Directed by
| Joel Anderson | ... | (directed by) |
Writing Credits
| Joel Anderson | ... | (written by) |
Cast (in credits order) complete, awaiting verification
Produced by
| Joel Anderson | ... | associate producer |
| John Brawley | ... | associate producer |
| William Coleman | ... | executive producer (as Bill Coleman) |
| Gilbert George | ... | executive producer |
| Robert George | ... | executive producer |
| Georgie Nevile | ... | producer (produced by) |
| David Rapsey | ... | producer (produced by) |
Music by
| David Paterson | ... | (original music) |
Cinematography by
| John Brawley | ... | director of photography |
Editing by
| Bill Murphy | ||
Casting By
| Dina Mann | ... | (casting) |
Production Design by
| Penny Southgate | ||
Costume Design by
| Michael Chisholm | ||
Makeup Department
| Justin Dix | ... | special effects makeup artist |
| Jo Fletcher | ... | hair stylist / makeup artist |
| Larry Van Duynhoven | ... | special makeup effects artist |
Production Management
| Melanie Brunt | ... | production manager |
Second Unit Director or Assistant Director
| Iain Pirret | ... | first assistant director |
| Paul Steiner | ... | second assistant director |
Art Department
| Peter Blackwood | ... | props |
| Jayne Russell | ... | set dresser |
| Tom Weinzieher | ... | runner art department |
Sound Department
| Ann Aucote | ... | sound recordist |
| Pete Best | ... | re-recording mixer |
| Craig Carter | ... | sound designer |
| Bruce Emery | ... | dolby consultant |
| Chris Goodes | ... | adr recordist |
| Jason Hancock | ... | foley recordist |
| John Simpson | ... | foley artist |
Visual Effects by
| Daniel Ashton | ... | film recording technician: weta digital (as Dan Ashton) / scanning and recording |
| Simon Callow-Wright | ... | visual effects editor |
| Marc Collister | ... | online editor: Complete Post |
| Adrian Hauser | ... | colorist: Complete Post / digital intermediate colorist: Complete Post |
| Chris Jackson | ... | compositor |
| Adrian Kennedy | ... | film scanning: Complete Post |
| Mathew Mackereth | ... | visual effects supervisor |
| Dee McClelland | ... | telecine colorist: dailies: Complete Post |
Camera and Electrical Department
| Chris Dewhurst | ... | gaffer |
Editorial Department
| John Brawley | ... | post production supervisor |
| Adrian Hauser | ... | digital intermediate colorist |
| Rebecca Macpherson | ... | assistant editor |
Location Management
| Michael Madigan | ... | location manager |
Music Department
| Craig Carter | ... | music supervisor |
| Fernando Corona | ... | composer: additional music |
Script and Continuity Department
| Jo Kasch | ... | script supervisor |
Transportation Department
| Chris Barret | ... | driver |
| Dalia Bluzer | ... | driver |
| Simon Ferlazzo | ... | driver |
| Annabel McPhee | ... | driver |
Additional Crew
| Mark R. Lindsay | ... | sales representative (as Mark Lindsay) |
| Annabel McPhee | ... | production assistant |
| Sara Moroney | ... | production accountant |
| Chris Schwarze | ... | post-producion supervisor: Complete Post |
| Rita Walsh | ... | production coordinator |
Thanks
| Rebecca Anderson | ... | special thanks |
| Rosslyn Anderson | ... | special thanks |
| John Bowring | ... | special thanks: Lemac Film and Digital |
| Terry Carlyon | ... | special thanks |
| Warren Clark | ... | special thanks |
| John Clarke | ... | special thanks |
| Amiel Courtin-Wilson | ... | special thanks |
| Brendan David | ... | special thanks |
| Steve Diffey | ... | special thanks |
| Brett Dwyer | ... | special thanks: Lemac Film and Digital |
| Spiro Economopoulos | ... | special thanks |
| Aidan Fennessy | ... | special thanks |
| Ben Goldsmith | ... | special thanks (as Dr. Ben Goldsmith) |
| Mark Hogan | ... | special thanks: The Ararat City Council |
| Siobhan Jackson | ... | special thanks |
| Chris Jones | ... | special thanks |
| Jo Kasch | ... | special thanks |
| Tammy McCarthy | ... | special thanks |
| Stuart McDonald | ... | special thanks |
| Jackie McKimmie | ... | special thanks |
| John Molloy | ... | special thanks |
| Stuart Moulds | ... | special thanks |
| Sue Murray | ... | special thanks |
| Liddy Neville | ... | special thanks |
| Claire Paradine | ... | special thanks |
| Lisa Pieroni | ... | special thanks |
| David Pollock | ... | special thanks |
| Debbie Pollock | ... | special thanks |
| Victoria Prescott | ... | special thanks: The Ararat City Council |
| Ian Pringle | ... | special thanks |
| David Ranson | ... | special thanks: Victorian Institute of Forensic Medicine |
| Jeff Ryan | ... | special thanks |
| Peter Sambell | ... | special thanks: Victoria Police Media & Corporate Communications Department (as Sergeant Peter Sambell) |
| Cameron Strachan | ... | special thanks: The Shire Hall Hotel |
| Nova Weetman | ... | special thanks |
| Erin White | ... | special thanks |
| Geoffrey Wright | ... | special thanks |
