Directed by
| Nash Edgerton | ||
Writing Credits
| Nash Edgerton | ... | (written by) & |
| David Michôd | ... | (written by) |
Cast (in credits order)
Produced by
| Nicole O'Donohue | ... | producer |
Music by
| Ben Lee | ... | (original music by) |
Cinematography by
| Greig Fraser | ... | director of photography |
Editing by
| Luke Doolan | ||
| Nash Edgerton | ||
Casting By
| Kirsty McGregor | ||
Production Design by
| Alex Holmes | ||
| Elizabeth Mary Moore | ||
Costume Design by
| Jodie Fried | ||
Makeup Department
| Katherine Brown | ... | makeup artist |
| Paul Katte | ... | special makeup effects artist |
| Wizzy Molineaux | ... | hair stylist / makeup artist |
| Nick Nicolaou | ... | special makeup effects artist |
Production Management
| Roslyn Baker | ... | production manager |
| Richard Montgomery | ... | unit manager |
Second Unit Director or Assistant Director
| Steve E. Andrews | ... | first assistant director |
Art Department
| Gaetano Lagana | ... | painter |
| Ross Perkin | ... | storyboard artist |
| Megan Riakos | ... | art department assistant |
Sound Department
| Jack Friedman | ... | boom operator |
| Mario Peligrino | ... | sound recordist |
| Paul Pirola | ... | sound designer / sound mixer |
| Andy Wright | ... | adr engineer |
Visual Effects by
| Art Guglielmo | ... | digital compositor |
| Peter Logarusic | ... | compositor |
| Guy T. Paquin | ... | compositor (as Guy T. Paquin) |
| Mike Seymour | ... | visual effects supervisor |
| Jimmy Shen | ... | visual effects assistant |
Stunts
| Sebastian Dickins | ... | stunts |
| Nash Edgerton | ... | stunts |
| Ashley Fairfield | ... | stunts |
| Tony Lynch | ... | stunt coordinator |
Camera and Electrical Department
| Alina Gozin'a | ... | still photographer |
| Adam Kuiper | ... | key grip |
| Jasmine Lord | ... | clapper loader |
| Carl Mullin | ... | grip |
| Ben Plant | ... | clapper loader |
| Kate Rose | ... | focus puller |
| Brad Shield | ... | additional director of photography |
| Spencer Susser | ... | second camera |
| Lionel Tozer | ... | grip |
Editorial Department
| Bec Cubitt | ... | post-production coordinator |
| Al Hansen | ... | digital intermediate colorist |
| Sandra Licina | ... | title design |
| Emma McCleave | ... | assistant editor |
| Justin McDonald | ... | telecine operator |
| Christine Trodd | ... | senior colorist |
Location Management
| Jack Kain | ... | location manager |
Additional Crew
| Tony Gibbs | ... | insurance broker |
| Sotiri Sotiropoulos | ... | safety officer |
Thanks
| Annie Beauchamp | ... | personal thanks |
| Ben Briand | ... | personal thanks |
| Ray Brown | ... | personal thanks |
| Ana Candela | ... | thanks |
| Luke Davies | ... | personal thanks |
| Zoë Finch | ... | thanks |
| Ross Finlay | ... | thanks |
| Rob Hislop | ... | thanks |
| Clayton Jacobson | ... | personal thanks |
| Rita Kalnejais | ... | personal thanks |
| Lana Kim | ... | special thanks |
| Ewen Leslie | ... | personal thanks |
| Lucia Nicolai | ... | thanks |
| Norman Parkhill | ... | personal thanks |
| Jeremy Saunders | ... | personal thanks |
| Rick Schweikert | ... | special thanks |
| Brett Sheerin | ... | personal thanks |
| Dan Single | ... | personal thanks |
| Louise Smith | ... | personal thanks |
| Chris Wheeler | ... | personal thanks (as Chris Wheeler - a.k.a. The Film Pope) |
