Having failed to break into professional opera in his native Germany (where, as an usher in West Berlin's Deutsche Oper, he would serenade the staff after the 'real' performances were over)...
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The Long Day Closes is the story of eleven-year-old "Bud." A sad and lonely boy, Bud struggles through his days. With cinema as his main source of solace, he haunts the local movie-house. ... See full summary »
The true story of gay lovers, Richard Loeb and Nathan Leopold Jr. who kidnapped and murdered a child in the early 1920s for kicks. The plot covers the months before the crime, the ... See full summary »
In a village in the Southwest of France, 1962. Maite and Francois are 18 years old. They are friends, not lovers. In Francois's classroom, there are Serge, whose brother has just married to... See full summary »
Divorced working woman Alex and well-to-do Jewish family doctor Daniel Hirsh share not only the same answering service but also the favours of young Bob Elkin who bed-hops between them as ... See full summary »
Having failed to break into professional opera in his native Germany (where, as an usher in West Berlin's Deutsche Oper, he would serenade the staff after the 'real' performances were over) the diminutive Klaus Nomi headed for NYC in 1972. The vibrant New Wave/avant-garde gestalt of the mid/late '70's East Village proved to be fertile ground for the development of his unique talents. Working by day as a high-end pastry chef, Nomi began to stage his outlandish performances, first launching himself upon an unsuspecting public at the New Wave Vaudeville in 1978. The hip and cynical young audience was stunned by this weird combination of falsetto arias, booming classical orchestration, Kraftwerk-style electronica, futuristic costumes and outer space imagery. An odd assortment of artists, choreographers, designers, songwriters and musicians jumped on to the Nomi bandwagon and the phenomenon began to take off - first attracting thousands to South Manhattan events (including performances at ... Written by
I just saw this film. I found it exciting, touching, more than a little inspiring, and was impressed by the filmmaker's ability to craft an intimate personal portrait of the man while also rendering a feeling for the period in which he lived.
Good times -- will likely get out to see it again before it leaves town.
Agree with the original poster: this one seems destined for cult status.
PS: Anyone find it odd that saving bandwidth by writing concisely here is punished by IMDb? I love everything else about this site, but the arbitrary requirement that we each become novelists in the mini-reviews is silly, and ultimately counter-productive: is it really so bad if you can say what you need to say in under 10 lines? I pity those who can't, and if IMDb must ban me rather than update their policy to accommodate those who can communicate well, then at least the few of you who read this before they ditched me know that at least I tried.
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