Directed by
John Stecenko |
Writing Credits (in alphabetical order)
Dominick R. Domingo | ... | (written by) |
Joseph Domingo | ... | (original concept) |
Lisa G. Myers | ... | (written by) (as Lisa Myers) |
John Stecenko | ... | (written by) |
Cast (in credits order)
Produced by
Robert Ahrens | ... | producer |
Mark Bredahl | ... | co-producer |
Mike Budacheck | ... | co-executive producer (as Michael Budacheck) |
Keith Collea | ... | co-producer |
Joseph Domingo | ... | executive producer |
Cherelle George | ... | line producer |
Frank Gresik | ... | co-executive producer |
Frank Iatarola | ... | co-producer |
Hal Kessler | ... | executive producer (as Hal 'Corky' Kessler) |
John Ladle | ... | co-executive producer |
Robert J. Locke Jr. | ... | producer (as Robert J. Locke) |
Edward Reininger | ... | co-executive producer |
Steven Ritchie | ... | line producer: 17th century unit |
Grant Sawyer | ... | producer |
Blake Smith | ... | associate producer: 17th century unit |
John Stecenko | ... | producer |
Paul Stecenko | ... | co-producer |
Music by
Steven Keifer |
Cinematography by
Joe Hendrick | ||
John Stecenko |
Editing by
Ricky Hayner |
Casting By
Joe Adams | ||
Robert J. Locke Jr. | ... | (as Robert J. Locke) |
Art Direction by
Christina M. Novello |
Costume Design by
Sharron Domingo | ||
Anne Niermeyer |
Makeup Department
Monique Benoit | ... | key makeup and hair: NY |
Josephine de Montjoye | ... | special effects makeup artist: 17th Century Unit |
Fiona Distefano | ... | key makeup and hair: 17th century unit |
Matt Jackson | ... | special effects makeup artist |
Amanda Lahr | ... | makeup artist (as Amanda Benper) |
Maria Lambert | ... | key make-up and hair: artist / special effects makeup artist |
Germaine L. Nichols | ... | additional makeup |
Cynthia Ann Richards | ... | assistant make-up and hair artist |
Zena Shteysel | ... | makeup artist |
Charles C. Wills | ... | special makeup effects artist |
Production Management
Keith Collea | ... | post-production executive |
Cherelle George | ... | unit production manager |
Grant Sawyer | ... | post-production supervisor |
Second Unit Director or Assistant Director
Benjamin Adams | ... | first assistant director |
Dominick R. Domingo | ... | director: 17th century unit |
Laurel Howard | ... | first assistant director: NY |
Dana Keating | ... | second assistant director: 17th century unit |
Kasia Kelly | ... | second second assistant director |
Kelly Kenny | ... | second assistant director |
Anna Moulaison | ... | first assistant director (as Anna Moulaison-Massey) |
Patricia Ann Pless | ... | second assistant director: NY |
Andrew Stetson | ... | second second assistant director |
Joe Suarez | ... | first assistant director: 17th century unit (as a different name) |
Sound Department
Zachary Bangma | ... | boom operator: 17th century unit |
Tyrone Brown | ... | boom operator: NY |
Eric Davison | ... | sound mixer: NY |
Andrew Edelman | ... | sound mixer |
Soren Handberg | ... | assistant sound editor |
Kelly Kenny | ... | boom operator |
Dana Kopetzky | ... | sound mixer: 17th century unit |
Raphael Laski | ... | sound mixer: NY |
Erik Lundmark | ... | sound effects editor: and designer |
Fred Stuben | ... | sound mixer |
Denzil Xavier | ... | sound mixer |
Visual Effects by
Gordon Fales | ... | visual effects supervisor |
Camera and Electrical Department
J. Alan | ... | still photographer |
Dane Brehm | ... | first assistant camera: "b" camera |
Valentina Caniglia | ... | director of photography: 17th century unit |
Eric C. Castro | ... | gaffer: 17th century unit |
Lyle Cervenka | ... | still photographer |
Thomas Cestare | ... | gaffer: NY (as Tom Cestare Jr) |
Wil E. Coyete | ... | best boy electric (as Wil Ecoyete) |
Shannon Davis | ... | key grip: 17th century unit |
Rich Ferry | ... | best boy electric |
Stephen Furry | ... | best boy electric |
Tyler Harrison | ... | camera loader |
Joe Hendrick | ... | first assistant camera |
Brian 'Machine' Hoehn | ... | camera operator: 17th century unit |
Michael Kowalczyk | ... | still photographer |
Robin Mallard | ... | gaffer |
Sabyn Mayfield | ... | best boy grip |
Joe Mobijob | ... | key grip (as Joe Mojiob) |
Guy Morgan | ... | key grip: NY |
Nittaya Morgan | ... | best boy grip |
David Newbert | ... | grip (as Dave Newbert) |
Zach Richard | ... | first assistant camera "a" |
Ari Robbins | ... | steadicam operator |
Alex Scott | ... | camera loader |
Rob Staliano | ... | first assistant camera |
Sal Trock | ... | best boy grip |
Costume and Wardrobe Department
Kerrie Kordowski | ... | on-set costumer |
Editorial Department
Sonya Mattson | ... | assistant editor |
Script and Continuity Department
Erin Forrest | ... | script supervisor |
Additional Crew
Megan Evans | ... | production assistant |
Dale V. Franz | ... | script supervisor: 17th century unit |
J. Antonio Jimenez | ... | production coordinator (as Antonio Jimenez) |
Dana Keating | ... | production office coordinator |
Chris Kerner | ... | miscellaneous crew |
Hal Kessler | ... | legal (as Corky Kessler) |
Lydia O'Neill | ... | script supervisor: NY |
James Roddy | ... | production assistant |
Jim Rogers | ... | voice |
Maggie Rydell | ... | voice |
Mike Vaughn | ... | voice |
Thanks
Joe Adams | ... | in memory of: 1967-2006 |
Mark Bredahl | ... | special thanks |
Richard C. Brustein | ... | special thanks |
Sam Eigen | ... | special thanks |
Angelo Giannakopoulos | ... | special thanks |
Lydia Giannakopoulos | ... | special thanks (as Lydia and Angelo Giannakopoulos) |
Brandon Paine | ... | special thanks |
Robin Reinhardt | ... | special thanks (as Robin Reinhardt-Locke) |
Dino Spencer | ... | special thanks |
Victor Stecenko | ... | special thanks |
Brian Sweet | ... | special thanks |
Shawn T | ... | special thanks |
Shawn M. Thompson | ... | special thanks |
Gary Topolewski | ... | special thanks |
Tom Tsatas | ... | special thanks |
Yasue Tugee | ... | special thanks |