70
Metascore
24 reviews · Provided by Metacritic.com
- 100The PlaylistOliver LytteltonThe PlaylistOliver LytteltonWuthering Heights is a model of how to bring a classic novel kicking and screaming into the twenty-first century.
- 91The A.V. ClubKeith PhippsThe A.V. ClubKeith PhippsIt's an intense, uncompromising take that restores some of the shock that made Wuthering Heights so notable when it first appeared.
- 83Entertainment WeeklyLisa SchwarzbaumEntertainment WeeklyLisa SchwarzbaumWillful, meandering, and intriguing, this Wuthering Heights is similarly headstrong.
- 80Boxoffice MagazineSara Maria VizcarrondoBoxoffice MagazineSara Maria VizcarrondoArnold's newest testament to passion and squalor strikes a tone somewhere between Cary Fukinaga's emo "Jane Eyre" and Sophia Coppola's revisionist-hip "Marie Antoinette."
- 80The GuardianPeter BradshawThe GuardianPeter BradshawPerhaps above everything else, Arnold returns us to the most potent fact about the Cathy and Heathcliff love affair: it is a love affair between equals, not between a woman with coquettish "erotic capital" and a man with property and status.
- 80TimeTimeFaithful and bold adaptation.
- 80Time OutJoshua RothkopfTime OutJoshua RothkopfArnold's vibrant, Malickian adaptation has another bold stroke worth mentioning: Heathcliff, a Gypsy in the original text, is now an Afro-Caribbean former slave, initially a bruised teen (Glave) and then an unusual, self-made man (Howson).
- 75Slant MagazineJoseph Jon LanthierSlant MagazineJoseph Jon LanthierIn whittling down Emily Brontë's romance to its most earthly aspects, Andrea Arnold stylizes herself into an unavoidable corner.
- 70Village VoiceVillage VoiceHeathcliff does not get the revenge he wants because he wants to escape the specific traumas of his adolescent past, shown in the film's first half. And because Arnold traps her viewers with Heathcliff's murky version of events. There's no room for enriching subtext in this version of Wuthering Heights because all the information we need is inscribed on the film's glassy surface.
- 70The New York TimesA.O. ScottThe New York TimesA.O. ScottThe grunts and howls seem every bit as mannered as the florid diction of Olivier and Oberon, perhaps even more so. Their artifice, like Brontë's own, was overt, whereas Ms. Arnold strives to disguise hers in the trappings of authenticity. And as a result, the impact - the grandeur, the art - of Wuthering Heights is diminished.