"Ghost Son" is Lamberto Bava's best film and, at the same time, also his worst. I suppose that statement requires some slight clarification. It's his best because it's well directed, ambitious, accessible and very stylish, but his worst because it's a dull, unoriginal movie and undeniably a huge letdown to all the real fans of Bava's past efforts. Let's face it: many fans, myself certainly included, wouldn't have been interested in this film judging by the plot, the famous names attached to it and even the boring sounding title. The only motivation here was Lamberto Bava, who brought us large amounts of convoluted Gialli and fun splatter films in the past. "Ghost Son" is a bit of his comeback film, alongside "The Torturer", and although the latter definitely isn't a good film, it at least lives up to his fans' lines of expectations, with excessive amounts of sleaze, blood and sadism. "Ghost Son" is a weak and intolerably soft horror film, even talking in terms of mainstream ghost stories. The emphasis lies too much on sentimentality, and this badly affects the already limited number of horrific & creepily atmospheric moments. The basic premise might feature one or two potentially good ideas, but the film is overall dull and far too clichéd. John Hannah and Laura Harring star as a happy couple, living on a remote ranch in South Africa and breeding horses for a living. The joy and happiness couldn't possibly improve, so naturally something tragic is bound to happen, and it does. Mark dies in a car accident, but the inconsolable Stacey remains at the ranch where she's in constant contact with Mark's spirit. She even gets pregnant with his child, but shortly after baby Martin's birth mysterious events begin to occur. It seems as if Mark's restless and selfish ghost 'possessed' the baby and uses him to encourage Stacy into committing suicide. With all the focus on the couple's relationship, many of the events and sub plots are underdeveloped and/or remains unexplained, like the whole background of the youthful maid Thandi. There's too little action and the only real fright-moments are too obviously borrowed from classic films such as "The Exorcist" and "Rosemary's Baby" (vomiting green goo, self moving furniture
). Purely talking in terms of horrific entertainment "Ghost Son" is a painful misfire, but it has to be said, it's a beautiful and enchanting looking failure. The cinematography is extremely elegant and many camera angles are truly inventive and suggestive. The moody score sometimes even manages to create an ominous atmosphere even though there's nothing of any significance happening on screen. There are several beautiful images of the South African wildlife to admire but, if that interests you, I suppose you're better off watching National Geographic instead. Not much to recommend here. Fans of atmosphere-driven ghost stories have much better options to choose from and die-hard Bava fanatics are advised to (re-)watch "Demons", "Macabre" or "Blade in the Dark".
12 Reviews
I don't love you any more
Abominog2 November 2006
Alas, it seems that the golden times of stylish Italian cinema have sunk into oblivion. And the recent brainchild of celebrated filmmaker Lamberto Bava is yet another obvious proof to that assumption.
I felt lucky to watch many films from this prolific director (like Body Puzzle, Delerium, Macabre and both Demons). Albeit not entirely satisfying they have never been that dull.
A suspicion that this new entry to my DVD collection was money thrown to the winds arose shortly in the aftermath of the car crash scene exhibiting an awkward and unlikely position of the body under the flip-over car.
And the sense of shallowness grew up in the course of the ponderously narrated chain of events that followed.
Dumb dialogs, suspenseless script and a total waste of talents from the international cast. The only character that provided more or less passable performance was the mischievous Mark's son juicing up the entire boredom.
Unfortunately, Mario's son job on all accounts could hardly be hailed.
I look forward to seeing his Murder House hopefully expected to be an improvement.
I felt lucky to watch many films from this prolific director (like Body Puzzle, Delerium, Macabre and both Demons). Albeit not entirely satisfying they have never been that dull.
A suspicion that this new entry to my DVD collection was money thrown to the winds arose shortly in the aftermath of the car crash scene exhibiting an awkward and unlikely position of the body under the flip-over car.
And the sense of shallowness grew up in the course of the ponderously narrated chain of events that followed.
