Into Temptation (2009) Poster

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7/10
Not nearly enough Chenoweth, but still a very good film.
MBunge1 September 2010
Warning: Spoilers
This is a quietly charming film filled with nice performances and an honest dignity that doesn't flinch from reality, yet avoids wallowing in the sensational. It tells a relatively wholesome tale about some sordid subjects and proves you can do that without seeming corny or fake.

John Buerlein (Jeremy Sisto) is a young Catholic priest who's brought a withered parish back to life. He's started up a homeless shelter and is a wonderful counselor to his congregation, whether it's the unwed mother railing against Church teachings about gender, the unemployed man struggling with sense of self, the gay teen coming to terms with his identity or the neighborhood busybody who thinks confession is a time to complain about her husband. What John isn't good at are the more public roles of the priest, particularly preaching and being a public figure in the community.

One day in confession, John hears some startling words from a beautiful woman (Kristin Chenoweth). She says she's a prostitute and that her upcoming birthday will be her last…because she's going to kill herself. She slips away before John can do anything, but he can't stop thinking about her. This good man awkwardly plunges himself into the seedy underbelly of his city, searching for the woman to try and save her. The woman, named Linda, sets about tying up all the loose ends of her life. She cancels her newspaper subscription, says goodbye to all her "clients" and has a last talk with the stepfather who started raping her when she was 12. Will John be able to find Linda without becoming contaminated by the tawdry world she inhabits? Will he be able to say anything to dent her determination toward suicide? I encourage you to rent this DVD and find out.

I quite enjoyed Into Temptation. It's a rather reserved film, without any of the sturm and/or drang you might expect for this sort of story and neither vilifies the Catholic faith nor exploits the licentiousness of whoredom. This has all the makings of some cheap, melodramatic potboiler about a priest tormented into breaking his vows and the jezebel who comes between him and God, but Into Temptation is nothing like that. John Buerlein isn't tormented. He's a genuinely devout man who believes in the life he's chosen to lead. That doesn't mean he's some sort of goody two shoes, just that he tries to choose what is right over what is wrong. This movie is a little too racy to be for the whole family but in the way it directly confronts the conflicts of faith in an often faithless world, this film is like something you would show to Catholic teens (or young folk of any denomination) so they could see how their religion can flow through their lives and not simply be something they do on Sundays.

The story also draws some interesting parallels between the priest and the prostitute and not in an insulting or demeaning way. It makes you consider how they both live lonely lives because the things they do for others don't leave any room for themselves. The celibate priest and the hooker both keep the rest of the world at a distance. Their "jobs" require it.

There's some very nice and restrained acting on display here. There are no histrionics to either Jeremy Sisto's or Kristin Chenoweth's work. There is no scenery chewing or explosions of emotion. They both define their characters by what they don't do and their resolute way of not doing it. Chenoweth lets Linda's silence tell us about the unfathomable pain of a woman who's led a hard life and is worn down to the nub. Sisto gives John a polite strength. He's a man that may struggle to understand the right thing to do but once he does, he won't be turned away from doing it. Brian Baumgartner is wonderful and funny as a fellow priest who's a mentor to John. Father Ralph is very much John's opposite. He's much more comfortable and capable at the public role of the priesthood, but he uses humor and sarcasm to keep himself separate from the messy aspects of humanity that John is brave enough to embrace.

The only real complaint I could make about Into Temptation, outside of Chenoweth remaining clothed throughout the film, is that it's imbalanced. We get all of John's story, including a bit where his teenage girlfriend comes back to town and makes a drunken pass at him. It's handled more respectfully than such a thing normally is in entertainment, but it's unnecessary. However, the movie only gives us snippets of Linda's story. When she gives her confession at the start, we only hear a few lines and then the film skips over the rest. John hears Linda's story, but the audience never gets anything but the barest of details. That continues throughout Into Temptation, where we only get flashes of what Linda is doing. Chenoweth does an excellent job packing a lot of meaning into those brief scenes, which only increases the desire to see more. Instead of fully being a tale of two people, this is a movie about John with Linda is relegated to a compelling supporting character.

