The Conscience of the King
- Episode aired Dec 8, 1966
- TV-PG
- 50m
IMDb RATING
7.1/10
4.2K
YOUR RATING
While Captain Kirk investigates whether an actor is actually a presumed dead mass murderer, a mysterious assailant is killing the people who could identify the fugitive.While Captain Kirk investigates whether an actor is actually a presumed dead mass murderer, a mysterious assailant is killing the people who could identify the fugitive.While Captain Kirk investigates whether an actor is actually a presumed dead mass murderer, a mysterious assailant is killing the people who could identify the fugitive.
David Somerville
- Larry Matson
- (as David-Troy)
Marc Grady Adams
- Hamlet
- (as Marc Adams)
Tom Anfinsen
- Crewman
- (uncredited)
John Astin
- Capt. John Daley
- (voice)
- (uncredited)
Majel Barrett
- Enterprise Computer
- (voice)
- (uncredited)
Bill Blackburn
- Lieutenant Hadley
- (uncredited)
Frank da Vinci
- Capt. John Daley
- (uncredited)
- …
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaBarbara Anderson developed a fever blister/cold sore on her lip during filming. Besides using makeup to partially disguise it, she was often filmed with part of her lower face in shadow.
- GoofsWhile McCoy is enjoying a "drop of the true" in sick bay, he offers Spock a drink. Spock explains, "my father's race was spared the dubious benefits of alcohol." To which McCoy sardonically responds, "Oh, now I know why they were conquered." However, in The Immunity Syndrome (1968) Spock explains to Kirk that, "Vulcan has not been conquered within its collective memory. The memory goes back so far that no Vulcan can conceive of a conqueror."
- Alternate versionsSpecial Enhanced version Digitally Remastered with new exterior shots and remade opening theme song
- ConnectionsFeatured in Star Trek Logs: An MTV Big Picture Special Edition (1991)
- SoundtracksTheme From Star Trek
Written by and credited to Alexander Courage
Featured review
Is He Kodos the Executioner or just an Actor?
This is another example of a Trek episode where Capt. Kirk temporarily abandons his usual mission (exploring) and goes off on a personal vendetta (see the recent "Dagger of the Mind" and the much later "Obsession") - but it's very personal in this one. On the surface, it may seem trivial because larger questions concerning the galaxy are placed aside, but we become very involved in Kirk's private quest here. The episode is basically a mystery: is a traveling Shakespearean actor just what he seems to be or is he really the ex-governor of a failed colony, where, 20 years earlier, 4000 people had been put to death on his orders? We are left guessing for most of the episode. Will this turn out to be a false quest, a morality tale on the pitfalls of revenge? Or will this suspect truly be revealed as a mass murderer, causing Kirk to phaser him into oblivion? This episode also has an interesting set design for a futuristic house on another planet and a nice rendition of a song 'Beyond Antares' by Uhura (Nichols).
I would think guest star Moss had a field day with his role in this one; his specialty in real life were Shakespearean plays. He acts out Macbeth here, the story of which carries eerie parallels to the character he plays in this episode, and Hamlet, which parallels scenes in the actual episode. His voice is magnetic and his confrontation scene with Kirk as they parry verbally remains one of the better ones during this Trek season. Anderson, as his daughter, also holds her own in a strangely beautiful role. The episode is filled with nice touches - catch the very brief one as Yeoman Rand (Whitney) passes Anderson's character in the turbolift. It's also telling that Spock, for all his usual annoyance with McCoy, runs to him when he notices the captain being edgy again. There's a key scene with Kirk, Spock and McCoy which sums up this trinity's relationship. Finally, we have Riley (Hyde) back again in his second and last appearance (after "The Naked Time"). It's an ironic form of justice that Riley ends up demoted to the lower decks in the engine room, where he caused all that trouble in his previous appearance. A rather haunting conclusion caps this foray into space intrigue.
I would think guest star Moss had a field day with his role in this one; his specialty in real life were Shakespearean plays. He acts out Macbeth here, the story of which carries eerie parallels to the character he plays in this episode, and Hamlet, which parallels scenes in the actual episode. His voice is magnetic and his confrontation scene with Kirk as they parry verbally remains one of the better ones during this Trek season. Anderson, as his daughter, also holds her own in a strangely beautiful role. The episode is filled with nice touches - catch the very brief one as Yeoman Rand (Whitney) passes Anderson's character in the turbolift. It's also telling that Spock, for all his usual annoyance with McCoy, runs to him when he notices the captain being edgy again. There's a key scene with Kirk, Spock and McCoy which sums up this trinity's relationship. Finally, we have Riley (Hyde) back again in his second and last appearance (after "The Naked Time"). It's an ironic form of justice that Riley ends up demoted to the lower decks in the engine room, where he caused all that trouble in his previous appearance. A rather haunting conclusion caps this foray into space intrigue.
helpful•424
- Bogmeister
- Jul 1, 2006
Details
- Release date
- Country of origin
- Official sites
- Language
- Filming locations
- Production companies
- See more company credits at IMDbPro
Contribute to this page
Suggest an edit or add missing content