The Mentalist is easily one of my favorite police shows of all-time. I loved every episode of every season. It's only been off the air for a few years and I already miss it. The entire cast is fantastic but the real standout here is Simon Baker as Patrick Jane. He was born to play this role. It's about a former "psychic " who serves as a consultant for the California Bureau of Investigation. He uses his incredible smarts and observation to solve cases in unusual ways. He's also there to find a killer named Red John, who killed his wife and daughter. If you're looking for a good show that you'll have a lot of fun watching them give this a try, you won't be disappointed!
403 Reviews
A show that is so much more than it seems.
GonzoBarbossa4 October 2008
For anyone who thinks this is close to Psych...you're dead wrong. While both shows take a similar premise, they're so different in many ways. This show does have a man with the ability to spot minute details, but he does so much more, he plays mind games with people, reads their emotions and sets elaborate traps to catch them. Many compare him to Shawn Spencer of Psych, but I would rather compare him to Sherlock Holmes, except more tortured. The pilot obviously takes on a more serious approach than Psych and the dynamics of the show go from cute and funny to deeply disturbing in seconds.
It takes your one crime per episode procedural drama with a gifted detective and takes it one step further. Patrick Jane is more self effacing, gets into trouble and is a known fraud. But he isn't mean or intentionally rubs people the wrong way like House(also based on Holmes) or Spencer. He is very soothing, warm, instills trust and seems to get along with people pretty well, from the guy who did it to his team. At the same time, he does like to flex his intellect and power over people and loves to play games to get answers (and yet, so charming when he does so). So it's kind of disarming when you begin to see there are some serious issues with this character, he doesn't sleep, doesn't believe in life after death (and is happy that way), and is actually anti-social with the group. There are further reasons as to his psychosis that won't be discussed. Behind those warm baby blues, warm smile and calming presence, there is a man being crushed to death by very weighty issues.
Patrick Jane is a fantastic character, he's obviously brilliant, but a little distant and isn't fond of working with others. As a former faux psychic he seems pretty ready to disable believers. And of course, Simon Baker is a brilliant actor and is the reason I tuned in (I admit I too feared this was a Psych ripoff) and he brings so much depth to this character. When he plays his mind games he always brings a sense of "I know more than you and there is nothing you can do about it." type of amusement and when Red John or death apparates in conversation you see a distant look in his eyes that conveys more than what he actually saying (the psychiatry appointment in the pilot was incredible). He really plays off the layers of Patrick Jane well, pulling some back and when we get a true glimpse, the layers fall back in place. And credit goes to the set-up of Red John as his "nemesis" through a copy cat. He and Jane have a very tense meet up awaiting them, but I can wait for that just to experience the chase and the unraveling history between these two.
Another credit would go to the incredible Robin Tunney (of The Craft and Empire Records) who was reason number two for watching the pilot. She has had very little to work with in the first two episodes (but her role grew from 1 to 2 so I have faith), but she plays the hard nosed detective with a little more prudishness and distance than I would have expected. How much she knows about Jane and how far they go back is a mystery to me and their dynamic is interesting. She doesn't fall into stereotype and has retained a beguiling sense of mystery. I also appreciate the lack of clichéd moments "fraught with sexual tension" between Lisbon and Jane.
And I'd also like to credit Tim Kang- a lovely surprise and I enjoyed his character who really doesn't give a crap about hurting people's feelings or stepping on toes, he just wants to solve the case. Love it and kudos.
My only complaint would be explained in the two above paragraphs briefly. I love Cho and Lisbon and hope to get see more of the team (Van Pelt and Rigsby are really cute as well), but I understand this is called "The Mentalist" and there is still time to slowly introduce Jane's history with the team and more in depth coverage of these characters. I've only seen two episodes and I think what I anticipate will come into fruition.
Overall, this show is well written, well acted, and beautifully shot. I for one have set up a season recording on my DVR and cannot wait for the next episode, yes you can consider me a fan and I hope you head over to CBS.com and give this show a chance. I wish I had more stars to give.
It takes your one crime per episode procedural drama with a gifted detective and takes it one step further. Patrick Jane is more self effacing, gets into trouble and is a known fraud. But he isn't mean or intentionally rubs people the wrong way like House(also based on Holmes) or Spencer. He is very soothing, warm, instills trust and seems to get along with people pretty well, from the guy who did it to his team. At the same time, he does like to flex his intellect and power over people and loves to play games to get answers (and yet, so charming when he does so). So it's kind of disarming when you begin to see there are some serious issues with this character, he doesn't sleep, doesn't believe in life after death (and is happy that way), and is actually anti-social with the group. There are further reasons as to his psychosis that won't be discussed. Behind those warm baby blues, warm smile and calming presence, there is a man being crushed to death by very weighty issues.
Patrick Jane is a fantastic character, he's obviously brilliant, but a little distant and isn't fond of working with others. As a former faux psychic he seems pretty ready to disable believers. And of course, Simon Baker is a brilliant actor and is the reason I tuned in (I admit I too feared this was a Psych ripoff) and he brings so much depth to this character. When he plays his mind games he always brings a sense of "I know more than you and there is nothing you can do about it." type of amusement and when Red John or death apparates in conversation you see a distant look in his eyes that conveys more than what he actually saying (the psychiatry appointment in the pilot was incredible). He really plays off the layers of Patrick Jane well, pulling some back and when we get a true glimpse, the layers fall back in place. And credit goes to the set-up of Red John as his "nemesis" through a copy cat. He and Jane have a very tense meet up awaiting them, but I can wait for that just to experience the chase and the unraveling history between these two.
