"Law & Order: Special Victims Unit" Confession (TV Episode 2008) Poster

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7/10
Reply to Mr Halo
rosie_posie18231 August 2016
Warning: Spoilers
Yo, Andariel Halo - how did you manage to watch the episode TWICE and still not get the very basics of the story? Yes, the episode was outlandish, as per usual, and there were some ridiculous and unbelievable turns, but the motivation for the characters' actions were made very, very clear. It was emphasised throughout Mr Berlin's (Noonan) impassioned speeches that he had a great respect for the law, hence his decision to live as a abstinent pedophile. His whole philosophy was accepting who he was and the way he was made, within the bounds of the law. The episode clearly states that the 17 year old boy 'snapped' and molested a child, then wrote about it in graphic detail on Berlin's site, imploring him to experience the 'bliss' for himself. As a man whose mission is to live, teach and monitor the 'look but don't touch' mantra, Eric's (Allman) actions were a giant slap in the face. Berlin also recognised the tremendous harm Eric had caused this child, equating sexual assault with death as it basically kills their innocence, hope, soul, etc., thus he thought the punishment should fit the crime and brutally murdered him.

Now, I am in no way justifying his philosophy, or actions, or those of the stepfather or son - pretty much everyone in this episode had some major, major shades of grey going on in just about every interaction. But that's the beauty of SVU - every single person in it is morally ambiguous to some degree: Olivia is self righteous and over-involved, Elliot has anger management issues and is a workaholic, Fin was an absent dad, John has multiple failed marriages and is a conspiracy nut, Donald was an alcoholic and Casey and Chester were disbarred and arrested respectively, due to over-zealousness and vigilante behaviour on their last case.

You keep pointing out that the kid committed no crime, but the statistics show that repeated and prolonged fantasies lead to getting more comfortable with the idea and eventually acting on those thoughts. If you don't believe it, please google Peter Woodcock, or just about any psychological profile of any sexual serial killer. Eric committed a crime against an unknown child and died horribly as a result. Did he deserve to be sodomized with a baseball bat and stabbed repeatedly with blunt knives? Who can say? That's the point - we aren't god, justice isn't in our hands and what he deserved to get for his crime is not for us to decide.

In addition, anyone who has had a 'sexual fantasy about anyone under 18' probably should be looked at - unless you're within the stated age range to avoid statutory rape, then it's against the law. Thoughts are the beginning of actions and everybody has to start somewhere. The difference between homosexuality and pedophilia is simple - in homosexual relationships, or any adult relationships for that matter, the balance of power has the potential to be equal. This may not always be the case, but at least it is possible. In an adult/child relationship, there is no such option; the power - be it physical, emotional, sexual, what have you - is always going to be land in the adult's favour. And that has lasting effects for the child's sense of self, trust in others, mental stability, etc. They're prey. Replacing pedophilia with homosexuality in those sentences would make for prejudice and homophobia, but the two are not even comparable, so don't get all high and mighty until you recognise exactly what you're defending.
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8/10
Fasten Your Seatbelts...
cchase3 October 2008
Longtime fans of L&O: SVU already know that this show is no merry-go-round ride at the Mickey D's play yard. But here we are, just the second episode into Season 10 of this enduring hybrid of the original L&O, and the rough stuff is already on hand...not that the season premiere was any less bumpy. But if you thought that Olivia (Mariska Hargitay) having to deal with her near-rape experience from last season was tumultuous enough, then you don't know Dick. As in Wolf.

This one finds the team dealing with a perfect storm of perps - drunken frat boys, disgruntled football fans plus the usual everyday humps. And Captain Craigen (Dann Florek) has to deal with the new ADA, whose already coming across as a pure-D pain in the ass for everybody.

Oh, but it hasn't gotten GOOD yet. That's when a young teen (Marshall Allman, late of PRISON BREAK) drags himself into the squad room and makes a horrific confession to Liv: he's been having intense sexual cravings for his pre-school aged stepbrother. Cravings he's been able to control...but he doesn't know for how much longer.

The revelation galvanizes Liv, who's unable to do very much for him within the limits of the law (of course), and of course it tears apart the boy's already splintered family. But it gets worse as only SVU can, when it comes to light that the tortured teen pedophile-to-be has a malevolent mentor: a self-professed "pedosexual" (the brilliantly creepy Tom Noonan), who runs a website that aids both budding and practicing pedophiles by providing them with pictures of young kids (clothed but still young), tips on how to stalk them and watch them, and one overarching rule: "look but don't touch."

I can't even tell you about the rest without getting more than a little queasy, but let's just say that it involves heartbreak, betrayal, a gruesome murder, and the involvement of Elliott Stabler in a way that you don't see coming...not that the same can be said for how he reacts to the event that gets him involved.

There are going to be some real top-of-the-line performances this season - you can already tell from last week, but this week pours it on especially. Teri Polo is heart-wrenching as Allman's mother, bewildered and horrified by her son's confession, and Tom Noonan, whom viewers may remember well from Michael Mann's MANHUNTER, does what he does best and gives a performance that out-creeps anything I've seen this season so far. And Allman is pitiful. pathetic and yet also sympathetic as the kid who just wants to stop what's going on in his head before he really hurts someone. You know he's doing a great job when you feel the same way Polo does as his mother...you want to get him some help, but you want him to be locked safely away from other kids while he's doing it.

