"The West Wing" The Long Goodbye (TV Episode 2003) Poster

(TV Series)

(2003)

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8/10
Powerful stand-alone performance
ronan-corley30 November 2013
Warning: Spoilers
Frankly, I'm bewildered how this episode has scored so low within the IMDb community, although I can understand the logic behind it. This exact story could be reproduced, with a different title, and garner recognition as a fantastically made short-film. None of the stories impact would be lost in doing so. Indeed a virgin viewer can view this episode without getting lost, due to a lack of back-story, as the episode is so divorced from the show's norm, that any character development from the previous three and a half seasons is unnecessary. All the core details that helps progress the episode's story are woven into the script; from CJ's relationship with her father; the importance and urgency of her work; and her father's declining mental condition. A masterful showing that introduces the viewer to Claudia Jean's character in a way that would take 1,000 'standard' format episodes; similar to season two's Noël in that regard, although of course focusing on the mentality of CJ and not Josh's psyche. My favourite thing about the Long goodbye, was that while viewing the episode I felt that not a single sentence was wasted; everything the actors said or done felt relevant, and indeed everything tied in together wonderfully.

Of course, the obvious reason this episode is scoring so low, is because of the episode's escape from the usual episode format. Indeed, while the likes of Rob Lowe and Martin Sheen are credited in the episode, neither man appears; while the only people from the show's main cast that have dialogue, or even show up, are Josh, Toby and CJ herself. Despite all this, to skip the episode would be a mistake, if all you want to do is follow the main-story's progression. There are two reasons for this; firstly - SPOILER; the car-bombs mentioned towards the end of the episode will surly be revisited in upcoming episodes; and secondly - this episode gives the viewer a huge insight into the character of the always empathetic Claudia Jean Cregg. She is after-all, in my view, the show's second best character after Toby.

Anyway, I wrote this review purely because I don't want people to think this episode can be skipped, because of the subject-nature, or indeed that it should be skipped, due to the low rating. If this episode was packaged under a different title, and not under the umbrella of the West wing, then I'm positive it could hit a community rating of eight or even nine out of ten.

Furthermore, I think this is a fantastic advertisement for Alzheimer's awareness, and does a good job highlighting the struggles involved when living with dementia.
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7/10
Shows how good The West Wing can be
studioAT4 July 2013
I'm working my way through my West Wing Boxset so when it became obvious that this episode wasn't going to be directly linked to any of the on going plots or feature any of the other main characters (though Josh and Leo do appear but not in a speaking capacity) other than C.J it was slightly tempting to skip on to the next episode. However much like another similar episode of an Aaron Sorkin show (Studio 60's 'The Disaster Show') this is well worth sticking with.

From the funny exchanges between C.J and Toby to the heartwarming scenes between C.J and her father this episode manages to showcase just how good television can be. So while I accept that this episode may not be every West Wing fans favourite I am very glad I didn't skip on.
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8/10
...you're a very pretty girl, Toby
robrosenberger27 November 2012
Warning: Spoilers
Exquisitely acted, beautifully written. They aimed for transcendent...and fell short. The sum isn't equal to the parts, and it's hard to say exactly why. The most C.J.-heavy episode of the series, and Allison was of course up to the moment. She returns home for a school reunion and to see her Dad (Donal Moffat - THE THING, CLEAR AND PRESENT DANGER), who is spiraling down into Alzheimer's dementia. Matthew Modine (VISION QUEST, FULL METAL JACKET) is the third side of this towering thespian triangle, as an ex- punk/jock whose arms the lonely, miserable Claudia falls into. Verna Bloom (ANIMAL HOUSE) plays the step-mom who deserted her husband. She gives an interrupted speech at her reunion...it's all so very, very good that you don't even care it's not excellent.
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10/10
Sad but beautiful
endalayng27 October 2023
I have watched every episode, over and over again. I love this show.

Political stuff is brilliant obviously, however from a human point of view this is one of the best episodes ever ever !

The acting is really top class and it really highlights the cruel nature of this horrible disease. It characterises it in an honest and sad way.

Alison and Matthew were top class, and have great on screen chemistry. Moffitt excellent too.

I revisit this episode regularly, this is real acting with no CGI. Unlikely anyone will read this , but happy to write my thoughts. Go and watch it if you're a fan , or not.
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9/10
Of all the things I've lost in life...
kjhine4 June 2023
Warning: Spoilers
...I think I miss my mind the most.

This should have been an Emmy award-winning episode, most for its verisimilitude in its portrayal of the heart-breaking truth of watching a highly intelligent person who recognizes the slow but inevitable decline into the darkness of dementia.

I had a friend, a retired Air Force Major General, who at one time worked in the National Reconnaisance Office, directing the operations of our nation's satellite network, who attended many a launch of military payload satellites from Vandenburg Air Force Base, who had Alzheimer's. The was in this episode many of the same things happen that happened with my friend. It is indeed a hard and unhappy thing to watch, knowing that individuals with this affliction will one day no longer be the people we knew, and we will become strangers to them.

The anger he felt is real, and too the helplessness and anger felt by his wife, who was finally able to be with the man she wanted for so long, only to realize that when she could be with him, he was no longer the man she wanted.

Dylan Thomas said it best:

Do not go gentle into that good night, Old age should burn and rave at close of day; Rage, rage against the dying of the light.
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10/10
A personal connection in this episode
Ry_Asty29 September 2023
This episode occurs in Dayton, OH with C. J. giving a speech and visiting her ailing father. She bumps into old friend / boyfriend Marco Arlens (Mathew Modine). The speech is made at a restaurant I immediately recognized in the external establishing shot as (the former) Kirie's in River Grove, Illinois. Aaron Sorkin's dad, or uncle, Dan (a Chicagoan) must have considered it a favorite and taken the family there. I was guested there by family as a child and can still remember the delicious fried chicken every time we dined or drove by. Kirie's was too small to have a stage as depicted in the episode as the kitchen occupied the widest (north) portion of the restaurant. The restaurant has been misidentified elsewhere as Horvath's, a restaurant on Harlem Ave in Elmwood Park, Illinois.

Long before this restaurant aired, the Kirie's site [41.930550 (N) -87.835961 (W), 41º 55' 49.9794" N 87º 50' 9.459" W] had been sold and existed as a variety of bars and taverns before being razed. The latest incarnation at 2826 Thatcher Ave is River Cafe & Bar, according to the Apple Maps app. The River Cafe & Bar does not sit on Kirie's footprint on this triangular parcel.

Aside from the personal anamnesis the episode shows aspects of C. J. only shown here. Her father's Alzheimer's is painful for her and balanced by making love with Marco, hardly a spoiler.
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