Another credit would go to the incredible Robin Tunney (of The Craft and Empire Records) who was reason number two for watching the pilot. She has had very little to work with in the first two episodes (but her role grew from 1 to 2 so I have faith), but she plays the hard nosed detective with a little more prudishness and distance than I would have expected. How much she knows about Jane and how far they go back is a mystery to me and their dynamic is interesting. She doesn't fall into stereotype and has retained a beguiling sense of mystery. I also appreciate the lack of clichéd moments "fraught with sexual tension" between Lisbon and Jane.
And I'd also like to credit Tim Kang- a lovely surprise and I enjoyed his character who really doesn't give a crap about hurting people's feelings or stepping on toes, he just wants to solve the case. Love it and kudos.
My only complaint would be explained in the two above paragraphs briefly. I love Cho and Lisbon and hope to get see more of the team (Van Pelt and Rigsby are really cute as well), but I understand this is called "The Mentalist" and there is still time to slowly introduce Jane's history with the team and more in depth coverage of these characters. I've only seen two episodes and I think what I anticipate will come into fruition.
Overall, this show is well written, well acted, and beautifully shot. I for one have set up a season recording on my DVR and cannot wait for the next episode, yes you can consider me a fan and I hope you head over to CBS.com and give this show a chance. I wish I had more stars to give.
Excellent!
Supermanfan-1312 February 2021
Out of the thousands of police procedural shows to choose from I have to say that The Mentalist is one of my favorite! It has everything you want in a good police show...drama, action, comedy, suspense, etc. Simon Baker is absolutely perfect as Patrick Jane as he leads an all around great cast!
Favourite Show of All Time
RachaelHP16 January 2020
This shows is master class in acting.
Robin Tunney and Simon Baker have a chemistry and credibility so rare that it's simply wonderful to watch every single scene. These are two of the greatest actors I've ever watched. I wish they won more awards and received greater recognition.
With the character development in the series, the writers were on point. Jane and Lisbon are mature characters; credible, solid, exceptionally developed in all aspects. Because of the subtlety of the writing and nuanced performances, their arc over the 7 seasons is just sublime.
Humour and darkness are perfectly balanced and refined in both the writing and performances. It doesn't talk down to its viewers. It doesn't go in for shallow drama to create tension. It's inventive. All is purposefully done. That I deeply respect.
Cho, Rigsby and Van Pelt really become a truly lovable team and they somehow create a sense of home. Tim Kang, Amanda Righetti and Owain Yeoman were perfect at every turn. Very rare. I missed the team so much. That's a testament to the actors.
Exquisite guest stars mean this show is rife with the most memorable, bizarre and irreplaceable characters. There are too many to name. It would clog the word count. I mean. Monster talent. All in one show. Every single person created a memorable and an immensely enjoyable character. I wanted to see more of them.
I remember at the time it aired, people were going mad speculating about Red John. He was an excellent catalyst - a truly horrific storyline and figure.
But to me the show was never truly about him. It was about Jane, Lisbon and the team. Finding your people and purpose. Growing and learning from pain.
I love the music by Blake Neely. Psychological, eerie, haunting, funny, emotional, heartwarming, reflective, sentimental... He aced it. I revisit it constantly.
Bruno Heller and Chris Long created something incredible. The fact they honoured what the fans wanted in Season 6 and 7 is a tremendously rare outcome in this business and unlike any show I've ever seen. They truly nailed it.
I miss this show and characters and always will.
Robin Tunney and Simon Baker have a chemistry and credibility so rare that it's simply wonderful to watch every single scene. These are two of the greatest actors I've ever watched. I wish they won more awards and received greater recognition.
With the character development in the series, the writers were on point. Jane and Lisbon are mature characters; credible, solid, exceptionally developed in all aspects. Because of the subtlety of the writing and nuanced performances, their arc over the 7 seasons is just sublime.
Humour and darkness are perfectly balanced and refined in both the writing and performances. It doesn't talk down to its viewers. It doesn't go in for shallow drama to create tension. It's inventive. All is purposefully done. That I deeply respect.
Cho, Rigsby and Van Pelt really become a truly lovable team and they somehow create a sense of home. Tim Kang, Amanda Righetti and Owain Yeoman were perfect at every turn. Very rare. I missed the team so much. That's a testament to the actors.
Exquisite guest stars mean this show is rife with the most memorable, bizarre and irreplaceable characters. There are too many to name. It would clog the word count. I mean. Monster talent. All in one show. Every single person created a memorable and an immensely enjoyable character. I wanted to see more of them.
I remember at the time it aired, people were going mad speculating about Red John. He was an excellent catalyst - a truly horrific storyline and figure.
But to me the show was never truly about him. It was about Jane, Lisbon and the team. Finding your people and purpose. Growing and learning from pain.
I love the music by Blake Neely. Psychological, eerie, haunting, funny, emotional, heartwarming, reflective, sentimental... He aced it. I revisit it constantly.
Bruno Heller and Chris Long created something incredible. The fact they honoured what the fans wanted in Season 6 and 7 is a tremendously rare outcome in this business and unlike any show I've ever seen. They truly nailed it.
I miss this show and characters and always will.
Unique, great plots, humor, action, great characters
lewismom-595579 January 2020
One of the best shows I've ever seen, this series has it all: countless surprising plot twists, humor, long satisfying story arcs, well-drawn characters who change and grow, murders, action, revenge, pathos, more humor, quotable & memorable dialog, suspense, multiple romantic story lines... everything. Characters are likable but complex. Locations and plots are varied and interesting. Never a dull episode, and unlike many series, the final episodes offer a satisfying conclusion. My family and I have watched the entire series together three times, it's that good.
More than just a show. Something that's gonna stay with you for a long time....
arindamdas-4189217 October 2019
I don't normally write reviews but i have to for this gem. First of all if you're in dilemma of deciding whether should watch it or not then put your doubts aside and give it a go, you will not regret it . This is one of the best show I have ever seen.