Does it happen? Is there a happy ending if possible? Hey, it's SVU. Watch and find out for yourself.
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8/10
Disturbing
griffsdad51230 August 2019
This is one of the weirdest episodes I've ever seen- and disturbing too
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1/10
I agree with the 1 star...
bellsinbreck12 January 2020
They completely miss the fact that this 17 year old has come for help. I'd hate to be a victim in their precinct.

Absolutely no pity shown to a desperate and hurting adolescent, who is instantly demonized and treated like a criminal. Just so annoying, made me switch off.

I love all the Law and Order franchises , SVU included, but this was just ridiculous. It basically tells people not to seek help from the law.
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4/10
Impulsive
TheLittleSongbird27 October 2021
"Confession" did very little for me on first watch, again like what was said for "Trials" this was quite a few years back. Great supporting cast but a mess story-wise. The subject is a tough one and the story does sound interesting, though is one where one does have to be careful in executing it as it is sensitive territory. One does hope for it to be unsettling and emotionally impactful rather than sleazy and muddled as it can easily go either way.

My negative feelings have not really changed, same criticisms with more problems found if anything. Was really hoping that it would be better than the disappointing "Trials", but no it was worse and it is one of my least favourite episodes of a not particularly great (with exceptions) Season 10. Is "Confession" a complete mess? No, and it is not quite as bad as has been said. It just doesn't do very much for me and could have handled sensitive territory so much more tactfully.

Am going to start with the good things. The production values are slick, gritty and professional. The music is haunting while not spelling out the emotions too much. Almost all the regulars are excellent with one (obvious) exception, with Christopher Meloni and Mariska Hargitay as ever providing conscientous contributions.

This is a case though of the supporting cast making an even bigger impression. Teri Polo has never been more heart-breaking. Tom Noonan, giving the performance of the episode, is chilling personified (it's type casting but type casting is not a bad thing if it's done well, and Noonan does this sort of role pretty wonderfully). Marshall Allman does anguish very disturbingly and poignantly.

Only Micaela McManus is bad, in fact she is pretty awful and never did anything for me on this show, always lifeless and wooden to the point of annoyance. Greylek as a character is one of the worst the show ever had (she and Dale Stuckey were a very strong tie for this season) and was a complete deadweight, and McManus was always wooden. Never liked Greylek as a character, a mess of excessively written negative character traits and no positives (pomposity and aloofness being the prime ones).

Most of the supporting characters are overly cruel caricatures rather than real people, Berlin and Kelley especially. Even lost some sympathy for the mother later on. Also found them, and maybe it's just me who feels this, indecisively written. Whether Eric's remorse was genuine or an act is left too hanging in the air and the writers didn't seem sure whether to write Berlin as an irredeemably evil monster or a character where one can see his point of view. Both are attempted it felt and it made the motivations confusing, hence the polarised summings up of him here.

What was a massive problem here was the attitude of the SVU towards Eric and the case. A vast majority of the squad are far too judgemental and one-sided (with the sole exception of Olivia), immediately jumping to conclusions without considering other options or sides (this happened more than once this season). Particularly Stabler's, whose personal drama and loose cannon behaviour have gotten tired and predictable since the second half of Season 7, also contradictory as there have been past episodes where he has tried to help perpetrators or potential ones (i.e. "Nocturne"). The script is very soapy and long-winded. The story starts off well, Allman's big scene is beautifully played and written, but became increasingly muddled, bizarre and over the top, the final quarter is pretty out there. The tension and suspense are too far and between.

In conclusion, even more disappointing than the previous episode. 4/10.
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4/10
Very distasteful
jarid-6758618 November 2017
Warning: Spoilers
The episode overall forgets many of its own plot points and presents cruel unforgiving characters. For instance, Eric, the 17 year old pedophile who goes for help with how to stop himself from hurting his step bother. The detectives decide to make his life worse by going to his parents and talking about his urges as if he has already acted upon them. The writing is obviously biased towards pedophiles even those who are repenting pedophiles.

The detectives show little or no remorse for him and wind up escalating the situation to the point at which Eric unfortunately dies at the hands of his abusive stepfather. His stepfather admits to having sodomized the boy using his own son's baseball bat. Eric is finished off by the one man he trusted. All of this happens when there is no liable proof that any children were hurt. There are no feelings of conclusion, no feelings for settlement, simply tragedy. Eric, a pedophile who could have received help rather than suspicion, dies afraid, alone, and abandoned by those whom he trusted.
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5/10
Intense but overambitious
raphaeldesouzacamisao25 March 2024
Warning: Spoilers
The problem with this episode is that it creates more plot points than it's able to wrap up.

The moral debate on how to deal with pedophiles who control their urges was presented through two complex characters, Eric and Berlin. Eric is conflicted with thoughts of abusing his own stepbrother, while Berlin mentors him in not abusing children. It's suggested but not confirmed that the stepbrother has been abused. The ending reveals Berlin killed Eric precisely because he had actually abused another child. Berlin also harasses Stabler by publishing his daughter's picture online. In the end, we're stuck with characters who are complex and coherent, but insubstantial.

It's still a very thrilling episode, though.
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