With a plot that seems to have Patricia Highsmith's Ripley very much in mind, Nyree is tasked by a worried father to find out what, if anything, has happened to his son, who is an artist (though by the evidence of the work we eventually see in his - admittedly wonderful - studio, not a very good one).
Turns out that Caspar, the son, is played by the man who turned down The Stones, Paul Jones (born Paul Pond), here with an early 70s barnet (hairdo) that's almost a character in itself. As is Venice, of course, here seen in its 'Don't Look Now' guise.
If that wasn't enough, we also have Geraldine Moffat, (last seen disappearing into the steel-grey waters of the River Tyne - a far cry from Venice - locked in the boot of her car in 'Get Carter') as a charity coordinator.
Can't help thinking that her unhappy demise in the Michael Caine film somehow presaged the careers of her two sons, infants at this time, who went on to create the Grand Theft Auto empire.
Funny old world, innit?
Turns out that Caspar, the son, is played by the man who turned down The Stones, Paul Jones (born Paul Pond), here with an early 70s barnet (hairdo) that's almost a character in itself. As is Venice, of course, here seen in its 'Don't Look Now' guise.
If that wasn't enough, we also have Geraldine Moffat, (last seen disappearing into the steel-grey waters of the River Tyne - a far cry from Venice - locked in the boot of her car in 'Get Carter') as a charity coordinator.
Can't help thinking that her unhappy demise in the Michael Caine film somehow presaged the careers of her two sons, infants at this time, who went on to create the Grand Theft Auto empire.
Funny old world, innit?