Directed by
| Christopher Chulack | ||
Writing Credits
| Edward Allen Bernero | ... | (created by) & |
| John Wells | ... | (created by) |
| John Ridley | ... | (written by) |
Cast (in credits order)
Produced by
| Edward Allen Bernero | ... | co-producer |
| Christopher Chulack | ... | executive producer |
| Lance Gentile | ... | consulting producer |
| Kristin Harms | ... | producer |
| Michael Hissrich | ... | co-producer |
| Brooke Kennedy | ... | producer |
| John Ridley | ... | supervising producer |
| John Romano | ... | co-executive producer |
| John Wells | ... | executive producer |
Music by
| Martin Davich | ||
Cinematography by
| Glenn Kershaw | ... | director of photography |
Editing by
| Adam Wolfe | ||
Casting By
| Jeff Block | ... | (casting: New York) |
Production Design by
| Charles E. McCarry | ||
Art Direction by
| Loren Weeks | ||
Set Decoration by
| Alan Hicks | ||
Costume Design by
| Stephanie Maslansky | ||
Makeup Department
| Kathryn Bihr | ... | key makeup artist |
| James Post | ... | key hair stylist |
Production Management
| Blake McCormick | ... | executive in charge of post production |
| Neri Kyle Tannenbaum | ... | unit production manager |
Second Unit Director or Assistant Director
| Shea Rowan | ... | second assistant director |
| Michael Samson | ... | first assistant director |
Art Department
| Jim Lillis | ... | assistant property master |
| William F. Reynolds | ... | property master (as Bill Reynolds) |
| Paul Robotti | ... | scenic artist |
| Patricia Walker | ... | scenic charge (as Pat Walker) |
Sound Department
| Mike Brooks | ... | re-recording mixer (as Michael Brooks) |
| Dave Concors | ... | re-recording mixer (as David Concors) |
| Michael Jiron | ... | re-recording mixer |
| Walter Newman | ... | supervising sound editor |
| T.J. O'Mara | ... | sound mixer |
| Allen L. Stone | ... | re-recording mixer |
Camera and Electrical Department
| Guy Norman Bee | ... | steadicam operator |
| Joseph Sciretta | ... | gaffer |
| Paul Volo | ... | key grip |
Casting Department
| Barbara Miller | ... | executive in charge of casting |
Costume and Wardrobe Department
| Tom Soluri | ... | key costumer |
Editorial Department
| Fred Eldridge | ... | senior colorist |
Music Department
| The Crystal Method | ... | composer: theme "Keep Hope Alive" |
| Ann Kline | ... | music supervisor |
| Allan K. Rosen | ... | music editor |
Script and Continuity Department
| Lori Doherty | ... | script supervisor |
Additional Crew
| Terri Kopp | ... | story editor |
