Sundance dealmaking was buoyant, the awards season is coming to a head with a number of critically acclaimed movies having done well at the box office, and apparently peak TV is over. Whisper it quietly, but after years of movies being almost a dirty word compared to the lustre of TV, is independent theatrical film staging a comeback?
If the turbocharged and upbeat European Film Market (EFM) — which officially got underway today in Berlin, but has been in swing for a while — is anything to go by, the indie sales and production sectors are in decent health, at least.
Things were looking up even before the market. A week ago we broke news of the biggest North American deal in years for an indie movie when Paramount stumped up around $25M for Michael Gracey’s Better Man with a big theatrical commitment. “That gives you hope,” one movie financier texted at the time.
If the turbocharged and upbeat European Film Market (EFM) — which officially got underway today in Berlin, but has been in swing for a while — is anything to go by, the indie sales and production sectors are in decent health, at least.
Things were looking up even before the market. A week ago we broke news of the biggest North American deal in years for an indie movie when Paramount stumped up around $25M for Michael Gracey’s Better Man with a big theatrical commitment. “That gives you hope,” one movie financier texted at the time.
- 2/15/2024
- by Andreas Wiseman and Zac Ntim
- Deadline Film + TV
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