"Alfred Hitchcock Presents" Hitch Hike (TV Episode 1960) Poster

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7/10
"Hitch Hike" has interesting view on youth culture of the time
chuck-reilly17 October 2013
Warning: Spoilers
Despite his dour British demeanor and obvious distaste for some things "American," Alfred Hitchcock had somewhat of a soft spot for the teen generation---at least before everybody became a hippie. In "Hitch Hike," John McIntire plays a local politician who begins the story by admonishing his niece (a lovely and very young Suzanne Pleshette) for having to appear before a juvenile court. Her parents are dead and he's the stern voice-of-reason guardian. During a brief stop as he's taking her back home for more tongue-lashings, their car horn goes off by accident and before you can say "juvenile delinquent," an agitated teenager (Robert Morse with his quirky mannerisms in full display) opens the hood, pulls a wire out and stops all the noise. He's then able to bum a ride with McIntire and Pleshette to the next city. Along the way, he befriends good-looking Suzanne and beings to irritate the heck out of the straight-as-an-arrow McIntire with his views on the generation gap. Morse soon reveals that he was recently held in a "youth farm" for wayward boys to the excitement of Ms. Pleshette but to the utter displeasure of Mr. McIntire. Morse continues rapping on about one of his "friends" at the facility who has cut some throats when they didn't "dig" where he was coming from. "You get the picture, daddio?" says Morse. It doesn't take much to convince McIntire that Morse himself may be the throat-cutter. He speeds up the car to over 100 MPH in the hopes that a policeman will stop him so he can get rid of this murder-minded kid. His wish is granted and it's not long before he's pulled to the side of the road by a motorcycle cop, but that's when the fun begins. McIntire can't get in a word edgewise while the cop lambastes him and writes him up for speeding well over the limit. You might say he's getting a "taste of his own medicine." When Mac finally is able to explain why he had the pedal to the metal, Morse is dutifully searched for the knife he supposedly has hidden, but no weapon is found. His only possession is one small comb. Then old John is informed that reckless speeders like himself usually get 10 days in jail from the local judge. It's enough to ruin his lily-white reputation and McIntire is now fit to be tied as the officer drives away. But all's well that ends well because the ever-resourceful Morse has pick-pocketed the cop and stolen his book of traffic tickets. He makes a final offer to McIntire: you can have the ticket and tear it up OR...you can take it back to the station and then throw yourself on the mercy of the court. Civic-minded John immediately realizes that the kid has offered him an easy way out to save his precious reputation. The three newfound friends drive off into the night as the shredded ticket flies out of the car and into the wind.

This neat little morality tale was directed by the great Paul Henreid. John McIntire of "Wagon Train" fame could play "stuffed shirt" characters with the best of them and he does fine work here with a role he could do in his sleep. Suzanne Pleshette doesn't get the opportunity to show off her acting skills too much in this episode. Her job is mainly to look beautiful and unhappy (until Morse enters the picture). She does very good at both. The exceptionally talented Ms. Pleshette passed away a few years ago and she is truly missed by all. Watching Robert Morse here play against type as a brainy hoodlum makes one wonder how far he would have gone if he hadn't just been cast in light comedies and musicals. He had far more depth of character than he was ever given credit for. Luckily for us, he's still a working actor today ("Mad Men").
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6/10
It's okay.
planktonrules10 April 2021
John McIntire plays an angry and uptight guardian of a young lady (Suzanne Pleshette). Apparently, she was picked up by the police and he is determined to break her of any foolishness. Soon after he picks her up to take her home, they meet up with a young man (Robert Morse) who asks them for a ride. On the way home, the young man teaches the old grouch that you can't judge a book by its cover.

This is just an okay episode of the series.....worth watching but without a particularly interesting twist. The acting was okay and it was nice to see Pleshette in one of her earliest roles...but otherwise it's pretty skippable.
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6/10
"Either you dig a motor, or you don't."
classicsoncall2 December 2021
Warning: Spoilers
Even though I've seen all three principals in TV shows and films before, I wasn't able to pin their identity down until the credits for the story ran. Very troubling, as I knew who they all were after the fact. It's just one of the many pleasures I get out of watching these old shows while waiting to see who pops up. I also keep an eye on billboards and signage that indicate how life used to be. How about sixty five cents for ham and eggs at Henry's Diner? Or forty cents for hot cakes! That's what they mean by the good old days.

