WALL·E (2008)

Director:

Andrew Stanton

Writers:

Andrew Stanton (original story) &
Pete Docter (original story) ...

Release Date:

27 czerwiec 2008 (USA)

Genre:

Animation | Adventure | Family | Romance | Sci-Fi

Tagline:

An Adventure Beyond the Ordinar-E

Plot:

In the distant future, a small waste collecting robot inadvertently embarks on a space journey that will ultimately decide the fate of mankind.

Plot Keywords:

Robot | Plant | Rescue | Future | Cockroach

Awards:

Won Oscar. Another 44 wins & 40 nominations

Cast

  (Credited cast)

Ben Burtt	...	WALL·E / M-O (voice)
Elissa Knight	...	EVE (voice)
Jeff Garlin	...	Captain McCrea (voice)
Fred Willard	...	Shelby Forthright - BnL CEO
MacInTalk	...	AUTO (voice)
John Ratzenberger	...	John (voice)
Kathy Najimy	...	Mary (voice)
Sigourney Weaver	...	Ship's Computer (voice)
rest of cast listed alphabetically:
Kim Kopf	...	Hoverchair Mother (voice)

Also Known As:

WALL-E (USA) (alternative spelling)

Runtime:

98 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

DTS-ES | SDDS | Dolby Digital EX

Certification:

Ireland:G | Australia:G | UK:U | Netherlands:AL | Brazil:Livre | South Africa:A | Canada:G | Iceland:L | Singapore:G | Malaysia:U | USA:G (certificate #44354) | Finland:K-3 | South Korea:All | Hong Kong:I | New Zealand:G | Argentina:Atp | Peru:PT | Sweden:Btl | France:U | Switzerland:0 (canton of Geneva) | Switzerland:0 (canton of Vaud) | Mexico:AA | Denmark:7 | Norway:7 | Portugal:M/6 | Philippines:G (MTRCB) | Germany:o.Al. | Czech Republic:U

Company:

Pixar Animation Studios

Trivia:

The film has a dedication to Justin Wright, a 27 year old Pixar animator who died from a heart attack.

Goofs:

Incorrectly regarded as goofs: In an exterior view of WALL-E's life pod during the ejection scene, the pod's headlights have cones of scattered light. Although these would not appear in a vacuum, it is clear that Axiom is not in a vacuum, but inside a very dense nebula (which is a goof on its own, though), and also probably surrounded by all the air ejected during the frequent garbage removals. Moreover, most of the light scattering effects, if not all, can be produced by the lens of the camera and the air inside it, and it is known that the filmmakers tried to simulate the effects of a real camera (see trivia).

Quotes:

[first lines]
Voice in commercial: Too much garbage in your face? There's plenty of space out in space! BnL StarLiners leaving each day. We'll clean up the mess while you're away.

Movie Connections:

Features Hello, Dolly! (1969)

Soundtrack:

Don't Worry Be Happy

Who says popular films can't be art? "WALL·E" is magical

Who says popular films are not and cannot be art? If anything is proof that popular films can be of a stunningly high quality, the beauty of the animation, writing, music, and sound design in "WALL·E" is it. "WALL·E" eclipses even Andrew Stanton's "Toy Story" and "Toy Story 2" in the Pixar pantheon, is perhaps Pixar's best film to date and, call me crazy as I've just seen it, a contender for the title of best animated film, period.

"WALL·E" is everything we've come to expect from Pixar and more- colorful, vibrant, imaginative, exciting, involving, beautiful, and most importantly a film with interesting, involving characters. Sure, WALL·E is adorable, and as much credit as the animators get for that, this film would be nothing without Stanton's screenplay, which features very little dialogue but is still notably intelligent and surprisingly subtle, making a refreshing change from the 'go green' campaigns we're all so used to. Does "WALL·E" have a message? Sure, but it's an important message and it is delivered subtly and beautifully.

"WALL·E" operates on two levels (and works spectacularly well on both). It is a majestic science fiction epic like we haven't seen in a couple of decades and it is a genuinely touching and never cheap romance. "WALL·E" will never get points for originality but it doesn't exactly need them because the homages to great films and figures of the past- Chaplin, Keaton, Tati, the Marx Brothers, "2001: A Space Odyssey" (this one is particularly spectacular), "Close Encounters of the Third Kind" are actually homages and not ripoffs. "WALL·E" is a wonderful tribute to a bygone cinematic tradition (well, two or three of them actually).

The social commentary in "WALL·E" is sobering because it's never overbearing and most importantly because we see the world through machines, machines who feel more about Earth and life than the humans do. The depiction of humans on the ship could have been incredibly offensive, cheap, and tasteless in concept but the execution here is absolutely perfect.

What is most surprising about "WALL·E" is how sad it is. Not even in the 'how will they get out of this, oh I feel so sorry for them' way "Finding Nemo", a previous Stanton effort, is, but in a truly melancholy sense. The early portion of the film maintains all the playfulness of a Jacques Tati film but also evokes a striking and powerful feeling of loneliness. It's a brilliant introduction to WALL·E, given that the rest of the film is too wacky to bother with long scenes focused entirely on character, and works beautifully with the ugly yet beautifully-rendered future Earth, a barren wasteland filled with nothing but garbage, a seriously resilient cockroach being WALL·E's only companion before EVE shows up, but I won't go into the story- it's best you see it unfold for yourself.

From the entertaining shorts shown before the film to the memorable characters, locations, and animation we have come to expect, Pixar films are now event cinema, and they have outdone themselves with "WALL·E". This film is spectacular, majestic, touching, involving, and achingly beautiful. Most importantly, however, it is perfect entertainment. I may be saying this too soon, but I don't think I have ever seen an animated film that has satisfied me more than "WALL·E", and 2008 is going to have to work hard to keep this from being the top film of the year, which it most certainly is at the moment.

9.5/10