If you spend any time looking around a video store, you'll find an awful lot of movies you've never heard of. Most of them suck and suck hard. You've probably never heard of Into Temptation. But it's worth watching.
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5/10
Sisto is terrific in a strained movie with religious overtones and undertones
secondtake17 October 2010
Into Temptation (2009)

This is a religious film, really, in street clothes. And in the end it's about how being good is really good.

It's also a lesson in how you have to bend the rules to actually do the right thing--even if you fail. And that sometimes you do the right thing and succeed--without even knowing it.

Clearly a low budget movie, and a fairly simple one, in filmmaking terms (the sets, the light, the presence of the camera, the side characterizations, and the music, all these key elements, are unremarkable). But the plot itself, with its twists, is enough to make you at least curious. Yes, you wonder why it has to go tawdry at times, why there has to be some sexed up stuff for the viewer (it doesn't advance the plot, in the one egregious case). And there is a tidy solution to the central problem that will seem cheap to nonbelievers and magical to believers.

Most of all is a great performance by the lead, the priest, played by Jeremy Sisto. I knew him best from his role as Billy in Six Feet Under, and loved him there, and he is if anything more subtle and interesting (if less outrageous) here. It's a careful, felt performance in a movie that should have supported him better. Other aspects may jump out. His ex-girlfriend, whatever her role, is utterly believable, as much as the prostitute in question is not. The other priest is a caricature who overplays his part but has some great dialog with Sisto. There is the key flashback, which adds yet another layer of meaning, of cause and effect, and though it moved me somehow, I felt manipulated by it, and it was another case where the movie showed its seams.

So it may try too hard and strain within its resources (and with the director's reach--he has one other film to his credit, and famous as the voice in a Hamburger Helper t.v. ad), but it has moments that are right on. With Sisto's help. For those inclined toward religious sentimentality.
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7/10
father john goes on a mission
ksf-228 November 2021
Jeremy sisto is father john at saint mary's. The multi-talented kristin chenoweth is linda salerno, who comes to his church to confess. She confesses that she will kill herself on her birthday, then rushes off. So father john doesn't really have a chance to respond, or to try to stop her. So that becomes his mission. But trying to help her may be more trouble than he bargained for. Can he find her, and figure out what's going on without violating any rules of the church? It's good ! Co-stars Brian Baumgartner. Written and directed by patrick coyle. One of the three films he's directed to date.
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8/10
A little gem of a film that almost defies description...
bilgerat9927 October 2009
It's hard for me to categorize this movie; it's unlike most films although it has elements of mystery, drama, comedy, tragedy and angst. The story revolves around a priest who is attempting to locate a confessor in the Minneapolis underworld while simultaneously confronting some of his personal demons but it is not nearly as trite as that sounds, the whole presentation feels remarkably unique and fresh. It does not present itself like a major studio treatment nor like the usual independent effort.

All aspects of the film's production are convincing and very assured. While most of the plot's elements have been explored elsewhere, this particular combination of excellent screenplay and considerable talent is somewhat like being exposed to an entirely new cuisine - and a welcome change that is. It is clever, poignant, buoyant, gritty and witty but it is not your normal fare.

Try it, you might like it.
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4/10
decent but slow
deschreiber7 November 2009
The premise of the movie was interesting. Will he be able to reach her? Can he stop her? But a ton of the scenes stuck me as filler, with little dramatic import. The subplot of the priest's "temptation" turned out to be, simply, empty. His looking at the magazines had no discernible effect on him. The ex-girlfriend's approaches were easily diverted. He doesn't seem to have been "into temptation" after all. When the girlfriend apologized and talked as if she was not going to bother him any more, I wondered, "So what was all that about then?" Just a little subplot to fill the time. Was he really looking at the prostitute's cleavage or just at her necklace? The ending with the prostitute also seemed a bit of a cheat.

The conversations between the priest and his black parishioner seemed very odd, where the parishioner was playing the role of counsellor to the priest.