Dumb dialogs, suspenseless script and a total waste of talents from the international cast. The only character that provided more or less passable performance was the mischievous Mark's son juicing up the entire boredom.
Unfortunately, Mario's son job on all accounts could hardly be hailed.
I look forward to seeing his Murder House hopefully expected to be an improvement.
Corny and occasionally bizarre, and not particularly frightening
robertemerald13 February 2020
If you read the blurb for this movie, either here at IMDb or on the back of the dvd, well, that's exactly what you get. What it doesn't tell you is how an apparently all up decent hard-working bloke suddenly becomes somewhat evil straight after death. You'll scratch your head over that one. As a movie premise it is original. Does it work? It didn't for me. There is a vision to this movie. The soundtrack, for example, would have been creepy and perfect, had the story been believable. I question the casting of the two leads as well. John Hannah is usually good in movies and TV, but in this he seems out of his depth, though not as much as Laura Harring. Her whole character, as well as her performance, just seemed wrong to me. Too much perfect makeup for an African farmer's wife, and just too slow off the mark to convince me whenever called to action. The horror elements seemed cobbled together from several other movies, which included the frequent brave camera angles. Maybe in 2007 all this was new enough to pass muster. If so, the movie has aged. There's problems with the storyline as well. Why is a woman babbling to a responsible doctor that her husband is still around and appearing to her still allowed to care alone for an infant? That one is explained by a weird spiritualism, painted as specific to Africa, that everyone believes in. That aspect of the movie is not convincing either, as there's very little side notes or cinematography to go with it, just a few lines from the local grandma. I didn't mind watching the movie as, because of its brave concept, it intrigued me when it didn't work. I enjoyed trying to figure out why, and I enjoyed trying to give it the benefit of the doubt. Ghost Son is a weird movie. If you really enjoy weird movies, and brave concepts for horror, then you may find more to enjoy in this than I did.
Where are you, Mr Bava, Jr?
volostas11 September 2006
First of all, I personally adore Demons and Demons 2, I saw them although it was hard to find good horrors without good official movie distributing here in Russia when I was a kid, and that is an unchangeable part of my boyhood. Then I heard nothing about Mr Bava. Then I saw his Ghost Son. Well, it is certainly not a good coming back! Why was the leading character, whom we never really knew to at least like him, in accident in the middle of an empty road? Why do African servants say so dumb and stupid things about human soul? Why is the plot so primitive? Haven't we seen enough ghosts for 100 years of movie production? It is clear that Lamberto Bava has nothing to show us so far. It is a shame.
Unusual plot elements and decent acting are wasted
rlange-324 January 2008
Warning: Spoilers
The entire first half of the film drags beyond belief. There is a great setting in Africa, decent acting, and one half the movie to develop the background scenario that Mark and Stacey are in love and passionate about it and "make a baby". This is hardly a revelation given the title of the movie.
The rest is perhaps intended to be mood setting but is really an exercise in trivia. The black Africans are all portrayed as having mysterious beliefs, a throwback to the films of the 50s. The rest is a long drawn out portrayal of the trite. Mark buys a piece of wood. Stacey wants to take a picture of the natives. Mark paints a room. Mark has weird statues and carvings. The natives lie a lot (really, this is actually a line in the movie). Get the picture? All of this is filled with music that is supposed to build drama I guess but instead just adds to the general and interminable boredom.
Finally the plot begins to develop, but it does so in a way which strains credulity. Mark is in an accident on a clear road which somehow pins him under the outside of the car. (You read that right.) Stacey drives down the road and voilà, there he is, ready to die. She grabs a jack and raises the car just enough for them to have a long drawn out conversation. Meanwhile the car is balanced on two wheels in the most preposterous position imaginable. Gasoline is pouring out... oh no, wait, there must not be any gasoline because it isn't pouring out of the car tipped on its side. In fact the whole scene looks so contrived that it is hard to believe someone didn't leave it on the cutting room floor.
