE for sleaze fans who would like to see something a little more "artistically" sexy than your average fetish film - but still wanna see some goods. 8.5/10 (would have been 20/10 if there would have been some explicit snatch shots...)

GRAND OPERA for the 21st century

[lleeheflin · 10/10 · 26 November 2006]

Takashi Ishii is my best movie 'find' of the last year (along with Park Chan Wook). When I finished watching BLACK ANGEL #1 I said to myself (silently since the film had left me utterly speechless) I have seen the face of grand opera for the 21st century. FLOWER & SNAKE takes its place on that same lofty summit. But whereas BLACK ANGEL fits neatly into the groove of Verdi and Wagner, FLOWER & SNAKE is more attuned to the hothouse orchid atmosphere of Strauss' SALOME, but dressed up (and down) in very contemporary style. I can imagine that Strauss would have loved for his SALOME to look like this! It is all about unrequited 'forbidden' love/lust. Westerners tend to be very uneasy with this area of human experience: witness S. Kubrick's last gasp of a dying breath EYES WIDE SHUT. Not so the Japanese. They grab Priapus by the horns and do their damnedest to wrestle him to the ground. More often than not leaving a trail of their own blood and guts strewn along the wayside. AND making ART of it all the while.

While all S&M is ritualized to one degree or another, in a culture like Japan where RITUAL is fundamental to all cultural experience, the ritualization of the 'forbidden' is raised to the level of the sublime. This is most especially true in its artistic expressions. Erotic art is a very well established genre in Japan. And S&M erotic art is a very well established sub-genre there as well. One need not be an 'S&Mer' to appreciate it's artistic merits. But you can not deny it's artistic merits. I have seen rather a lot of (gay) Japanese erotic art on the web and a lot of it belonged to this sub-genre. If this is not Ishii's bag, then he did his homework very well. The traditional male loin cloth plays a very big role in Japanese homoerotic art, so I was rather surprised to see this fetish lavished so lovingly on the woman in the film. And the whole bondage business!!! The ritualistic binding with rope and knot tying is astonishing!!! And nearly verbatim from the many Japanese prints I have seen. (To see for your self google 'Gengoroh Tagame') This is erotic art of the highest order, albeit of a very specialized order. I can not recommend it too highly. On the other hand, if your sexual tastes are firmly entrenched in the vanilla flavors of Hollywood 'tweenky' sexploitation movies, then you might want to knock back a few before watching this. On the other hand if you enjoy sex while riding a roller coaster thru the funhouse and the chamber of horrors, you will die over this. It gives a whole new meaning to 'two thumbs up'!!!!

Remind me of 8mm and Eyes Wide Shut

[cooleon · 8/10 · 11 January 2005]

Remind me of Nicholas Cage's 8mm about smurf films and Stanley Kubrik's wild and last Eyes Wide Shut(mind my spelling if some are wrong). Other than that, too complicated and obsessed for sex, nude, violence, to comprehend what it's trying to say, like many other Japanese flicks. Maybe it's not about understanding what the movie is trying to say, but just movie as it is. Well, at least the actress is pretty, seems a little old for all that bold numerous nude shots. I wonder how much she, the character, suffered 'and' enjoyed the whole ordeal. She DID enjoyed it, I think!!! I probably will not watch it again nor buy a DVD. But, it was good strange flick. I enjoy change of scenery time to time. Ciao^^