Former Toei producer Muneyuki Kim has launched K2 Pictures, which will work with major directors such as Hirokazu Kore-eda and aim to create a new funding ecosystem for Japanese animated and live-action features.
The plan is to return profits that would traditionally go to film companies to investors and creators, which its founder says closely follows approaches used in Hollywood and elsewhere. Creators who team with K2 will be able to participate on projects as shareholders.
Kii, who will be K2’s CEO, says most Japanese films are produced through a system of ‘production committees’ with industry know-how formed through film companies, TV networks and publishers, which it believes makes entry into the market difficult and limits returns to producers and creators.
To this end, company has launched the K2P Film Fund I, which will provide support for animated and live-action features and enable to “investors, creators and crew...
The plan is to return profits that would traditionally go to film companies to investors and creators, which its founder says closely follows approaches used in Hollywood and elsewhere. Creators who team with K2 will be able to participate on projects as shareholders.
Kii, who will be K2’s CEO, says most Japanese films are produced through a system of ‘production committees’ with industry know-how formed through film companies, TV networks and publishers, which it believes makes entry into the market difficult and limits returns to producers and creators.
To this end, company has launched the K2P Film Fund I, which will provide support for animated and live-action features and enable to “investors, creators and crew...
- 5/9/2024
- by Jesse Whittock
- Deadline Film + TV
In the Japanese animated movie industry, the Evangelion series is considered one of the pioneers. The most latest movie in the collection was Evangelion: 3.0+1.0 Thrice Upon a Time and it was a sure hit. It is the fourth and last movie in the Neon Genesis Evangelion franchise’s Rebuild of Evangelion film series, which is produced by Studio Khara.
Evangelion: 3.0+1.0 Thrice Upon a Time
The film’s plot centers on Shinji Ikari, who is still lost and without hope after losing his will to life, but discovers what it means to have hope in a new location. In the end, Wille takes one more, difficult stance to stop the Final Impact, and the Instrumentality Project is launched. It was launched on March 8, 2021, and garnered positive feedback from both fans and critics.
Hideaki Anno co-directed, wrote, and produced the movie and it was probably the biggest film in the franchise.
Evangelion: 3.0+1.0 Thrice Upon a Time
The film’s plot centers on Shinji Ikari, who is still lost and without hope after losing his will to life, but discovers what it means to have hope in a new location. In the end, Wille takes one more, difficult stance to stop the Final Impact, and the Instrumentality Project is launched. It was launched on March 8, 2021, and garnered positive feedback from both fans and critics.
Hideaki Anno co-directed, wrote, and produced the movie and it was probably the biggest film in the franchise.
- 3/21/2024
- by Tarun Kohli
- FandomWire
The original anime series Neon Genesis Evangelion was ground breaking. It pushed boundaries in terms of animation and storytelling. It originally aired in 1995/6 with an additional two episode Complementary ending in 1997. In the 2000s the Rebuild Of Evangelion was envisioned. The writer-director Hideaki Anno wanted to remake the original 26 episodes in four films. The idea was to have the first three films retell most of the original story with the final film being a radical departure from the original narrative. The first of these films, Evangelion: 1.0 You Are (Not) Alone, was released in 2007. The second, Evangelion: 2.0 You Can (Not) Advance, from 2009, was a massive departure from the original plot. A third, Evangelion: 3.0 You Can (Not) Redo, followed in 2012, and after a nine year wait the 2021 conclusion Evangelion: 3.0+1.0 Thrice Upon A Time.
In the original series there were giant bio-mechanical...
In the original series there were giant bio-mechanical...
- 10/21/2023
- by Donald Munro
- eyeforfilm.co.uk
National Amusements fires up ‘BlackBerry’; MetFilm has ‘Golda’ starring Helen Mirren and ‘The Burial’.
Universal’s franchise horror The Exorcist: Believer and Warner Bros’ UK drama The Great Escaper will be targeting different audiences at this weekend’s UK-Ireland box office, with both films opening wide.