The movie has its moments. Some of the interplay between the mother and child is indeed rather spooky. But the best of it doesn't make up for the mediocre plot build up, nor the rather milquetoast ending. When the plot resolution finally occurs, I was almost cheering because it was over. But that was premature, because it wasn't over. There was another few minutes of pointless epilogue remaining to be covered.
If you make it through the first half and are still awake the second half is better. But all in all it is rather lame. I gave it a far too charitable 5.
The rest is perhaps intended to be mood setting but is really an exercise in trivia. The black Africans are all portrayed as having mysterious beliefs, a throwback to the films of the 50s. The rest is a long drawn out portrayal of the trite. Mark buys a piece of wood. Stacey wants to take a picture of the natives. Mark paints a room. Mark has weird statues and carvings. The natives lie a lot (really, this is actually a line in the movie). Get the picture? All of this is filled with music that is supposed to build drama I guess but instead just adds to the general and interminable boredom.
Finally the plot begins to develop, but it does so in a way which strains credulity. Mark is in an accident on a clear road which somehow pins him under the outside of the car. (You read that right.) Stacey drives down the road and voilà, there he is, ready to die. She grabs a jack and raises the car just enough for them to have a long drawn out conversation. Meanwhile the car is balanced on two wheels in the most preposterous position imaginable. Gasoline is pouring out... oh no, wait, there must not be any gasoline because it isn't pouring out of the car tipped on its side. In fact the whole scene looks so contrived that it is hard to believe someone didn't leave it on the cutting room floor.
The movie has its moments. Some of the interplay between the mother and child is indeed rather spooky. But the best of it doesn't make up for the mediocre plot build up, nor the rather milquetoast ending. When the plot resolution finally occurs, I was almost cheering because it was over. But that was premature, because it wasn't over. There was another few minutes of pointless epilogue remaining to be covered.
If you make it through the first half and are still awake the second half is better. But all in all it is rather lame. I gave it a far too charitable 5.
Middling Lamberto Bava horror
Red-Barracuda8 March 2018
For fans in the know, it isn't exactly too much of a statement to say that Italian horror is far from where it used to be. Between the 60's and mid 90's, there was a plethora of excellent horrors and gialli coming regularly out of pasta land. Sadly, this situation has long ceased to be the case and we now simply have to make do with pretty slim pickings. The director of Ghost Son, Lamberto Bava, was very much an 80's man, delivering several very enjoyable movies in this decade, probably the best of which being the cult classic Demons (1985). But since those halcyon days, like many of his contemporaries, he seems to have got swallowed up by television productions and only rarely delivers any feature films. I guess his comeback movie in this area was The Torturer (2005), a film which I can't say I thought too much of. It did provide a few sleazy thrills but overall it could not escape its bargain basement origins. With Ghost Son, Bava is clearly operating with a much improved budget, allowing him to hire name actors like Laura Harring, John Hannah and Pete Postlethwaite, while also allowing for on location shooting in South Africa and a team behind the lens who have ensured that the movie does look good enough. Set in South Africa, a woman loses her husband in a car accident and then his ghost returns and impregnates her from beyond the grave. Once her son is born she is convinced he is convinced by a malevolent spirit.
While it was good to see Bava tackle something with a bit more to it that The Torturer, the main gripe with this one is that it is overall a bit dull. You have to think that a film involving ghosts and voodoo occult has the potential for a few interesting ideas and set-pieces, the truth is that the movie is very by-the-numbers. Nevertheless, it was good to see Harring - one of the stars of my favourite film ever, Mulholland Drive (2001) - get a starring role and it was also good to see Bava getting to helm something with a bit of money behind it. It was a bit so-so, however, and once more showcases the glaring gulf between Italian horror movies of the last twenty years compared to even the lesser ones they produced almost without thinking about it from the golden era.
