The story sounded very intriguing, though it also wasn't a massively unique premise. 'Law and Order' for a while, and still continued to do so a good deal post-Briscoe, did a very good job making ordinary concepts more interesting than they sound. Will admit though to preferring stories that have a wider range of emotional impact and that tackle more controversial and tougher subjects that isn't sugar-coated in execution.
While not one of the best episodes of Season 13, this is still very good and very nearly great. Like a number of episodes, one half is better, or at least more riveting, than the other. Don't get me wrong, despite how this sounds, it's compelling throughout but is even better in the second half. It also succeeds in making a character who usually does not shine that much more interesting and more involved in the action, in fact adding a lot to the tension more so than usual.
It's not perfect. It does try to cram in too much in too short a space of time towards the conclusion, not an uncommon problem in 'Law and Order' episodes.
Really don't want to sound like a broken record, but Elisabeth Rohm really fails to inject any life to Southerlyn and comes over as stiff and cold with one-note line delivery.
However, there is a lot of things that are great. The production values are slick and have a subtle grit, with an intimacy to the photography without being too claustrophobic. The music isn't used too much and doesn't get too melodramatic. The direction is sympathetic but also alert. All the other regulars are absolutely terrific, particularly in the legal portions and in the debates. Can't fault Jerry Orbach, Jesse L Martin and Sam Waterston while Fred Dalton Thompson gives one of his better performances of the show in one of Branch's most involving appearances.
Lucie Arnez plays her character with both class and menace without resorting to any scenery chewing. Furthermore, the episode has a thoughtful script that like a lot of 'Law and Order' episodes raises interesting questions worthy of debate with somebody, the moral dilemmas of the case treated intriguingly. The story is tactful but also pulls no punches, making one feel sad and angry. Nothing is too simple or too complicated and the second half even is riveting and keeps one guessing the more complex it gets. The character writing and interaction are near-on point and the conflict, mostly as a result of Branch's intervention, has genuine tension.
Overall, very good. 8/10.
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