Starting in 616 cinemas, The Great Escaper stars Michael Caine and Glenda Jackson, in her final film role before her death in June aged 87. Shot along the south coast of the UK including at Dover, Camber Sands and Hastings, the film follows a pensioner who escapes from his care home to attend the 70th anniversary...
Universal’s franchise horror The Exorcist: Believer and Warner Bros’ UK drama The Great Escaper will be targeting different audiences at this weekend’s UK-Ireland box office, with both films opening wide.
Starting in 616 cinemas, The Great Escaper stars Michael Caine and Glenda Jackson, in her final film role before her death in June aged 87. Shot along the south coast of the UK including at Dover, Camber Sands and Hastings, the film follows a pensioner who escapes from his care home to attend the 70th anniversary...
- 10/6/2023
- by Ben Dalton
- ScreenDaily
What’s most important to you in a superhero film – flawless special effects or having a good time? Hideaki Anno’s spirited take on the hit 1970s Japanese TV series (and later manga) Kamen Rider may look rough in places but the director knows exactly what he’s doing, and provided that you’re willing to roll with it, you’re bound to enjoy the ride.
The film belongs to the same universe as Shin Ultraman, which preceded it as a Fantasia selection, plus Evangelion: 3.0+1.0 Thrice Upon A Time and fan favourite Shin Godzilla. Anno has been creatively involved in all four, co-directing the latter with Shinji Higuchi. There are no plans for a fifth instalment, though it seems likely that all these characters will return to the big screen sooner or later. Compared to its stablemates, Shin Kamen Rider has a distinctly low budget look about it, but it has benefited.
The film belongs to the same universe as Shin Ultraman, which preceded it as a Fantasia selection, plus Evangelion: 3.0+1.0 Thrice Upon A Time and fan favourite Shin Godzilla. Anno has been creatively involved in all four, co-directing the latter with Shinji Higuchi. There are no plans for a fifth instalment, though it seems likely that all these characters will return to the big screen sooner or later. Compared to its stablemates, Shin Kamen Rider has a distinctly low budget look about it, but it has benefited.
- 7/21/2023
- by Jennie Kermode
- eyeforfilm.co.uk
Gianni Amelio’s “Lord of the Ants,” a biopic of Italian poet and playwright Aldo Braibanti, who was jailed in 1968 due to a Fascist-era anti-gay law, has reached the top spot at Italy’s box office following its launch from the Venice Film Festival.
“Ants” on Monday reached the numero uno position at the local box office roster with a €483,474 intake from more than 300 screens following its September 8 release. While far from stellar in normal times, this result is being hailed as an encouraging sign for the country’s still sagging post-pandemic theatrical sector.
Amelio’s film is now ahead of Japanese anime pic “Evangelion: 3.0 You Can (Not) Redo,” which was released as an event on Monday for a three day run, and “Minions: The Rise of Gru,” which is at the end of its run, following it’s Aug. 18 Italian outing.
“After being excellently received at the Venice Film Festival,...
“Ants” on Monday reached the numero uno position at the local box office roster with a €483,474 intake from more than 300 screens following its September 8 release. While far from stellar in normal times, this result is being hailed as an encouraging sign for the country’s still sagging post-pandemic theatrical sector.
Amelio’s film is now ahead of Japanese anime pic “Evangelion: 3.0 You Can (Not) Redo,” which was released as an event on Monday for a three day run, and “Minions: The Rise of Gru,” which is at the end of its run, following it’s Aug. 18 Italian outing.
“After being excellently received at the Venice Film Festival,...
- 9/13/2022
- by Nick Vivarelli
- Variety Film + TV
This article contains spoilers for Evangelion 3.0 + 1.01: Thrice Upon a Time.
Evangelion 3.0 + 1.01 Thrice Upon a Time had a lot to wrap up. Not just the story of the Rebuild of Evangelion films, a story that had been left on a cliffhanger since 2012, but the Evangelion franchise as a whole, which began in 1995. This is the swansong, for Evangelion, the final story for the foreseeable future in creator Hideaki Anno’s ideal version of the series. (Anno stated in an interview with The New York Times that he might return to the franchise at some point but that it won’t be any time soon.) This puts an immense weight of responsibility on Thrice Upon a Time, especially since the first three Rebuild films had massive problems.