While it was good to see Bava tackle something with a bit more to it that The Torturer, the main gripe with this one is that it is overall a bit dull. You have to think that a film involving ghosts and voodoo occult has the potential for a few interesting ideas and set-pieces, the truth is that the movie is very by-the-numbers. Nevertheless, it was good to see Harring - one of the stars of my favourite film ever, Mulholland Drive (2001) - get a starring role and it was also good to see Bava getting to helm something with a bit of money behind it. It was a bit so-so, however, and once more showcases the glaring gulf between Italian horror movies of the last twenty years compared to even the lesser ones they produced almost without thinking about it from the golden era.
Look who has returned to the horror-scene...
Vomitron_G24 May 2007
Now this, I really consider to be Lamberto Bava's international comeback-movie (instead of his previous lower budget effort, THE TORTURER, in 2005). You gotta hand it to the man: Coming back to the theatrical world of horror with an Italian/South African/Spanish/British co-production. And you know what? To my utmost surprise, it's even pretty decent (I saw this one before I saw THE TORTURER later this week, so you can imagine how unpleasant a surprise the latter was
.). It's even hard to believe that GHOST SON and THE TORTURER were both directed by the very same director.
GHOST SON looks great! The cinematography looks astonishing. And Bava really took the time to direct this one. And he clearly had a very comfortable budget to work with (it always helps to have the money to afford a capable and talented crew). Almost every shot in this movie has movement (travel-shots, letting the camera slowly and stylishly turn around the actors, crane shots, .). It was a lust for the eye to see Bava finally being able to show his more technical directing skills again.
The story, on the other hand is a hit and miss deal again. I liked the fact that Bava is giving us a different take on your average ghost story. But while the movie manages to be effectively scary at some points, it also had quite some ridiculous, but highly entertaining events in it (a baby with a boner biting his mother's boobie????). Nevertheless, these events, to me, were extremely fun to watch (still too bad they damaged the over-all 'seriousness' of this movie a bit, though).
All-in-all, Ghost Son is a slow mover, but story-wise it did managed to keep my interest because I wanted to know to where it would all lead to, eventually (just don't expect any exciting twists or surprising conclusion to it because the denouement isn't exactly a spectacular climax). In a world filled with horror-movies containing derivative surprise-twists at the end, Ghost Son manages to simply avoid that trap. Rather rare these days, I'd say. But it was really the more than decent cinematography and Bava's skill-full directing that kept my going through this movie. Well, it even has more merits, of course. Like the good acting by Laura Harring and the adequate musical score. Not to forget Pete Postlethwaite's noticeable presence in this one.
I'm fully aware of the fact that a lot of people might not like this one as much as I did. Some people even might say THE TORTURER is a better movie. I say: Don't believe them, because it's not... but that's totally up to you, of course.
GHOST SON looks great! The cinematography looks astonishing. And Bava really took the time to direct this one. And he clearly had a very comfortable budget to work with (it always helps to have the money to afford a capable and talented crew). Almost every shot in this movie has movement (travel-shots, letting the camera slowly and stylishly turn around the actors, crane shots, .). It was a lust for the eye to see Bava finally being able to show his more technical directing skills again.
The story, on the other hand is a hit and miss deal again. I liked the fact that Bava is giving us a different take on your average ghost story. But while the movie manages to be effectively scary at some points, it also had quite some ridiculous, but highly entertaining events in it (a baby with a boner biting his mother's boobie????). Nevertheless, these events, to me, were extremely fun to watch (still too bad they damaged the over-all 'seriousness' of this movie a bit, though).
All-in-all, Ghost Son is a slow mover, but story-wise it did managed to keep my interest because I wanted to know to where it would all lead to, eventually (just don't expect any exciting twists or surprising conclusion to it because the denouement isn't exactly a spectacular climax). In a world filled with horror-movies containing derivative surprise-twists at the end, Ghost Son manages to simply avoid that trap. Rather rare these days, I'd say. But it was really the more than decent cinematography and Bava's skill-full directing that kept my going through this movie. Well, it even has more merits, of course. Like the good acting by Laura Harring and the adequate musical score. Not to forget Pete Postlethwaite's noticeable presence in this one.
