The Days and Nights of Molly Dodd (TV Series)
Here's Why Cosmetics Should Come in Unbreakable Bottles (1987)
Full Cast & Crew
Directed by
| Jay Tarses | ||
Writing Credits
| Jay Tarses | ... | (creator) |
| Jay Tarses | ... | (writer) |
| Sheree Guitar | ... | (staff writer) |
Cast (in credits order)
| Blair Brown | ... | Molly Dodd | |
| James Greene | ... | Davey McQuinn | |
| William Converse-Roberts | ... | Fred Dodd | |
| Allyn Ann McLerie | ... | Florence Bickford | |
| Kabir Bedi | ... | Birmanyi, aka 'Bill' | |
| Victor Garber | ... | Dennis Widmer | |
| Nat Bernstein | ... | Curtis | |
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Livia Ginise | ... | Office employee |
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Kathy Graber | ... | Office employee |
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Jeri Jackson | ... | René |
| Beverly Leech | ... | Office employee | |
| Lenora May | ... | Helen | |
| Rest of cast listed alphabetically: | |||
| Jack Lindine | ... | (uncredited) | |
Produced by
| Bernie Brillstein | ... | executive producer |
| Roz Doyle | ... | co-producer |
| Bill Finnegan | ... | supervising producer |
| Sheldon Pinchuk | ... | supervising producer |
| Jay Tarses | ... | producer |
Music by
| Patrick Williams | ||
Cinematography by
| Richard Bowen | ... | director of photography |
| Steve Dubin | ... | director of photography (as Steven Dubin) |
Editing by
| Leslie Dennis Bracken | ... | (as Leslie Dennis) |
Art Direction by
| Maria Caso | ||
| Joe Rainey | ... | (as Joseph Rainey) |
Set Decoration by
| Kurt Meisenbach | ||
Costume Design by
| Eileen Kennedy | ||
| Marsha Perloff | ||
Makeup Department
| Robin Bissiri | ... | makeup artist |
| Frankie Campbell | ... | hair stylist (as Frankie Campbell-Davis) |
Production Management
| D. Scott Easton | ... | unit production manager (as Scott Easton) |
| Kevin C. Slattery | ... | executive in charge of production (uncredited) |
Second Unit Director or Assistant Director
| Nelson Cabrera | ... | second assistant director |
| D. Scott Easton | ... | first assistant director (as Scott Easton) |
| George Fortmuller | ... | second assistant director |
Art Department
| Albert Able | ... | property master (as Albert Able Eisenmann) |
| Johnny Knight | ... | set dresser (uncredited) |
| Eric Matheson | ... | carpenter (uncredited) |
Sound Department
| James Thornton | ... | sound mixer (as Jim Thornton) |
| Eric J. Goldstein | ... | boom operator (uncredited) |
| Stephen Halbert | ... | boom operator (uncredited) / sound mixer (uncredited) |
| Jerry Trent | ... | foley artist (uncredited) |
Camera and Electrical Department
| R. Michael Givens | ... | first assistant camera |
| Scott Guthrie | ... | gaffer |
| Kenneth J. Jones | ... | key grip (as Ken Jones) |
Casting Department
| Deborah Brown | ... | casting: NY |
| Meg Liberman | ... | casting: L.A. |
Editorial Department
| Paul Anderson | ... | assistant editor |
| John Potter | ... | colorist (1987) |
Location Management
| Kelly A. Snyder | ... | location manager (as Kelly Snyder) |
Music Department
| Allan K. Rosen | ... | music editor |
Script and Continuity Department
| Prudence Sorenson | ... | script supervisor |
Transportation Department
| Tim Abbatoye | ... | transportation captain (uncredited) |
Additional Crew
| Keith Bickford | ... | production coordinator |
| Bob Brush | ... | story editor |
| Avra Douglas | ... | production assistant |
| Daniel Finneran | ... | production assistant |
| Wayne Fitzgerald | ... | title design |
| Beth Flatley | ... | assistant production coordinator |
| David Oliver Pfeil | ... | title design (as David Oliver) / title photographer |
| Catherine Pittman | ... | animal coordinator |
| Richard Spector | ... | production assistant |
| Lori-Etta Taub | ... | production auditor |
| Christine Vertosick | ... | assistant to producer |
| Sandy Wernick | ... | executive consultant |
