The Mice
- Episode aired Jan 6, 1964
- 51m
Dr. Thomas Kellander, Director of Neo-Kinematics, is in charge of a machine that will break down matter to electrical waves so it can be transmitted like radio and reassembled at the recepti... Read allDr. Thomas Kellander, Director of Neo-Kinematics, is in charge of a machine that will break down matter to electrical waves so it can be transmitted like radio and reassembled at the reception point.Dr. Thomas Kellander, Director of Neo-Kinematics, is in charge of a machine that will break down matter to electrical waves so it can be transmitted like radio and reassembled at the reception point.
- Dr. Robert Richardson
- (as Ronald Foster)
- Prison Warden
- (as Francis de Sales)
- Guard
- (uncredited)
- Chromo Transmission
- (voice)
- (uncredited)
- Control Voice
- (voice)
- (uncredited)
Storyline
Did you know
- TriviaThe wavy line SFX used for the teleportation device is the same SFX used in "The Borderland" device for opening up a dimensional wall between Earth and the hereafter.
- GoofsAround 24:44, Chino removes his left shoe and throws it through the window testing the force field. As he jumps on the bed to escape, he clearly wears a black sock. In the next scene of him running away, his sock is now white.
- Quotes
Dr. Thomas 'Kelly' Kellander: We need a man who will allow us to break him up into electrical particles and transmit him into space at a speed greater than that of light. That's it simply. It's called teleportation. When he gets to where he's going, he'll be reassembled. If he survives the experience, he comes back to Earth - the same way.
Goldsmith: He gets put back together again?
Dr. Thomas 'Kelly' Kellander: Yes.
Goldsmith: The same as he was before?
Dr. Thomas 'Kelly' Kellander: Well, it's worked with inanimate objects. And it's worked with mice.
In "The Mice," as in the previous "Zanti Misfits," Earth has been contacted by the beings of another world. Here, that world is Chromo, which lies comparatively close to ours, at only 10 light-years distance; around twice the distance of our nearest neighbor, Alpha Centauri. The Chromoites have given our scientists here on Earth the technological know-how to construct a teleportation device (something like the transporter beam on the upcoming "Star Trek") and have proposed an exchange of one of their race, for a visit, for one of ours. Thus, the scientist in charge of the Neo-Kinematics Division of some unnamed research facility, Dr. Thomas Kellander (Michael Higgins, who would go on to appear in such classic films as "The Conversation" and "The Stepford Wives"), seeks a volunteer for the experiment, and winds up choosing convict Chino Rivera (the great character actor Henry Silva, who had just appeared in the #13 "OL" episode "Tourist Attraction") as the guinea pig/mouse of the title. The Chromoite is successfully transported to Earth, and spends its time wandering around the facility grounds, ultimately killing a scientist who had discovered that it was growing some kind of gloppy food in a nearby lake. Chino is of course accused of the crime, although resident doctor Julia Harrison (Diana Sands, who had recently appeared in the film "A Raisin in the Sun" and that same year would star in the Broadway show "The Owl and the Pussycat" with Alan Alda) defends him and maintains his innocence. Ultimately, the Chromoites are exposed in their underhanded plot, leading to a violent confrontation....
"The Mice," as I mentioned up top, is a solid-enough episode that is redeemed by three factors: the Chromoite itself, a very fine acting contribution by Henry Silva, and the inclusion of Diana Sands in a supporting role. Let's take the alien first. It is truly a bewildering mess of a creature, resembling nothing less than a bipedal blob of melted wax and overly microwaved headcheese, equipped with twitchy, crab-claw appendages. It is a truly revolting-looking creature, one of the most way out of all "Outer Limits" creations, and never more hideous than when it is stuffing that lake-spawned doughy glop into its midriff orifice. Unfortunately, I have always felt that the creature costume here was a bit insufficient, and that the outfit itself should have been longer, so as to reach down to the feet of the actor wearing the darn thing. How much more effective would it have been if the alien seemed to be gliding along on the ground, rather than running on two legs! As for Silva, who is thankfully still with us (age 88, as of this writing), he is simply dynamic, and gives an energetic and vital performance. And then there is the matter of Diana Sands, an attractive black actress playing a doctor on a television show of the early '60s...and with nothing being made of her race whatsoever! I know that this sounds fairly unremarkable now in the early 21st century, but trust me, back in the early '60s, this was rather remarkable. (Similarly, the Duane Jones character in "Night of the Living Dead" would be praised, five years later, for the fact that nothing whatsoever was made of his race, either.) Other than the "Amos 'n' Andy Show" of the early '50s, not too many African-Americans had been permitted to carry a television show, or even appear as lead performers, and even then, certainly not portraying skilled professionals. That same '63 - '64 season, the TV show "East Side, West Side" was being aired, which starred George C. Scott and Cicely Tyson, and her role was seen as something of a big deal at the time. ("East Side, West Side" producer David Susskind would soon bring in Diana Sands and James Earl Jones to star in one Emmy-winning episode, "Who Do You Kill?.") Anyway, my point is that the inclusion of a black woman as a doctor here, and with the inference that nothing is very remarkable about that fact, was very praiseworthy, and deserving of any modern-day viewer's approbation. "The Mice" gives us an interesting script, courtesy of co-writer (and first-season producer) Joseph Stefano, always-interesting cinematography by the great Conrad Hall (especially the shadowy outdoor scenes), and just adequate direction by Alan Crosland, Jr., who would go on to helm episode #25, "The Mutant." It also features a unique score for an "OL" episode by Dominic Frontiere, with none of the usual musical cues to be had. In all, it is a fairly entertaining and memorable hour, slightly padded as it is (LOTS of shots of that Chromoite lumbering around by the lake and through the countryside). Still, it was certainly better than just about anything else on television on the night of January 6, 1964, I have a strong feeling....
- ferbs54
- May 10, 2017
Details
- Runtime51 minutes
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
- 4:3