Hanging out at some campgrounds one nice summer day, 19-year-old Ray Pye decides to murder two young women. His friends, Jen and Tim, witness the murder and help him cover it up. Four years... See full summary »
As sadomasochistic yakuza enforcer Kakihara searches for his missing boss he comes across Ichi, a repressed and psychotic killer who may be able to inflict levels of pain that Kakihara has only dreamed of.
FBI agent Jennifer Marsh is tasked with hunting down a seemingly untraceable serial killer who posts live videos of his victims on the Internet. As time runs out, the cat and mouse chase becomes more personal.
After kidnapping and brutally assaulting two young women, a gang led by a prison escapee unknowingly finds refuge at a vacation home belonging the parents of one of the victims -- a mother and father who devise an increasingly gruesome series of revenge tactics.
A series of deaths have started occurring in New York; Some are being found mutilated while others have an equation wÎ"z = Cov (w,z) = ÃwzVz carved onto their skin. As police investigate they discover each victim was forced to choose between sacrificing their own life or a loved ones' life. Before long it becomes clear that this perpetrator has suffered just such a similar fate...so now is coping by seeking a way of solving this philosophical enigma, can Captain Maclean and his officers such as Eddie Argo and his new partner Helen Westcott stop this suspect, because he/she won't not until he/she gets to the end of this equation. Written by
When Detective Jackson is looking through Daniel Leone's criminal history, one of the entries states that he was charged with possession of "crystal methadone." There is no such substance. It would either be crystal methamphetamine or simply methadone - most likely the former. See more »
Just imagine a hero without a genetic motive. Not a relative, not a potential mate. Now, that would be interesting, wouldn't it?
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The end credits roll while a proof of the Price equation shows up. See more »
The most influential American horror movie of the last 20 years is "Seven". This much is undeniable. I really liked "Seven". Great movie. It might be one of my favourites. The only problem is that every inner city set horror thriller made since comes across, to me, as "Seven"-lite.
Which brings me to "Waz".
A city of permanent night. A cop on the edge. A diabolical killer. Inventive, ingenious torture and murder. Victims with a reason for being victimised.
Yup. "Seven"-lite. Not necessarily a bad thing in itself, because you have to take every movie on it's own merits, but disappointing when witnessed over and over again.
"Waz" isn't bad. It is just unoriginal and a triumph of style over substance. The city is effectively portrayed as grim, dirty, cold and wet. You wouldn't want to go there on holiday. You wouldn't want to hang out with any of these people. The tone of the film is unpleasant, seedy and black. To coin a dated phrase, a video nasty. It will get you down. It also has one of the most disturbing filmed sequences of sexual abuse I have ever seen. All insinuated, you don't see a thing, but it is horrible.
Melissa George has been better and is frankly wasted as the pouting sidekick, but "Waz" does have a superior cast (Stellan Skarsgård, Selma Blair, Tom Hardy, etc.) for what is effectively a straightforward genre movie. Some of the questions I had as to why they signed up for this movie were answered during the denouement, when the motivations behind Stellan Skarsgård's actions are revealed and his character develops levels way beyond that of a tormented cop.
So, "Waz" was OK. Not bad for a walk on the dark side.
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