While gorgeous to look at and listen to with its powerful score, the plot of the Rebuild films began to crack once 2.0 came around.
Evangelion 3.0 + 1.01 Thrice Upon a Time had a lot to wrap up. Not just the story of the Rebuild of Evangelion films, a story that had been left on a cliffhanger since 2012, but the Evangelion franchise as a whole, which began in 1995. This is the swansong, for Evangelion, the final story for the foreseeable future in creator Hideaki Anno’s ideal version of the series. (Anno stated in an interview with The New York Times that he might return to the franchise at some point but that it won’t be any time soon.) This puts an immense weight of responsibility on Thrice Upon a Time, especially since the first three Rebuild films had massive problems.
While gorgeous to look at and listen to with its powerful score, the plot of the Rebuild films began to crack once 2.0 came around.
- 8/16/2021
- by Shamus Kelley
- Den of Geek
Amazon Prime Video has set an exclusive global premiere — outside Japan — for anime hit Evangelion: 3.0+1.01 Thrice Upon A Time. The fourth and final chapter of the Evangelion: New Theatrical Edition will launch in over 240 countries on August 13. Aka Shin Evangelion, the film has grossed over 9.6B yen ($86M+) in Japanese cinemas and been seen by nearly 6.3M moviegoers since its March debut. To celebrate the finale of the franchise, Prime Video will also release the three previous entries, Evangelion: 1.11 You Are (Not) Alone, Evangelion: 2.22 You Can (Not) Advance and Evangelion: 3.33 You Can (Not) Redo.
The original TV series first aired in 1995 and was reborn as film series Evangelion: New Theatrical Edition (or Rebuild Of Evangelion) in 2007. Thrice Upon A Time on Prime Video will be the latest version of the Studio Khara production which includes revised scenes and is currently releasing across cinemas in Japan.
The feature...
The original TV series first aired in 1995 and was reborn as film series Evangelion: New Theatrical Edition (or Rebuild Of Evangelion) in 2007. Thrice Upon A Time on Prime Video will be the latest version of the Studio Khara production which includes revised scenes and is currently releasing across cinemas in Japan.
The feature...
- 7/1/2021
- by Nancy Tartaglione
- Deadline Film + TV
“Evangelion: 3.0+1.0 Thrice Upon a Time,” the fourth film in the Rebuild of Evangelion sci-fi anime series created and co-directed by Anno Hideaki, has earned $30.6 million from 2.2 million admissions in its first week on release, according to distributor figures released on Monday.
Bowing on March 8 on 466 screens, the film has grabbed 45% more at the box office than the third “Rebuild of Evangelion” film, “Evangelion: 3.0 You Can (Not) Redo,” which had a opened in 2012 and finished with $48.6 million.
Also, its first-day take of $7.6 million on 540,000 admissions beat the previous film’s by 24%, despite opening on a Monday instead of the Japanese industry standard Saturday.
But impressive as these numbers are, they do not match up to those of last year’s mega-hit anime, “Demon Slayer The Movie: Mugen Train.” Opening on 403 screens on Oct. 16., 2020, it scored a first-day gross of $12 million and went to top $100 million within ten days. As...
Bowing on March 8 on 466 screens, the film has grabbed 45% more at the box office than the third “Rebuild of Evangelion” film, “Evangelion: 3.0 You Can (Not) Redo,” which had a opened in 2012 and finished with $48.6 million.
Also, its first-day take of $7.6 million on 540,000 admissions beat the previous film’s by 24%, despite opening on a Monday instead of the Japanese industry standard Saturday.
But impressive as these numbers are, they do not match up to those of last year’s mega-hit anime, “Demon Slayer The Movie: Mugen Train.” Opening on 403 screens on Oct. 16., 2020, it scored a first-day gross of $12 million and went to top $100 million within ten days. As...
- 3/15/2021
- by Mark Schilling
- Variety Film + TV
Disney animation ’Raya And The Last Dragon’ has passed $50m worldwide.
