This episode was pretty much completely situational. There were no sudden plot turns. Nothing big and exciting happened. It was almost like watching a short, indie film. It wasn't a riveting story, it was just a small tale about a wife who is being pursued by a young man on horseback, and a man who fell drunk and issued insults, and the man who is tasked with fixing it.
That being said, it was fantastic, if you asked me. It's a great example of how what is, frankly, a filler episode, can touch the audience anyway. Like "Fly." It bears no weight whatsoever, and yet it's strangely wonderful. The acting is, as usual, phenomenal.
The episode capitalizes on what is possibly the show's best quality. Most television shows that are as good as this one operate on large scales. A big-time drug ring, the White House, Hollywood (or Hollywoo), the New Jersey Mafia, or anything that matters to the whole country. But this show can be just as riveting by simply being normal. There are no deaths, I mean, not of major characters, anyway, there are no shoot-em-ups, no wars, it's just a company. And it's every bit as exciting as "The Sopranos," and that's what makes this show so brilliant.
That being said, it was fantastic, if you asked me. It's a great example of how what is, frankly, a filler episode, can touch the audience anyway. Like "Fly." It bears no weight whatsoever, and yet it's strangely wonderful. The acting is, as usual, phenomenal.
The episode capitalizes on what is possibly the show's best quality. Most television shows that are as good as this one operate on large scales. A big-time drug ring, the White House, Hollywood (or Hollywoo), the New Jersey Mafia, or anything that matters to the whole country. But this show can be just as riveting by simply being normal. There are no deaths, I mean, not of major characters, anyway, there are no shoot-em-ups, no wars, it's just a company. And it's every bit as exciting as "The Sopranos," and that's what makes this show so brilliant.