The story is very well written and it's surpassed only by the acting of the cast involved. Simon Baker's performance in The Mentalist is nothing short of spectacular, he brought the character of Patrick Jane to life. A well balanced protagonist that is smart, sexy and have a good sense of humour, plus Patrick's background story is so emotionally strong that you can't help yourself to connect with it in a deeper way.
The chemistry between Simon Baker and Robin Tunney's character is portrayed so well by these two, and their amazing friendship off-screen is reflected on the show in a wonderful way. Jane and Lisbon's relationship is truly one of the most beautiful relationships ever written for TV. But, it's not just them you feel attached to. You'll get fascinated by the tricks of a Mentalist. He is witty, sarcastic, arrogant at times, manipulative and extremely intelligent with an extraordinary IQ and memory. He is gonna trap you into his wide skills of observation, manipulation, cold reading, mind bending tricks & ideas. The way he solves the cases is magnificent to watch and so so intriguing. I can ever go as far as to say that his intelligent surpasses that of Sherlock Holmes. This guy can literally get inside the minds of the smartest & the toughest criminals and manipulate them to do things his way. He can get inside Joker's head and make him commit suicide, yes you heard it right. Such is the mind of a brilliant man, Patrick Jane, the main protagonist. You're gonna love him every single moment of the show.
Won't give you any spoilers or anything but a great show needs a great antagonist, & it can't get any better than Red John. From the suspense regarding his true identity, to the mind games between him and Patrick, all of it is presented so well to keep you intrigued for the entire course of show. And even after Red John this show is a delight to watch.
And I dare say that I have finally found a show with the PERFECT ENDING. A show can not get a better closure than this . The only thing sad about the ending was the fact in itself that the show was ending. Now it's hard for me to imagine a day without watching The Mentalist. It's gonna stay with the watcher forever.
Thank you Bruno Heller for giving us this masterpiece.
Definitely not a Copycat
LostKaleb18 January 2009
I honestly say that the first I heard of this show I thought the premise was too simple and too recurrent. However I seem to find myself waiting impatiently for each week's episode and what is Patrick going to pull this time!
Also, I'm sick and tired of all the comparisons with Psych and House and whatever you may come up with! This show is NOT House, it's NOT Psych, it has a clear identity and is surely not a copycat. Sure it has similar elements: the House-like vibe of the background music and types of situations, or the Psych-like fact that the main character can spot details with one look; but what show these days doesn't? I mean, all CSI variants are the same! Come on...
So I tell you: this is a very good show, it can still pick up some pace (at least I can see that they're taking advantage of the Anime-style fillers) but every episode is fun to watch and grips you to the last minute.
The main character was what surprised me the most though. Despite the fact that being Portuguese I enjoy that the lead detective is called Lisbon, Mr Patrick Jane seemed just another pretty face on TV. However I can now see that I was terribly wrong: it is a great character and is portrayed by a very good actor; the changes between whimsical smiles and disturbing stares are... well disturbingly good!
So watch it, it's worth it and you might learn a thing or two!
Also, I'm sick and tired of all the comparisons with Psych and House and whatever you may come up with! This show is NOT House, it's NOT Psych, it has a clear identity and is surely not a copycat. Sure it has similar elements: the House-like vibe of the background music and types of situations, or the Psych-like fact that the main character can spot details with one look; but what show these days doesn't? I mean, all CSI variants are the same! Come on...
So I tell you: this is a very good show, it can still pick up some pace (at least I can see that they're taking advantage of the Anime-style fillers) but every episode is fun to watch and grips you to the last minute.
The main character was what surprised me the most though. Despite the fact that being Portuguese I enjoy that the lead detective is called Lisbon, Mr Patrick Jane seemed just another pretty face on TV. However I can now see that I was terribly wrong: it is a great character and is portrayed by a very good actor; the changes between whimsical smiles and disturbing stares are... well disturbingly good!
So watch it, it's worth it and you might learn a thing or two!
So far, so good...
cosmic_quest9 April 2009
'The Mentalist' is the latest American crime drama to make its way to British shores and so far, it is proving itself to be a promising show which will hopefully continue to flourish. The show revolves around Patrick Jane, a mentalist (someone with a highly developed sense of observation who can give the illusion that they have psi abilities) with a haunted past, who uses his unique skills to help the California Bureau of Investigation solve crimes.
A show of this genre is obviously going to attract comparisons to other shows like 'Medium' (which is ridiculous because Jane is steadfast in his view that he is not psychic and there are no such thing as psychics) or 'Psych'. In the case of the latter, admittedly, there are similarities to be had but 'Psych' is very much drama-lite comedy whereas this show can be dark and is a serious take on having an adviser with such abilities working with law enforcement.
Simon Baker does an excellent job depicting Patrick Jane as a man who, on the surface, is genial, charismatic and arrogant but hides his dark emotional problems that we catch glimpses of as the show progresses. Jane, for all his relaxed persona, is a man who cannot come to terms with his tragic past and is an insomniac with anti-social tendencies and a cynical view of the world around him. He is a truly fascinating character and it will be interesting to see how he continues to develop. The rest of the cast do well but for now their characters take second place to Jane. Female lead character Teresa Lisbon is the leader of the CBI team that Jane liaisons with and is starting to stand up as a character in her own right as well as someone who is beginning to understand the secrets of Jane. However, everyone else still need time to be develop, which is understandable for a show only in its infancy.
In all, 'The Mentalist' continues to excel and seeks to be yet another success from America (so, CBS, please don't cancel it!). It offers a unique insight into crime and the people involved. It also involves tantalising characters who leave the viewers desperate to uncover what makes them tick. Here's looking to a good few seasons to enjoy.