I'm fully aware of the fact that a lot of people might not like this one as much as I did. Some people even might say THE TORTURER is a better movie. I say: Don't believe them, because it's not... but that's totally up to you, of course.
Weird Ghost Story
claudio_carvalho4 July 2007
Stacey (Laura Harring) and Mark (John Hannah) have recently married and are deeply in love for each other, living in Mark's farm in Africa. When Mark has a fatal car accident, the widow Stacey misses him and decides to stay with their orphan teenager maid Thandi (Mosa Kaiser) in the farm. Later, her friend and doctor Doc (Peter Postlethwaite) finds that Stacey is pregnant of Mark. After a complicated delivery, Stacey notes that her baby in some moments seems to be possessed by the spirit of Mark, trying to kill her to bring her to spend the eternity with Mark.
Lamberto Bava is the son of the great Italian director of horror movies Mario Bava, and directed the cult "Demons" and "Demons 2". Based on these samples of his filmography, I bought "Ghost Son" expecting to see a scary and creepy horror movie. Unfortunately, my expectation was only satisfied in brief moments and I can list some reasons. First, there is no previous development of the key characters of Mark and Stacey and their love, inclusive for a better explanation of the motives of the ghost of Mark trying to bring Stacey to stay with him. The creepy and mysterious Thandi, who insists that lives with her mother that died when she was five years old, is simply wasted along the narrative. I expected to see her mother, but she is simply ignored and limited to be another lie of Thandi. The baby boy recalls "Chucky" in some moments, and Doc is completely stupid, at least not noticing that Stacey has had at least a nervous breakdown. In spite of the flaws in the screenplay, there are some creepy scenes along this film, which could be better and better based on the cast. My vote is six.
Title (Brazil): "Mensagem do Além" ("Message From Beyond")
Lamberto Bava is the son of the great Italian director of horror movies Mario Bava, and directed the cult "Demons" and "Demons 2". Based on these samples of his filmography, I bought "Ghost Son" expecting to see a scary and creepy horror movie. Unfortunately, my expectation was only satisfied in brief moments and I can list some reasons. First, there is no previous development of the key characters of Mark and Stacey and their love, inclusive for a better explanation of the motives of the ghost of Mark trying to bring Stacey to stay with him. The creepy and mysterious Thandi, who insists that lives with her mother that died when she was five years old, is simply wasted along the narrative. I expected to see her mother, but she is simply ignored and limited to be another lie of Thandi. The baby boy recalls "Chucky" in some moments, and Doc is completely stupid, at least not noticing that Stacey has had at least a nervous breakdown. In spite of the flaws in the screenplay, there are some creepy scenes along this film, which could be better and better based on the cast. My vote is six.
Title (Brazil): "Mensagem do Além" ("Message From Beyond")
Ghost Son seemed to materialize out of nowhere
bigdarvick10 February 2009
I was strolling through a flea market and found this DVD in a bin for 5 bucks. It looked interesting. I wasn't quite sure what the film had in store for me and I didn't pay attention to the cast, director etc as I would for most horror films. I just liked the cover art, which has gotten me into trouble in the past with notable bombs such as Brotherhood of Blood, ReVamped and other bad ones. I fall for the artwork.
This film, although slow and dragging in some spots, delivered some full fledged--top to bottom, spine chills. The "creep factor" in this movie scored with a bullet and had me squirming on my couch.
Admittedly, I knew little about the director of this film, but I knew that it had an Italian crew behind it and in my humble opinion, they did a nice job. It was just an unusual story and a well made film. My wife got up and walked out on it because it upset her and believe me, it will upset and scare you at the same time. A well shot, acted and produced film. Plus, the star of this movie was someone I had never seen before and my first impression was that she was a talentless hot bod. Wrong on the talentless aspect, right on the hot bod. She was convincing and a capable actor.
I give this film "7 hail Mary's."
