A man named Crow set out to Shoot the Moon, and then uploaded what he saw as Crrow777.A man named Crow set out to Shoot the Moon, and then uploaded what he saw as Crrow777.A man named Crow set out to Shoot the Moon, and then uploaded what he saw as Crrow777.
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Truly A Masterpiece Provoking Higher Mindedness
Who was it that said words to the effect of "innovators and forward thinkers are rarely recognised in their own time?" Many have realised after the fact that what they scoffed at with a closed mind actually turned out to be the unadulterated truth after all. This film challenges much of what we think our world, and the sky above, is.
Shoot the Moon has currently been awarded three Laurels but according to the film's producer and director, Jason Lindgren, most of the film festivals have turned the project down. This is a travesty for sure, but par for the course when you are dealing with such seemingly controversial material. However, it is difficult to continue to bury ones head in the sand when presented with such compelling evidence and footage that truly challenges the current narrative.
The film's opening scenes show high definition close ups of the moon, including footage of mysterious objects transiting what mainstream science tells us is "Earth's largest orbiting satellite." While the epic soundtrack crescendos bringing in the film's title in silver bevelled font across the moonlit screen, I settle in to view this highly anticipated piece of history in the making.
It does not escape my attention in the next scene as the man that I have come to know as Crow (Crrow777) strolls along the water's edge on a bay somewhere in North America, that this is a clue to what he, and a few other learned men hypothesise is the nature of space. Ancient texts often site the waters above and the waters below to be the nature of our cradle.
The water scene gently transitions into the next frame where I finally put a face to that very distinctive, eloquent voice so many of us tune in to each week on Crrow777radio Podcast. Filmed in an old library built in the 1800s Crow sits in front of dozens of old books, some from his very own collection. The attention to detail and ambience of the library scenes are heart-warming as the "Bird Man" begins to tell the real - life story of how he came to learn that what we see above us each night is not the model we've been taught.
Shoot the Moon consists of a series of interviews with Crrow777, an interview with Randy Bryant, and astonishing footage from both these amateur astronomers as they film anomalies in the skies above us. We are given a peek into how Crow sets up his scopes, cameras and equipment. The film maker also shares a collection of poems, prose and quotes from alchemists, astrologers and astronomers such as Omar Khayyam, Paracelsus, Fulcanelli, and of course, Crow.
I notice how seamlessly and super professional the frame transitions are from this first time producer/director of a full length documentary film. In the interview scenes there are several camera angles with seamless transition from one to another. The lighting is bright, yet soft adding to the ambience of the old library. The sound is consistent throughout the film, which is to be expected considering the film maker is an audio engineer. The poems and quotes text frames are left onscreen long enough to read in real time without having to pause the movie. The original score, produced by Brett William Dietz, is epic and poignant to the content. In my opinion the music is of high enough standard as to be considered for a big budget film.
One of the first things I noticed as I settled in to listen to this modern day free thinker were the books behind Crow as he sat in the old library telling us about how he came to shoot the moon. I know from listening to his weekly podcasts that he is a very learned man, mainly acquiring his research material from old books; the oldest texts he can find. Some of the books behind Crow are from his very own collection. Astrology, alchemy, poetry, philosophy, cymatics, gardening and spagyrics. These higher minded subjects that for the most part in our society have been long forgotten, open humanity up to a world beyond our indoctrinated 3D reality. I sit up and take notice. I know this man has something very important to say. As I read the many quotes and prose smattered throughout the film my mind is lifted to higher places where pondering and inspiration are enlivened.
Crow explains his equipment set up in easy to understand terminology, even for those who are not tech or photographically savvy. He talks about what he has filmed over the last four years such as vortexes in full spectrum, the lunar wave, captured for the first time at the actual equinox in September 2012, dark objects of various shapes transiting the moon and the night skies, and shooting orbs in chemtrails in the daytime.