A show of this genre is obviously going to attract comparisons to other shows like 'Medium' (which is ridiculous because Jane is steadfast in his view that he is not psychic and there are no such thing as psychics) or 'Psych'. In the case of the latter, admittedly, there are similarities to be had but 'Psych' is very much drama-lite comedy whereas this show can be dark and is a serious take on having an adviser with such abilities working with law enforcement.
Simon Baker does an excellent job depicting Patrick Jane as a man who, on the surface, is genial, charismatic and arrogant but hides his dark emotional problems that we catch glimpses of as the show progresses. Jane, for all his relaxed persona, is a man who cannot come to terms with his tragic past and is an insomniac with anti-social tendencies and a cynical view of the world around him. He is a truly fascinating character and it will be interesting to see how he continues to develop. The rest of the cast do well but for now their characters take second place to Jane. Female lead character Teresa Lisbon is the leader of the CBI team that Jane liaisons with and is starting to stand up as a character in her own right as well as someone who is beginning to understand the secrets of Jane. However, everyone else still need time to be develop, which is understandable for a show only in its infancy.
In all, 'The Mentalist' continues to excel and seeks to be yet another success from America (so, CBS, please don't cancel it!). It offers a unique insight into crime and the people involved. It also involves tantalising characters who leave the viewers desperate to uncover what makes them tick. Here's looking to a good few seasons to enjoy.
Enjoyable Crime Solver
mjmdl20 January 2009
I really like the show and it's actors. It stars a man who had a career acting as a psychic who was just pretending for the money. He made the mistake of catching the attention of a serial killer who retaliated by killing his family. He recovered from a breakdown and now works as a consultant to help the bureau catch the "bad guy" by using those same intuitive, observant skills and really listening to what people do and don't say. Simon Baker plays quite a multifaceted character that goes from playful to serious, whichever is called for and does it very well. The Mentalist has a good blend of being neither too dark like Criminal Minds or too lightweight like Psych, shows which I also watch.
Great show with a lot of potential
tianxiafengyung14 November 2008
The lead character Patrick Jane (Simon Baker) aka the 'Mentalist' plays a 'psychic' consultant for a serious crime unit headed by Lisbon (played Robin Tunney, "Prison Break") along with the rest of the cast, Cho (Tim Kang "Rambo"), Van Pelt (Amanda Righetti, "OC") and Rigby (Owain Yeoman "Nine"). But Patrick is no psychic, he relies upon acute observation and a penchant for playing mind games with the 'suspects' (and other members of the unit)to solve the case.
The character of Patrick is full of intrigue; he's sexy, funny, smooth but at the same time is tormented by a dark secret of his own doing. The dynamic between him and the rest of the unit is one of great 'hooks' of this show. The conventional law abiding enforcement officers are often at odds with Patrick's eccentric and often risqué way of going about solving crimes. The show plays up to this. The humour and tension between the characters do not appear to be contrived. And of course its always Patrick that comes out on top.
Unlike other crime TV series such as CSI, that depend on sophisticated, often over-the top 'scientific' methodology (CGI effects) to appeal to audiences, the Mentalist brings us back to the good old 'detective's hunch' style of crime-busting. It is a breathe of fresh air in a genre saturated with technical jargon and outlandish plot.
The way each case is solved is complex, yet very believable, and the magic comes from the sense of wonder at Patrick's mind tricks.
The show however still follows much of the conventional approach to to the crime genre, with the cliché of red-herrings, incompetent officers and a detective on a personal mission, but the charisma of Simon Baker as the lead detective Patrick Jane pulls the show together.
Another drawback is the seemingly lack of character depth in the minor cast members. Lisbon, Cho, Rigby and Van Pelt all play second fiddle to Patrick and look like sidekicks rather than team members. But the show is slowly providing space for their development.
The show is named after the lead protagonist, and he promptly delivers. He is charming yet gritty, nonchalant yet brilliant, careless yet vulnerable. He's warm and cold at the same time, full of contradictions and full of flaws. Simon Baker portrays these subtle shades of Patrick's personality with an ease, and has made this so accessible to the audience.
The Mentalist is one of those tortured anti-heroes the strikes a cord with the audience and we can not wait to unravel Patrick's full story.
The character of Patrick is full of intrigue; he's sexy, funny, smooth but at the same time is tormented by a dark secret of his own doing. The dynamic between him and the rest of the unit is one of great 'hooks' of this show. The conventional law abiding enforcement officers are often at odds with Patrick's eccentric and often risqué way of going about solving crimes. The show plays up to this. The humour and tension between the characters do not appear to be contrived. And of course its always Patrick that comes out on top.
Unlike other crime TV series such as CSI, that depend on sophisticated, often over-the top 'scientific' methodology (CGI effects) to appeal to audiences, the Mentalist brings us back to the good old 'detective's hunch' style of crime-busting. It is a breathe of fresh air in a genre saturated with technical jargon and outlandish plot.
The way each case is solved is complex, yet very believable, and the magic comes from the sense of wonder at Patrick's mind tricks.
The show however still follows much of the conventional approach to to the crime genre, with the cliché of red-herrings, incompetent officers and a detective on a personal mission, but the charisma of Simon Baker as the lead detective Patrick Jane pulls the show together.
Another drawback is the seemingly lack of character depth in the minor cast members. Lisbon, Cho, Rigby and Van Pelt all play second fiddle to Patrick and look like sidekicks rather than team members. But the show is slowly providing space for their development.
The show is named after the lead protagonist, and he promptly delivers. He is charming yet gritty, nonchalant yet brilliant, careless yet vulnerable. He's warm and cold at the same time, full of contradictions and full of flaws. Simon Baker portrays these subtle shades of Patrick's personality with an ease, and has made this so accessible to the audience.
The Mentalist is one of those tortured anti-heroes the strikes a cord with the audience and we can not wait to unravel Patrick's full story.