This film, although slow and dragging in some spots, delivered some full fledged--top to bottom, spine chills. The "creep factor" in this movie scored with a bullet and had me squirming on my couch.
Admittedly, I knew little about the director of this film, but I knew that it had an Italian crew behind it and in my humble opinion, they did a nice job. It was just an unusual story and a well made film. My wife got up and walked out on it because it upset her and believe me, it will upset and scare you at the same time. A well shot, acted and produced film. Plus, the star of this movie was someone I had never seen before and my first impression was that she was a talentless hot bod. Wrong on the talentless aspect, right on the hot bod. She was convincing and a capable actor.
I give this film "7 hail Mary's."
Watchable Lamberto Bava's ghost story.
HumanoidOfFlesh23 October 2010
"Ghost Son" takes place in South Africa.A married couple Stacey and Mark live on the farm with their black teenage maid.Mark and Stacey love each other deeply.Unfortunately Mark dies in a tragic truck accident.Stacey returns to the farm and decides to remain there since she feels close to Mark.She is also carrying Mark's baby.After delivering the baby Stacey quickly becomes sure that her infant son is possessed by Mark's spirit.The evil force tries to kill Stacey to bring her to Mark."Ghost Son" has the higher production values than Lamberto Bava's efforts.The production design is great and the cinematography is very lush.There are some dull moments and silly scenes,though.The climax is truly terrible.6 vomiting babies out of 10.
Been A Son.
morrison-dylan-fan18 October 2015
Warning: Spoilers
After watching the first two seasons of the excellent Spartacus,I took a look at John Hannah's IMDb page,and discovered that he starred in what is currently Lamberto Bava's last film,which led to me getting ready to catch a glimpse of the ghost son.
View on the film:
Filmed on location in South Africa,co-writer/(along with Silvia Ranfagni)director Lamberto Bava reveals an unexpected,restrained elegance for what is currently his final film. Largely taking place in one building,Bava and cinematographer Giovanni Canevari grip the title in a tightly coiled terror atmosphere,as long,elegant tracking shots close in on Stacey (played by a terrific Laura Harring) as Mark (played by a great,burning with rage John Hannah) makes his presence felt.
Along with the classy chiller mood,Bava also uses the movie to sum up his career,as the house location and eye-catching in-camera trick shots allows Bava to revisit the lurking in shadows Giallo mystery of A Blade In The Dark (also reviewed),whilst Mark's possession of his son lets Bava return to the gory delights of his Demons series.
Focusing on Stacey having to raise Martin on her own,the screenplay by Bava & Silvia Ranfagni pushes parental fear to the extreme,as the writers smartly take an even-handed approach for the first half,with the first sighting of Mark strongly hinting at Stacey suffering from parental stress.
After spending the first half hitting the ghostly chills with a real precision,the writers push the tension to the side lines in order to turn Martin into a Bava "mini-Demons",which whilst allow the practical effects makers to cover the screen in outrageous gore,leads to the relationship between Stacey & Mark being seriously damaged,thanks to Mark's psychopathic side completely coming out of left-field,with there not being the slightest hint of the ghostly son that awaits Stacey.
View on the film:
Filmed on location in South Africa,co-writer/(along with Silvia Ranfagni)director Lamberto Bava reveals an unexpected,restrained elegance for what is currently his final film. Largely taking place in one building,Bava and cinematographer Giovanni Canevari grip the title in a tightly coiled terror atmosphere,as long,elegant tracking shots close in on Stacey (played by a terrific Laura Harring) as Mark (played by a great,burning with rage John Hannah) makes his presence felt.
Along with the classy chiller mood,Bava also uses the movie to sum up his career,as the house location and eye-catching in-camera trick shots allows Bava to revisit the lurking in shadows Giallo mystery of A Blade In The Dark (also reviewed),whilst Mark's possession of his son lets Bava return to the gory delights of his Demons series.
