A descent into Hell is triggered when "Ex-Lord" Donald Brocklebank finds that he must leave Longleigh House for London to find a way to pay for the medical treatments for his wife Nancy. ...
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Mum and Dad, and their 'adopted' children, Birdie & Elbie, work at the airport. The family live off whatever they scavenge from cargo holds, offices and hotels - including a steady stream ... See full summary »
The American oil company North Corporation is building an ice road to explore the remote Northern Arctic National Wildlife Refuge seeking oil. The independent environmentalists together ... See full summary »
A descent into Hell is triggered when "Ex-Lord" Donald Brocklebank finds that he must leave Longleigh House for London to find a way to pay for the medical treatments for his wife Nancy. Alone, his over-protected, delusional, adult son, James, fancies himself in charge of the manor house with his terminally ill mother, and barricades the two of them into the house for a series of ever more panicked home treatments, mistakenly protecting her from the arrival of Nurse Mary and any outside help. Written by
The film is dedicated to the memory of Sheila and David Rumley, parents of director Simon Rumley. Three months after his father had passed away from a heart attack, his mother was diagnosed with cancer. She died three months later. See more »
Hello? Hello? Yes, yes I know. No, I didn't know that. No, that's not good at all. No, she doesn't know. Hmm. Hmm. Exactly. Okay, goodbye.
They going to make it?
No, they're not.
Can I look after mummy this time.
I'm not going away.
But you always say that, you always do.
Some one's at the door!
Stop James, I said stop!
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Ignore the previous comment by 'perisho', but I would take something from the others thereafter, both positive and negative.
Firstly the negatives - yes there are gaping holes in the plot, seemingly situations that wouldn't happen, possibly too long for its plot subject. Right, the positives - great acting, good use of dialogue (often repetitive and therefore affecting), good use of ambiguity (which helps convey the mental health issues that the family have) and possibly explain the seemingly apparent plot holes (is all we see really occurring?), brilliant cinematography, and it's a brave attempt at a all too often patronised subject matter.
Furthermore, it is made on a tight budget in Britain. A rare commodity nowadays. Only a handful of directors in the UK work outside of the mainstream, and Rumley's effort should be applauded. Even the film factory that is the Hollywood machine can't achieve this level of skill (A Beautiful Mind, Rainman...please!). Only say Keane, Devil & Daniel Johnston and Julien Donkey Boy have we seen schizophrenia in the manner with which we see here. Yes, not everything works, but when it does, this film is powerful and touching as anything else in cinema dealing with mental illness.
Well done to the director and may your second feature be as strong.
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