Two stars out of five.
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8/10
Great acting and direction, surprisingly good story
hipster1731 October 2009
I watched Into Temptation on Netflix's recommendation despite the film's stale-sounding plot outline, primarily because Jeremy Sisto had the lead role. To my surprise, the story turned out to be enveloping and the direction well-paced. Jeremy Sisto was, as expected, excellent: it's not easy to play the role of one Catholic priest and still connect with an audience, what with people bringing well-formed notions about all priests to the table. Rather than shoulder the burden of controversy, Sisto performs Father John Buerlein as a simple, flawed but honest guy. Coyle works in slight transgressions from Buerlein's past and present to help us suspend our cynicism about the church. It works.

Great as Sisto was, Kristin Chenoweth's role was probably the more difficult of the two. The story of her Linda Salerno needed to be told almost exclusively through flashbacks, one confession and a series of ambiguous moments - not many lines to understand, let alone connect with, a troubled and aging high-end prostitute who places absolution high on her checklist of things to do before committing suicide. Chenoweth plain nails it, presents her pain in subtle ways and never tries to be a saint (Sisto's parish, not coincidentally, is a shrine to Mary Magdalene).

Overall, there are some small plot imperfections that acting and direction redeem. It's an excellent film, well-worth the time and money.
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10/10
Surprisingly progressive... Thankfully unresolved and irreverent
kurtisjvandermolen9 August 2010
I am bringing two skill sets to this review; (1) a tough movie critic, and (2) an irreverent but informed ex-seminary student. On both fronts, this film was spectacular.

(1) The writing was excellent in terms of being contemporary-- especially in light of the context of a Catholic priest--irreverent, unpredictable, unassuming in its theological treatment, unconventional, and (thankfully!) at the end, refreshingly unresolved.

(2) The themes were consistently theologically grounded, albeit within the Catholic vernacular. Father Ralph brings a distinctly expedient and assured style into the dialogue, while Father John brings a more deliberate, cognitive but dedicated approach. The two balance each other like a great "work team" arriving at a plausible and thought-provoking explanation for the darkness that is our human condition.

This film was surprisingly excellent. Upon watching a few previews prior to the film, I had significant doubts that I would finish a full 95 minutes of viewing. Yet the film brought me through real life, uncomfortable conversations, earnest seeking, genuine intent, and left me with the best possible theological conclusion: one of Grace.
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10/10
Simply wonderful...
PeachHamBeach9 December 2009
Warning: Spoilers
***********POSSIBLE BIG-TIME SPOILERS!!!************* This film is a rare and very precious gift, for real. It took me 2 viewings to fully comprehend what message it was trying to convey, and that's true with any film. There are NO flaws in this film. If it seems too slow or introspective or you feel it's not "talking" loudly enough for you, you may be like me: You need to see it at least twice.

It is a quiet, gentle, yet intensely communicative film about damage, sin, searching for one's faith, begging for absolution while knowing that life cannot go on, a misguided attempt to intervene, the realization of one's terrible mistakes, forgiveness and atonement.

In an inner-city Catholic parish, ironically named St. Mary Magdalen's, a young priest (Jeremy Sisto), ordained 12 years ago, keeps busy and dedicated to God's work. When not listening to busybody wives complain incessantly about their husband's habits, he is counseling mothers-to-be, a conflicted youth who believes he is gay, and an unemployed ex-boxer; or he is running a homeless shelter, praying over the sick/dying, or attending mandatory speaking appearances with the ladies' auxillary.

His life, while super-busy and tirelessly dedicated, seems strangely routine somehow. But one evening, before Mass, a beautiful blond woman named Linda (Kristin Chenoweth) comes to confession for the first time in nearly 2 decades. She confesses that she wants to end her life on her own birthday, sometime in the very near future, and she strongly needs Father John to give her an answer: Am I damned for eternity if I commit this "unpardonable" sin? She spends a while telling John her sad tale, then leaves abruptly.