Focusing on Stacey having to raise Martin on her own,the screenplay by Bava & Silvia Ranfagni pushes parental fear to the extreme,as the writers smartly take an even-handed approach for the first half,with the first sighting of Mark strongly hinting at Stacey suffering from parental stress.
After spending the first half hitting the ghostly chills with a real precision,the writers push the tension to the side lines in order to turn Martin into a Bava "mini-Demons",which whilst allow the practical effects makers to cover the screen in outrageous gore,leads to the relationship between Stacey & Mark being seriously damaged,thanks to Mark's psychopathic side completely coming out of left-field,with there not being the slightest hint of the ghostly son that awaits Stacey.
Missed opportunities
indranee1922 April 2013
Warning: Spoilers
The best way to approach a screening of this decidedly non-Hollywood fare is to not have any expectations. Bava succeeds to an extent in terms of bringing us the ambiance of the classic horror flick because there are definitely some weird/creepy scenes that do stand the "horror" test. But the script/dialogue/pacing/editing was so badly done that they completely drown the few virtues (which are):
1) interesting "chemistry" between Harring and the actor who plays the baby. The baby is actually very well chosen. The actor -- I guess without any real intent -- had an interesting face: that of a man-child. In his key scenes of interaction with his "mother", right after he did the "naughty" stuff (i.e., biting his mom's breast, vomiting on her, and then, of course, the... ahem... shower scene in which he has a little "accident", the camera focuses on his face and we see that he has this sort of mischievous smile on his face and his eyes are extremely "aware" of his deeds. I don't know but these may have been the only times I got a kick out of this movie -- watching that kid's face. So whomever edited/directed that bit did an okay job.
2) The cinematography was simply superb (despite the choppiness of some cuts) but then even this is a problem as the African landscape is criminally underused.
3) Laura Harring's er.. figure (for the boys watching the thing) ;)
Anyway, the virtues are few and far between. The whole thing is an exercise in frustration and futility as all it made me do was regret ALL of the choices not made. Perhaps Bava was trying to not be predictable and so not use certain horror elements... but, hey, using green vomit is pretty much a standard horror element, so why not use some other ones to better effect? For instance, we don't ever get to see or hear Thandi's mom. Why not?! I mean, this is a GHOST story and you don't do anything with the oft-mentioned ghost in the tale? It's just, well, frustrating.
So, yes, this is not a movie even five bucks will cover. So don't even try to buy it in a bottom of the pile sale. Use that fiver elsewhere. Just watch this thing on cable when they show it (which is quite often, actually).
1) interesting "chemistry" between Harring and the actor who plays the baby. The baby is actually very well chosen. The actor -- I guess without any real intent -- had an interesting face: that of a man-child. In his key scenes of interaction with his "mother", right after he did the "naughty" stuff (i.e., biting his mom's breast, vomiting on her, and then, of course, the... ahem... shower scene in which he has a little "accident", the camera focuses on his face and we see that he has this sort of mischievous smile on his face and his eyes are extremely "aware" of his deeds. I don't know but these may have been the only times I got a kick out of this movie -- watching that kid's face. So whomever edited/directed that bit did an okay job.
2) The cinematography was simply superb (despite the choppiness of some cuts) but then even this is a problem as the African landscape is criminally underused.
3) Laura Harring's er.. figure (for the boys watching the thing) ;)
Anyway, the virtues are few and far between. The whole thing is an exercise in frustration and futility as all it made me do was regret ALL of the choices not made. Perhaps Bava was trying to not be predictable and so not use certain horror elements... but, hey, using green vomit is pretty much a standard horror element, so why not use some other ones to better effect? For instance, we don't ever get to see or hear Thandi's mom. Why not?! I mean, this is a GHOST story and you don't do anything with the oft-mentioned ghost in the tale? It's just, well, frustrating.
So, yes, this is not a movie even five bucks will cover. So don't even try to buy it in a bottom of the pile sale. Use that fiver elsewhere. Just watch this thing on cable when they show it (which is quite often, actually).
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