Want more n more
askforsampathmba26 December 2018
Intriguing
vagabondjonson17 December 2008
I've only seen about four of five episodes of this show and I liked it, but as others have said, it follows a rather familiar vein. Trying not to compare it to anything else though, I found it to be enjoyable at face value. The lead character is likable and keeps the interrogations and methods of discovery light and conversational which is nice. I like that his part isn't really dark and sinister, which was an avenue obviously available to the writers given the main character's back story.
I liked the charisma between Baker and Robin Tunney and I like that his character doesn't take himself to seriously. Yes, the writers do ask you to suspend your belief occasionally and to get viewership the writers have had to make the stories bizarre and convoluted, which isn't necessarily a problem, it just makes it look like they've got heat from network people to make it edgy when it could be more mind-bending instead.
It's a fun show that can be watched at leisure and enjoyed without a serious dedication to it, which can be nice in an age of shows with year-long story arcs. If you miss one, you're not totally out of loop. If you've got an hour to spare, give it a shot. It's enjoyable.
I liked the charisma between Baker and Robin Tunney and I like that his character doesn't take himself to seriously. Yes, the writers do ask you to suspend your belief occasionally and to get viewership the writers have had to make the stories bizarre and convoluted, which isn't necessarily a problem, it just makes it look like they've got heat from network people to make it edgy when it could be more mind-bending instead.
It's a fun show that can be watched at leisure and enjoyed without a serious dedication to it, which can be nice in an age of shows with year-long story arcs. If you miss one, you're not totally out of loop. If you've got an hour to spare, give it a shot. It's enjoyable.
Great show but...
nomypietro3 May 2021
Implants an insidious seed: the idea that cops should do whatever it takes to get confessions; trickery, coercion, etc. If these cases would hold up in a real court, they shouldn't. Shows like these are part of a much bigger problem that creates a completely broken justice system. The acting and writing is not the problem. It is very good. The problem is that it creates to a deeper and more malignant source of oppression.
Starting to get boring
Fbh9121 May 2013
The first few seasons of this show where really good.
It took the concept of a regular detective TV Show but with the twist of an interesting character who used observation and psychology to solve cases. What is more, it had an interesting main plot surrounding "Red John", the enigmatic killer who murdered the daughter and wife of the main character.
But, sadly, we are already 5 seasons into the show and the whole main plot is starting to get tedious and monotonous rather than interesting. The show follows a very generic formula a few times each season of introducing a new character that has clear information about Red John only to later somehow kill him (either by one of the main characters or by Red John himself) before he can tell the audience any new or relevant information. The same trick has been used in several mid seasons and full season finales, and personally I'm starting to loose interest in the whole story.
I tend to watch several "detective", "investigation" shows such as criminal minds, castle, white collar, etc. The way the writers of those shows keep it interesting is by introducing a new main story ever 1-2 seasons. Sadly, the people making the Mentalist seem to be so afraid of finishing (or advancing) the main plot that it is starting to feel really stretched out
It took the concept of a regular detective TV Show but with the twist of an interesting character who used observation and psychology to solve cases. What is more, it had an interesting main plot surrounding "Red John", the enigmatic killer who murdered the daughter and wife of the main character.
But, sadly, we are already 5 seasons into the show and the whole main plot is starting to get tedious and monotonous rather than interesting. The show follows a very generic formula a few times each season of introducing a new character that has clear information about Red John only to later somehow kill him (either by one of the main characters or by Red John himself) before he can tell the audience any new or relevant information. The same trick has been used in several mid seasons and full season finales, and personally I'm starting to loose interest in the whole story.
I tend to watch several "detective", "investigation" shows such as criminal minds, castle, white collar, etc. The way the writers of those shows keep it interesting is by introducing a new main story ever 1-2 seasons. Sadly, the people making the Mentalist seem to be so afraid of finishing (or advancing) the main plot that it is starting to feel really stretched out
This show is for people like myself
nospam2-1430 October 2008
I am very interested in the sort of mental tricks that are shown on this show. Not that I want to be the guy, I'm more interested in why the human brain works the way it does, and so far the tricks he uses are well based in reality...as strange as they are.
As much as I like crime dramas, there are so many of them on TV right now. I wish they could have exposed the psychology to viewers in a different format, but on the flip side, I can't suggest a better alternative either for the moment. For choosing an over-used format I take two ratings off a perfect 10. As the last reviewer suggested the plots will have to get strange to be new.
In contrast to the last reviewer, I do like the lead character a lot, probably because I understand more why he does the things he does. Simon Baker does a great job of acting as a Mentalist, from whom is he drawing his inspiration from? They must have a consultant helping the show.
If you want to understand the show better, you may be interested in Derren Brown - Tricks of the Mind videos.
As much as I like crime dramas, there are so many of them on TV right now. I wish they could have exposed the psychology to viewers in a different format, but on the flip side, I can't suggest a better alternative either for the moment. For choosing an over-used format I take two ratings off a perfect 10. As the last reviewer suggested the plots will have to get strange to be new.
In contrast to the last reviewer, I do like the lead character a lot, probably because I understand more why he does the things he does. Simon Baker does a great job of acting as a Mentalist, from whom is he drawing his inspiration from? They must have a consultant helping the show.
If you want to understand the show better, you may be interested in Derren Brown - Tricks of the Mind videos.
Rush Ending
donnyaditama30 November 2018
Miss the show! Already?
sourabh-idoorkar26 March 2015
If ever there was a show that could evoke such strong emotions, this is it. The Mentalist. Best show ever.
Right from the 1st episode till the last scene, there was never a dull moment. The writing was perfect. The acting more so. Execution flawless. Simon Baker deserves every accolade for making us believe he was a real "not-a- psychic". His facial expressions, his charming and buoyant self, his acting were all fabulous. Every cast member since the beginning of the show has been amazing with their roles and I don't think there was ever any actor in the show that did not fit his/her role or that did not put in his/her best efforts. All of them deserve a standing ovation.