The first sign that Father John Buerlein is about to embark on an interesting journey was not evident to me on first viewing. And I don't want to spoil it too much; Father John had a certain task to perform, right there in that confessional booth, and he should have concentrated on that one task. As Father Ralph O'Brien (Brian Baumgartner) puts it, "Don't cross that line, John." From the first moment he encounters Linda, though, John seems unable to put it out of his mind. He finds himself preoccupied even at the pulpit. He keeps hearing her voice, and maybe, he already is aware of the mistake he's made handling this encounter, and desperately needs to make things right before she carried out her final plans. He begins to conduct a search for Linda, whose whole face he never got a look at, only her hair, lips and the crucifix she wore. His desperation, his need to make it up to her that he didn't do what he should have in the booth, drive him to places he would never have gone to. He HAS TO FIND HER. That's all he knows. And it seems he must do what he must. He researches prostitutes in the public library, he takes a prostitute out for a drink, and most bizarre, when the owner of a sex shoppe tells him he has to buy something in order to look around the place for Linda, he buys a porn magazine. Somehow, even though he knows he is treading in dangerous waters, his obsession with finding and stopping Linda is so strong that he believes that if he fraternizes with the patrons of the streets, pimps, prostitutes, peep show dancers and porn shoppes, he will somehow find Linda and save her life.

Why is he obsessed so? Does he feel like the work he's already doing not really go anywhere? Is he, a seasoned priest, not really sincere and on the prowl for some good carnal fun? Is he going through the motions, having become "lukewarm" in his faith? Not at all. It's more than obvious, he needs to find Linda again and help her, like he should have in the first place.

The characters Zeke, Gus and Miriam are so mysteriously crafted that at first I was asking, "Angels among us?" Oh yeah, and we can't forget James St. Clair!!! While we follow Father John on his journey through the dark streets of Linda's world, we take an internal tour of him as well, and as much as I loved Chenoweth's portrayal of the tortured Linda, this is definitely Sisto's film for the most part. We find out a lot about him, and the many sources of earthly, fleshly "temptation" that a lesser person would cave and succumb to. After all the negative portrayals we've seen and heard of Catholic priests, it is as refreshing as a winter night's air to see a man, a young man at that, be this disciplined and dedicated, to possess such a strength of spirit, to be able to resist what most men weaken and lust after. John doesn't even waver in the presence of his beautiful ex-girlfriend Nadine (Amy Matthews) who is back in town and asking him point blank if he still has feelings and desires for her.

The film will not be for you if you are looking for action and explosions are one-liners. The humour is extremely good, but there will be no spoofing or schock-sex-humour or big jokes like in a film like DOGMA by Kevin Smith (also an admirable film about the Catholic faith, but very different from this!!!) The pace is very fast, but again, the key word here is subtlety. You have to pay close attention to every word, every scene, every detail. The only gripes I'll offer is that I don't know whose pix Linda is looking at in that scene where she is going thru a box of her stuff.

Honestly, I didn't know what I'd think of it, being that it is a film about a priest descending into a dark underground to find a hooker. But I love this film! I'll give it an A+.
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8/10
See this movie! (and while you're at it, see Exorcist III)
rooprect27 October 2011
Perhaps like you, I hesitated to watch this film because I thought it might fall into the standard clichés of a religious thriller (like a cluelessly naïve priest, a slutty prostitute, gratuitous booty shots, vapid dialogue, blatant religious or anti-religious propaganda, predictable ending, etc), so I came to IMDb to check out the reviews. As others have said, this is indeed a great movie. I was really surprised at how much substance the filmmakers packed into this 95 min film. It constantly surprised me and was never predictable while making logical sense the whole way through. And it leaves us with a powerful message we can all munch on, religious folks & atheists alike.

Through Jeremy Sisto's character, an intelligent and curious young priest, we are presented with a lot of fascinating themes. Though set amid the Catholic church, we don't get any church propaganda nor do we get church bashing. Instead the film focuses on human beings and how, regardless of god & religion, we attempt to find peace in our souls. The film never comes across as preachy, yet it shows us the value of human interactions and how our trivial actions can have enormous consequences.