Raya And The Last Dragon delivers $17.6m in international
Disney animation Raya And The Last Dragon received a modest boost at the weekend by opening in three new markets – Saudi Arabia, Hong Kong and Croatia – while also achieving some strong holds.
International takings were an estimated $11.5m (declining 39% in holdover territories), with North America delivering an estimated $5.5m (down 36%). Those combine for an estimated $17m globally, and $52.6m after two weekends of play.
Raya And The Last Dragon stayed at the top spot in multiple markets including Russia, Ukraine,...
Raya And The Last Dragon delivers $17.6m in international
Disney animation Raya And The Last Dragon received a modest boost at the weekend by opening in three new markets – Saudi Arabia, Hong Kong and Croatia – while also achieving some strong holds.
International takings were an estimated $11.5m (declining 39% in holdover territories), with North America delivering an estimated $5.5m (down 36%). Those combine for an estimated $17m globally, and $52.6m after two weekends of play.
Raya And The Last Dragon stayed at the top spot in multiple markets including Russia, Ukraine,...
- 3/15/2021
- by Charles Gant
- ScreenDaily
Asian cinema has been long mostly watched by true connoisseurs in the west – people who are never too shy to appreciate a good movie and take it on their own merits. And so, Asian cinema has been gaining a lot of traction. There have been quite a few hits throughout the years, including Ip Man, and most recently Parasite. But just like roulette, some movies have made it and others have flopped. Roulette77.us teaches us that understanding a game of roulette is not in fact that convoluted. Nevertheless, Asian movie makers have decided not to rely on luck for the success of their future productions.
As a result, you will get a whole lot of great productions today. In fact, 2019 was definitely one of the strongest years for Asian cinema and 2020 – with its own set of challenges – promises to be no less exciting. Be that as it may, good...
As a result, you will get a whole lot of great productions today. In fact, 2019 was definitely one of the strongest years for Asian cinema and 2020 – with its own set of challenges – promises to be no less exciting. Be that as it may, good...
- 3/13/2020
- by AMP Training
- AsianMoviePulse
Evangelion: 3.0+1.0 has been in development for years, but it finally has been given a release year. The movie is slated to hit theaters in Japan in 2020 and I imagine we will see it get a U.S. release at some point after it's Japan release. There's also some beautiful artwork that was released that was shared on Twitter.
Apparently, the release date was announced during movie previews starting today, including the previews before Mamoru Hosoda’s new feature Mirai of the Future.
Evangelion: 3.0+1.0 is said to be the fourth final entry in the Rebuild of Evangelion series. The last film that was released was Evangelion: 3.0 You Can (Not) Redo and that was back in 2012.
This latest chapter of the story was supposed to be released sooner, but Evangelion creator Hideaki Anno ended up putting it on hold for a bit to develop his live-action Shin Godzilla movie.
30.07.2017 #シンエヴァ #shin...
Apparently, the release date was announced during movie previews starting today, including the previews before Mamoru Hosoda’s new feature Mirai of the Future.
Evangelion: 3.0+1.0 is said to be the fourth final entry in the Rebuild of Evangelion series. The last film that was released was Evangelion: 3.0 You Can (Not) Redo and that was back in 2012.
This latest chapter of the story was supposed to be released sooner, but Evangelion creator Hideaki Anno ended up putting it on hold for a bit to develop his live-action Shin Godzilla movie.
30.07.2017 #シンエヴァ #shin...
- 7/23/2018
- by Joey Paur
- GeekTyrant
Tokyo - Evangelion Shin Gekijoban Q, or Eva Q, as the latest installment is referred to locally, saw more than 770,000 admissions at only 224 screens on Saturday and Sunday. By comparison, the previous biggest weekend opener, Brave Hearts Umizaru, took 1.12 billion yen from 450 screens over three days when it bowed in July. Brave Hearts Umizaru, a live-action production about a team of crack rescue divers, kept Dark Knight Rises off the top spot when both films opened on the same weekend. Eva Q looks set to easily outperform previous installments at the box office, having
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- 11/20/2012
- by Gavin J. Blair
- The Hollywood Reporter - Movie News
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