Its sad for us to watch the show come to an end but all great things always must. I think no other character will ever be able to match Patrick Jane in terms of sheer fun, wittiness and, well, a flair for the dramatic. His methods and deductions being insanely awesome all the while.
As for the ending, it was the best anyone could hope for. Like many others, I did miss those Red-John story- line episodes initially during season 6. But then I have never seen any show end its main story- line and still hold its own so well. Most of the shows simply trail off into non- existence once the primary perpetrator is caught or dead. However this show surprised me with the transformation it under went and that is definitely a big kudos to Bruno Heller there. Very hard to pull that off. Though it ended sooner than I would have liked it to, I still respect the decision to do so.
Most importantly, I will miss the smiling man who tricked his way into our hearts using his cons. But then, there's always repeat telecasts to stop that from happening. Cheers!
Right from the 1st episode till the last scene, there was never a dull moment. The writing was perfect. The acting more so. Execution flawless. Simon Baker deserves every accolade for making us believe he was a real "not-a- psychic". His facial expressions, his charming and buoyant self, his acting were all fabulous. Every cast member since the beginning of the show has been amazing with their roles and I don't think there was ever any actor in the show that did not fit his/her role or that did not put in his/her best efforts. All of them deserve a standing ovation.
Its sad for us to watch the show come to an end but all great things always must. I think no other character will ever be able to match Patrick Jane in terms of sheer fun, wittiness and, well, a flair for the dramatic. His methods and deductions being insanely awesome all the while.
As for the ending, it was the best anyone could hope for. Like many others, I did miss those Red-John story- line episodes initially during season 6. But then I have never seen any show end its main story- line and still hold its own so well. Most of the shows simply trail off into non- existence once the primary perpetrator is caught or dead. However this show surprised me with the transformation it under went and that is definitely a big kudos to Bruno Heller there. Very hard to pull that off. Though it ended sooner than I would have liked it to, I still respect the decision to do so.
Most importantly, I will miss the smiling man who tricked his way into our hearts using his cons. But then, there's always repeat telecasts to stop that from happening. Cheers!
intelligent new show
Chi3_1619 November 2008
The mentalist is no doubt not an original concept, and yes, it might be somehow related to Psych. The show does distinguish itself from Psych with its new and unrelated material. The series literally takes you on a ride as one feels involved in the investigations with every episode. The haters of the show should ease up. This is good old detective work, which relies on careful crime scene observation and a bit of suspect manipulation, as oppose to the science ridden crime dramas which bombard our television sets every evening. No disrespect to C.S.I. One more thing that struck me, has anyone else noticed the number of 24 alumni appearing on the show?? Up until episode 7, we have had 4 alumni, Steve Culp, Xander Berkeley,Gregory Itzin and Leslie Hope. I wonder who is coming up next........ Catch the show for its wit and fun, if not.....check it out to see if Jack Bauer shows up to help The Mentalist.....
Simon Baker
Kirpianuscus16 July 2018
His job is admirable. not surprising. because it is nuanced portrait of a familiar character. but profound original. it start as story of revenge. and it remains a one -like. but the first traits of sketch are more and more full of colors and nuances. a crime serie. who must you see. first, for the art of Simon Baker to propose the right character and the right manner to propose, in each episode, a new surprise.
Best of the best Creme de la Creme Simon baker makes a fantastic hero
FAJNYFILM22 August 2022
Mentalist is simply the best crime story I have even seen.
Why?
Oh several reasons......
First.....
and most important:
The main hero is almost always smiling and is almost always positive.
Second
Main hero chases bad guys but....he also has to deal with narrow minded team he has to work with. No matter how nice the team is being presented they are narrow minded. I am not sure if it was an actual intent. It is not really important.
Third
Main hero is well dressed. Trousers, vest and jacket and a shirt.
Many stories involve remarks on style.
Fourth Many inputs about control and manipulation. Stories involve correcting bad things done by evil people by main hero.
He is very likeable mainly because....
He is totally alone encircled by morons.... And he tries very hard to make them feel as smart as he is.....
I love this story and I often return to it.
Why?
Oh several reasons......
First.....
and most important:
The main hero is almost always smiling and is almost always positive.
Second
Main hero chases bad guys but....he also has to deal with narrow minded team he has to work with. No matter how nice the team is being presented they are narrow minded. I am not sure if it was an actual intent. It is not really important.
Third
Main hero is well dressed. Trousers, vest and jacket and a shirt.
Many stories involve remarks on style.
Fourth Many inputs about control and manipulation. Stories involve correcting bad things done by evil people by main hero.
He is very likeable mainly because....
He is totally alone encircled by morons.... And he tries very hard to make them feel as smart as he is.....
I love this story and I often return to it.
Similar premise to Psych. Psych = Comedy; Mentalist = Drama
chartresspires26 September 2008
"The Mentalist" is very similar to "Psych" in that the lead character is trained to spot minute details, and through these observations he solves crimes. Where Shawn Spencer of "Psych" pretends to be a psychic private investigator while assisting the Santa Barbara police, Patrick Jane is a person who used to pretend to be a psychic (to achieve fame and wealth), but is now using his abilities as a private investigator to help the police. His motivation for assisting the police is made apparent in the pilot episode.
It is from here that the two premises diverge. "Psych" uses its premise to present a brilliant comedy where the interactions between the characters place the overall mystery and its solving in a secondary role (clues are highlighted on the screen to assist the viewer, for example). "The Mentalist" goes in the direction of the CSI-type crime drama. The story is serious and the clues are intentionally obscure for the viewer. Perhaps the most humorous element of the pilot is the veiled reference to USA's Adrian Monk of "Monk." A crime scene investigator with obvious anti-social behaviors wanders about the room making hand gestures while describing the minutia of the crime scene (a la Adrian Monk).