Anyway, the writers for this story used a good bit of misdirection to hint at the idea that the troubled youth 'Len' (Robert Morse) was about to do something foul against Uncle Charles Underhill (John McIntire), still miffed that his niece (Suzanne Pleshette) got in trouble when she went joy riding with a guy who had stolen a car. Underhill's reputation seemed to be all he cared about, but when push came to shove, he took the easy way out when Len demonstrated his ability to pick the pocket of the motorcycle cop who gave Charles a speeding ticket. The look on Underhill's face was precious as he drove away, realizing that he wasn't the stand-up citizen he wanted everyone to think he was.
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Rock and Roll Is Here to Stay
dougdoepke13 October 2006
Odd little drama, worth a comment because more than most big budgeters of the time (1959), this cheapie captures in a nutshell the so-called generation gap that was to explode in the free-wheeling 1960's. The performances are outstanding. particularly Robert Morse as the juvenile delinquent. Is he menacing strait-laced adult John Mc Intyre, or just disgusted with the latter's smug self-righteousness. It's hard to tell; the ambiguity is well-calculated and makes for an interesting effect. Mc Intyre is excellent, as usual, his pride as a city-councilman registering just the right mix of dignity and arrogance as he dictates to a youthful Suzanne Pleshette how she should lead her life.. Her allegiance is the prize the two males are competing for. Will she follow her instincts and side with Morse or follow the social rules with Mc Intyre. The ending may seem low-key, but remains a telling forerunner of the rebellious era to come. Pack all three characters into a tight car ride and you've got an interesting and revealing 30 minute drama.
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8/10
Robert Morse does his best James Dean !
feargal-9155827 January 2023
Warning: Spoilers
Robert Morse is front and centre in this brief tale of a so called James Deansesque juvenile delinquent who seems to have been just released from detention and looks relieved from it .

Even Suzanne Pleshette in a weak role could double for Natalie Wood ( they were even of similar age ) .

McIntire plays the higher moral ground against them for most of the journey until he's caught by a cop speeding. After he's gone Morse finally shows he's a rebel with a cause as he pickpockets the cop in aid of McIntire . The latter essentially calls it quits with our delinquent and the three of them carry on their journey as the drama ends.
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9/10
I Can't Believe I Liked It
Hitchcoc30 April 2023
This started out as a sappy melodrama. John McIntyre, usually a star of Westerns, has picked up his niece who was joyriding with a "delinquent" teenager. He is a straight laced councilman with an unblemished record. He can't bare that anyone would see him coming from the courthouse. As they stop for cigarettes (I've never seen so much smoking as on this series) a woman backs into the car and sets off the car horn. Robert Morse (Len) comes over and stops the blaring horn. He asks for a ride and because he did a favor, the fun begins. He is a rebellious kid who sees the ills of society. He is particularly on the case of the councilman, whom he sees as the worst hypocrite. He also sets the guy up by talking about men with knives and dangerous behavior. McIntyre goes from smug to petrified, and, for the first time in his life, getting a speeding ticket and a court appearance. This leads to a great denouement which teaches us about our prejudgement of people.
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10/10
BOYS WILL BE BOYS... WHAT CAN YOU DO?
tcchelsey29 November 2023
Another gem directed by Paul Henreid, getting some fine performances here.

This was a very early role for Suzanne Pleshette (as Anne), the supposed wayward niece of John McIntire, who seems more concerned about his upstanding reputation as a city councilman! Anne, who apparently got herself in some trouble, gets a solid dressing down from the bitter old man, that is until they pick up juvenile delinquent poster child Robert Morse (as Len). What could be worse?

As expected, there's a bumpy ride ahead and what an ironic ending... Wait and see.

There's no question Hitch had his eye on Suzanne Pleshette, who at the time was gaining in popularity on many tv shows. She had an oustanding role in ONE STEP BEYOND, just before this episode. He cast her as the ill-fated school teacher in THE BIRDS (1963), and the rest is history.

Likewise, an early role for Robert Morse, a terrific comedy and dramatic actor, best known for HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING. Robert passed in 2022 at the age of 90.

Superbly written by Bernard Schoenfeld, who wrote 16 prime episodes for the series, best known for the classic women's prison film, CAGED.

Must See TV. SEASON 5 EPISODE 21 remastered Universal dvd box set.
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