Conversely, the lascivious underworld of sex & debauchery presents another venue, but the film never descends to the obvious moralizing. Again, they're all shown to be human beings with human interactions, and it's the value of these interactions that gives the world meaning.

This is a very dialogue-driven, tone-driven movie. In other words, no car chases, shootouts or big explosions. Instead the interesting characters carry the film and do so brilliantly. There's a lot of playful banter between characters, and the witty humour is what really makes this a fun film even though it makes us think.

This may sound odd, but it reminded me a lot of The Exorcist III, another excellent film that packs much more than the DVD cover implies. Both films revolve around a man whose faith is unconventional, who is trying to make sense of a bizarre mystery & how it relates to matters of the soul. And both films have some great humour despite being thrillers. Don't forget the great acting. Jeremy Sisto's quiet, inexperienced-yet-savvy character in Into Temptation is like a young George C Scott in The Exorcist III. Put your thinking cap on, see both films, and I guarantee you won't be disappointed.

Other obscure films that this reminded me of (and which I also recommend) are "Rudy Blue" (1999), "Angela" (1995), and "The Merry Gentleman" (2008).
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9/10
Disturbing, Engaging and Brilliantly written...
laz0005 September 2011
Warning: Spoilers
The only thing not well done in this awesome little film by Patrick Coyle is a sense of urgency in the Priest's (Introspectively played by Jeremy Sisto) pursuit of a troubled call girl (brilliantly played by Kristin Chenoweth) wishing to take her life but seeking absolution beforehand.

Much of the film focuses on the Priest's history, his day to day and his pursuit of the call girl who confesses that she will kill herself on her birthday. We learn a lot about what he does and bit about who he is as a person.

What makes this a really good film is how little we get to see of the Call girl's life. What little we do see however, gives us so much into why she is so angry, so sad, and why she so desperately needs absolution for what she sees as the only way out of her misery.

While I had flashbacks to Stigmata without the supernatural elements, and vastly better written, the sadness hit me all the same. A definite must see.
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9/10
Thankfully different than most garbage you see nowadays.
sgcim13 April 2012
Warning: Spoilers
Without being a cornball piece of fluff, this film left me feeling that maybe somewhere, even if it's only in a film, people do still try to help each other out without regard for money, or some type of favor. Without the non-stop assault on our senses, emotions, and intellect, this film tells a touching story that really resonates, due to the excellent performances by every actor in the film. Good writing, direction and a marvelous score by a composer who is not afraid to admit that he is influenced by Bernard Herrmann, and doesn't have to use synthesizers and drum machines to cop out. We should be thankful to see a film that has no hip-hop and rap.
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8/10
A PROFESSION WITH BOUNDARIES
nogodnomasters10 May 2019
Warning: Spoilers
The film builds the character of Father John Buerlein (Jeremy Sisto) very quickly and cleverly by showing us how easily and sometimes glib he deals with the problems of his parish. When a lonely prostitute confesses she plans on killing herself on her birthday, Father John is shaken out of his comfort zone. He enters into a Hollywood version of a seedy street underground filled with stock characters in attempt to find and save this woman.

With the help of a savvy librarian, Father John gets a crash course on prostitution, one that most fifth graders know from watching TV. His attempt to save this woman causes John to interface with various people in the circle of life. The film is a character study of Father John who goes outside of the boundaries of his profession in order to help someone. Slow moving drama for those who like a heart warming story on redemption.

F-bombs, no sex, background nudity.
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10/10
Sacred hug
qigonglmt27 April 2024
What an amazing film. The exchange on the bridge made my year! Chenoweth is masterful. She plays the role with subtlety, The character is heroic and leaves the bridge scene with hope. Would love another movie watching her life in the future. At least i feel the movie makes you want to examine your own life and live it motivated to be kind wherever and whenever possible. I would love to think that Linda could see her childhood picture on the table in John's home and know that she was not forgotten and not alone. Her life brings meaning to John and reinvigorates his mission in life. She saves him.
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