Is "The Mentalist" a good series and worth watching? If you like crime dramas, then certainly. If you would like a dramatic interpretation of "Psych," then the show is for you. If you are angered by a show borrowing themes and premises from your favorite show, then probably not. After all, Shawn Spencer is simply another character in a long list of characters with exceptional observational abilities (Sherlock Holmes and Columbo are but two which come to mind).
It is from here that the two premises diverge. "Psych" uses its premise to present a brilliant comedy where the interactions between the characters place the overall mystery and its solving in a secondary role (clues are highlighted on the screen to assist the viewer, for example). "The Mentalist" goes in the direction of the CSI-type crime drama. The story is serious and the clues are intentionally obscure for the viewer. Perhaps the most humorous element of the pilot is the veiled reference to USA's Adrian Monk of "Monk." A crime scene investigator with obvious anti-social behaviors wanders about the room making hand gestures while describing the minutia of the crime scene (a la Adrian Monk).
Is "The Mentalist" a good series and worth watching? If you like crime dramas, then certainly. If you would like a dramatic interpretation of "Psych," then the show is for you. If you are angered by a show borrowing themes and premises from your favorite show, then probably not. After all, Shawn Spencer is simply another character in a long list of characters with exceptional observational abilities (Sherlock Holmes and Columbo are but two which come to mind).
entertaining tongue in cheek mystery
OneAnjel8 September 2021
I enjoy The Mentalist because it's one of those cookie-cutter shows that doesn't require much thought and is based on such a cliché and silly premise that it should have Comedy in the genre along with Mystery. I wouldn't call it drama since that implies seriousness. Jane, the Mentalist, goes about each case making fools of the perpetrators using tactics that are simply not real but which -- judging by the reviews -- many people think might be real. I believe the writer intends for the persona of Jane to be entertaining, humorous, and even a bit cheesy. There are certain ways to psyche people out, so to speak, and get them to choose certain colors or remember certain subliminal commands (done so adorably by the Grifter, Sofie, on Leverage). But most Mentalists, like Magicians, use other ways to put on a show using behind the scenes trickery. In the Mentalist, the writers suppose that someone can do much more than is actually possible (short of being psychic). So of course it makes it intriguing. However, very predictable thus cookie-cutter. Cho is especially humorous with his poker face and dry wit. But the whole crew plays great supporting props for Jane's escapades. We know in reality, very little of what Jane gets away with would be tolerated from professional investigators. I also find the show explains a lot of the so-called clues that Jane notices with his superior intellect but which most of the audience would have also noticed. But that's part of the charm of this show -- the fact that armchair sleuths can piece together the puzzle on their own by the end. Overall, I would say this is a light mystery with a good sense of humor that reminds me more of a Columbo style.
For once, a show appealing to the skeptic point of view
richieadler14 December 2008
Warning: Spoilers
Simon Baker surprised me with the lighthearted but guilt-ridden mentalist; I didn't like him so much in "The Guardian" (he seemed always in the wrong mood there), but I think he found the right tone here. Fantastic Robin Tunney as the tough but reasonable Teresa Lisbon; delicious Amanda Righetti as the unavoidable, contrasting naive believer Grace Van Pelt. I think she's a fair portrait of most believers in the paranormal: good hearted, well intentioned, but oblivious of the fraudulent techniques of the "psychics" and hoping to find "the real deal" some time. And willing to believe in transcendence. So close to so many people we all know.
Comparisons with Psych abound, but they all miss the main point of "The Mentalist": first, the protagonist openly says "There's no such thing as a psychic" (and he knows, painfully, how easy is to deceive others); and second, the series doesn't relent. (Until now, at least.) Even when forced with a very skilled con artist which appeals to his guilt and sense of loss, Patrick never relents, except to acknowledge the pain and the guilt.
I sincerely hope the series doesn't cave to the pressure which, surely, will receive, and continues to present only a rational point of view, not catering to the believers in the paranormal. We have TOO MUCH credulous TV shows; let us have, for one, a show showing a rational explanation without pandering to woo-woo.
Comparisons with Psych abound, but they all miss the main point of "The Mentalist": first, the protagonist openly says "There's no such thing as a psychic" (and he knows, painfully, how easy is to deceive others); and second, the series doesn't relent. (Until now, at least.) Even when forced with a very skilled con artist which appeals to his guilt and sense of loss, Patrick never relents, except to acknowledge the pain and the guilt.
I sincerely hope the series doesn't cave to the pressure which, surely, will receive, and continues to present only a rational point of view, not catering to the believers in the paranormal. We have TOO MUCH credulous TV shows; let us have, for one, a show showing a rational explanation without pandering to woo-woo.
Post Red John Disappointment
Ari_Fukigen18 March 2023
Ultimately, the show was very entertaining. It led the viewers down the path constantly guessing who Red John could be. This underlying story in the background with about half the episodes related to Red John made the show appealing.
However, there are some poor decisions by the writers/producers.
They had the character of Lisbon do some a few darn foolish things that should have gotten her killed.
They ended some of the series long-time members very abruptly.
They didn't delve further into Jane's childhood and father.
In particular. Red John was solved about half-way through a season. It should have been the season's finale.
They didn't allow the audience a real chance to guess Red John's identify. (hidden DNA blah blah).
They could have expanded on the history of Red John and any involvement with Visualize.
The MAJOR MISS IMO was that they didn't devote episodes post Red John to route out members of the Blake Association. This was content gold and could have sustained the series for another season, if not two.
Overall the show, while entertaining, was mostly predictable. The weak conclusion of the show was really disappointing..