Through Crow's tracking of time over the last few years he has come to know that what we think of as noon according to our man-made time pieces have actually nothing to do with the solar noon of the natural world. He also has come to realise that the equinoxes do not align with the true equal day and night dates. Not only have our calendars been jacked up, but time is not what we think it is either. The first day of each New Year should be at the spring equinox in March, not in January. This would make more sense too as to why September is actually the seventh month and December the tenth. Sept meaning seven and Dec relating to ten, as in decimal. Other months such as October (Oct = 8), November (Nov = 9) align more clearly with what we should be using as the actual calendar tracking our time in the accepted year of the Lord.
In this film Crow also touches on censorship and his plight with personal attacks while attempting to disseminate pertinent information and observation. It was due to Crow attempting to reproduce images he'd seen on NASA's website of stars, galaxies and nebula, supposedly taken on the Hubble telescope, that this amateur astronomer realised that fraud was afoot. Because of his hunger for knowledge and passion for gazing at the stars, he inadvertently stumbled into the realisation that what we have been taught for decades, possibly centuries is, in his terms, "poppycock'. A complete fabrication, and an intentional plan to separate humanity from its true nature in time and space. It may very well be, as Crow points out in this film, that his Lunar Wave footage quite probably had something to do with the resurgence of the geocentric/flat earth movement. He does not consider himself a "flat earther" and will never label himself, nor join any groups, however he does claim to know for a fact that the model we've been given is a complete lie. He knows this through deductive reasoning and personal observation.
Randy Bryant is another researcher and amateur astronomer who has captured the "Lunar Wave" as well as other strange objects in the skies above us. He explains how he came to film wondrous and curious things, after being inspired by Crow's footage of 2012. Randy was the seventh person to shoot the lunar wave. He also shares some of his footage including a clip of nine discs flying by the moon. Randy also touches on the topic of the mainstream narrative deception. He states that we have been lied to, deceived and to question everything.
Crow's chemtrails footage is amazing. He has filmed orbs in chemtrails, some shooting into the trails, some exploding. He has no idea what these orbs are or what their function is but touches on the weather modification aspect of chemtrails. There is no denying this anymore. It has been admitted publicly by the "agencies." There is also no denying that the trails are sprayed across the ecliptic, the path of the sun and the moon. Crow talks about the sun/chemtrails connection with regards to the blocking of sunlight. He also shares some amazing footage of Venus transiting the sun and impressive shots of what appears to be a second sun in our sky. Eclipses and the nodes are also discussed.
An optics expert has studied Crow's footage to calculate and verify that everything that has been filmed is not from what we think of as "outer space", but much, much closer, and within our atmosphere. With the evidence provided, this film elicits a childlike wonder, excitement, and a sense of expansiveness, knowing that there is much more to discover about our world and what we've been told is the universe. It raises many questions and implores us to seek truth and answers. It urges us to question our reality and everything we have been told, taught and indoctrinated into. Shoot the Moon is an epic tale and has the potential to radically change the current world view.
Creating a neat bookend, the closing scene shows Crow strolling away from the camera along the same shoreline he is seen in at the beginning of the film. He dialogues his final thoughts, speaking of the real value of the natural world; that there is no lie in nature. The sky clock is the only real time piece and it would do us well to turn our attention away from artificial constructs, look up, and reconnect with nature.
This film provokes higher mindedness. In Crow's own words, it "challenges things that we were told were un-challengeable." Crow has a knack of provoking deep thought by suggesting anomalies in our reality deserve further investigation. He doesn't have all the answers, but it is the questions that are more important to the opening of our minds. He reiterates time and again that the old ways matter. Old books and authors, ancient texts hold the keys to unlocking present day mysteries. He drives home that the natural world and the sky clock are where it's at. In his words, "there is no lie in nature."
Always remember Crow's most important message, "Belief is the Enemy of Knowing."
"There it is Man!" (Another Crrowism)
Review by Amanda H. McLeod
"There it is Man!" (Another Crrowism)
Review by Amanda H. McLeod
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- a_mcleod
- Oct 6, 2019
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- $19,600 (estimated)
- Runtime2 hours 3 minutes
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- 2.35 : 1
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