Directed by
Brendan Maher | ... | (uncredited) |
Writing Credits (in alphabetical order)
Zinnie Harris | ... | (written by) (uncredited) |
David Wolstencroft | ... | (creator) (uncredited) |
Cast
Alex Dee | ... | Agent Bill (uncredited) | |
Peter Firth | ... | Harry Pearce (uncredited) | |
Gemma Jones | ... | Connie James (uncredited) | |
Yuri Klimov | ... | Valentino (uncredited) | |
Alex Lanipekun | ... | Ben Kaplan (uncredited) | |
James Laurenson | ... | Sholto (uncredited) | |
Ian Maden | ... | Diplomat (uncredited) | |
Matthew Marsh | ... | Bob Hogan (uncredited) | |
Hermione Norris | ... | Ros Myers (uncredited) | |
Rupert Penry-Jones | ... | Adam Carter (uncredited) | |
Miranda Raison | ... | Jo Portman (uncredited) | |
Agni Scott | ... | Ana Bakhshi (uncredited) | |
Hugh Simon | ... | Malcolm Wynn-Jones (uncredited) | |
Simon Slater | ... | Caldwell (uncredited) | |
Serge Soric | ... | Yachek (uncredited) |
Produced by
Hilary Benson | ... | line producer |
Simon Crawford-Collins | ... | executive producer (as Simon Crawford Collins) |
Jane Featherstone | ... | executive producer |
Katie Swinden | ... | producer |
Andrew Woodhead | ... | executive producer |
Music by
Paul Leonard-Morgan |
Cinematography by
Damian Bromley | ... | director of photography |
Editing by
Victoria Boydell |
Casting By
Suzanne Crowley | ||
Gilly Poole |
Production Design by
Paul Spriggs |
Art Direction by
Julian Nix |
Costume Design by
Iain Macaulay |
Makeup Department
Tori Robinson | ... | makeup supervisor |
Marella Shearer | ... | hair designer / makeup designer |
Nicky South | ... | makeup artist |
Production Management
Jane Coombes | ... | post-production supervisor |
Second Unit Director or Assistant Director
Toby Ford | ... | first assistant director |
Glyn Harper | ... | third assistant director |
Simon Morris | ... | second assistant director |
Art Department
Liam Collins | ... | stand-by props |
Jolanta Damski | ... | graphic designer |
Mark Doman | ... | computer & video designer |
Clare Keyte | ... | production buyer |
Jim McCallum | ... | stand-by props |
Pauline Seager | ... | buyer |
Lucienne Suren | ... | stand-by art director |
Sound Department
Rudi Buckle | ... | production sound mixer |
Ben Norrington | ... | dialogue editor |
James Feltham | ... | re-recording mixer (uncredited) |
Dave Sloss | ... | foley recordist (uncredited) |
Mark Verner | ... | foley editor (uncredited) |
Special Effects by
Bernard Newton | ... | senior special effects technician |
Camera and Electrical Department
Jon Beacham | ... | first assistant camera |
Sam Kite | ... | electrician |
Abigail Catto | ... | camera trainee: dailies (uncredited) |
Amanda Searle | ... | still photographer (uncredited) |
James Summers | ... | gaffer (uncredited) |
Paul Worley | ... | additional grip (uncredited) |
Casting Department
Briony Barnett | ... | casting assistant |
Editorial Department
Aaron Coot | ... | dailies operator (uncredited) |
Al Morrow | ... | assistant editor |
William Chetwynd | ... | conform editor (uncredited) |
Scott Hinchcliffe | ... | on-line editor (uncredited) |
Location Management
Mark Gladwin | ... | location manager |
Music Department
Jennie Muskett | ... | composer: title music |
Script and Continuity Department
Sam Donovan | ... | script supervisor |
Anthony Mullins | ... | multiplatform writer |
Transportation Department
Julian Chapman | ... | personal driver: Peter Firth (uncredited) |
Additional Crew
Alison Barnett | ... | head of production |
Henry Hobson | ... | main titles designer |
Anthony Mullins | ... | multiplatform director |
Gabriel Silver | ... | story editor |
Toby Spanton | ... | floor runner |
Daisy Caton-Jones | ... | key floor runner (uncredited) |
Craig Heathcote | ... | production runner (uncredited) |
Claire L. Kenny | ... | assistant accountant (uncredited) |
Gareth Lewis | ... | additional floor runner (uncredited) |