I thought Simon Baker did a good job, and most of the cast did well too.
However, there are some poor decisions by the writers/producers.
They had the character of Lisbon do some a few darn foolish things that should have gotten her killed.
They ended some of the series long-time members very abruptly.
They didn't delve further into Jane's childhood and father.
In particular. Red John was solved about half-way through a season. It should have been the season's finale.
They didn't allow the audience a real chance to guess Red John's identify. (hidden DNA blah blah).
They could have expanded on the history of Red John and any involvement with Visualize.
The MAJOR MISS IMO was that they didn't devote episodes post Red John to route out members of the Blake Association. This was content gold and could have sustained the series for another season, if not two.
Overall the show, while entertaining, was mostly predictable. The weak conclusion of the show was really disappointing..
I thought Simon Baker did a good job, and most of the cast did well too.
The most frustrating show on television
korereview19 May 2012
Warning: Spoilers
Having briefly perused some of the recent Mentalist reviews, I see it's been a long time since anyone posted any serious (or even coherent) comments about the show, so here goes.
"5" doesn't exactly represent my feelings about this show; in fact, I am a fan - or at least trying to be, and that is why I find this show so frustrating. Most series of this type (bland, predictable, major network police procedurals) are simply bad, and may be ignored. Out of every season of the Mentalist, at least 19 of the 23 episodes fall into this category. The problem is that Episodes 1, 23, and usually one or two mid-season ones are very good. The reason for this is simple: these are the only episodes that deal with the show's main narrative, the Red John storyline. The series is so schizophrenic in this regard, it's almost like two separate shows in one. I don't know of any other series which is so divided.
The other "filler" episodes are either one-offs that have nothing to do with any continuous narrative, or aim at developing the show's supporting characters. Unfortunately for the latter approach, every character apart from Patrick Jane, Red John, and possibly Lisbon, is utterly generic and as dull as dishwater. Do the makers of this show really think that the same viewers who are drawn to Jane's morally-ambiguous character and the tense revenge narrative of Red John (the only person who can actually outwit him) will be remotely engaged by the clownish foibles of Wayne Rigsby having a baby, or Cho having relationship problems with a ditsy girlfriend? Not that Patrick Jane is much more interesting most of the time, since all he does in those 19 out of 23 episodes is act coy and recycle a narrow repertoire of what are now (after four seasons) VERY tired parlor tricks.
And then, just when you've basically given up on the show and forgotten about it, they pull an awesome season-ender out of the hat (the last two have been great), and as a viewer, you're left scratching your head as to how a show that is so god-awful 90 percent of the time can suddenly be so good.
I can only assume that the reasons for this have to do with the blandness requirements of major-networks. It's a shame this show wasn't on FX or AMC instead; it probably would have been much better. It's no coincidence that most of the best shows on television right now are focusing much more on developing a single narrative stream - like Breaking Bad, Hell on Wheels, Sons of Anarchy - even Justified, which started out much more as a regular police procedural. The random-episode structure is just played out. People want an engaging, continuous story.
At any rate, I doubt the Mentalist will run for too much longer unless they start to focus more on the show's one real strong point, as I expect even those who enjoy the filler episodes (is this really possible?) must be getting tired of hearing Jane say "the killer is in this room right now!" In short, if every episode of the Mentalist was like episode 23 of any given season, I'd happily give the show a 10. But because the remaining episodes are essentially unwatchable, it averages out to a 5. It's a shame.
"5" doesn't exactly represent my feelings about this show; in fact, I am a fan - or at least trying to be, and that is why I find this show so frustrating. Most series of this type (bland, predictable, major network police procedurals) are simply bad, and may be ignored. Out of every season of the Mentalist, at least 19 of the 23 episodes fall into this category. The problem is that Episodes 1, 23, and usually one or two mid-season ones are very good. The reason for this is simple: these are the only episodes that deal with the show's main narrative, the Red John storyline. The series is so schizophrenic in this regard, it's almost like two separate shows in one. I don't know of any other series which is so divided.
The other "filler" episodes are either one-offs that have nothing to do with any continuous narrative, or aim at developing the show's supporting characters. Unfortunately for the latter approach, every character apart from Patrick Jane, Red John, and possibly Lisbon, is utterly generic and as dull as dishwater. Do the makers of this show really think that the same viewers who are drawn to Jane's morally-ambiguous character and the tense revenge narrative of Red John (the only person who can actually outwit him) will be remotely engaged by the clownish foibles of Wayne Rigsby having a baby, or Cho having relationship problems with a ditsy girlfriend? Not that Patrick Jane is much more interesting most of the time, since all he does in those 19 out of 23 episodes is act coy and recycle a narrow repertoire of what are now (after four seasons) VERY tired parlor tricks.
And then, just when you've basically given up on the show and forgotten about it, they pull an awesome season-ender out of the hat (the last two have been great), and as a viewer, you're left scratching your head as to how a show that is so god-awful 90 percent of the time can suddenly be so good.
I can only assume that the reasons for this have to do with the blandness requirements of major-networks. It's a shame this show wasn't on FX or AMC instead; it probably would have been much better. It's no coincidence that most of the best shows on television right now are focusing much more on developing a single narrative stream - like Breaking Bad, Hell on Wheels, Sons of Anarchy - even Justified, which started out much more as a regular police procedural. The random-episode structure is just played out. People want an engaging, continuous story.
At any rate, I doubt the Mentalist will run for too much longer unless they start to focus more on the show's one real strong point, as I expect even those who enjoy the filler episodes (is this really possible?) must be getting tired of hearing Jane say "the killer is in this room right now!" In short, if every episode of the Mentalist was like episode 23 of any given season, I'd happily give the show a 10. But because the remaining episodes are essentially unwatchable, it averages out to a 5. It's a shame.
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