When Lisbon is handing a business card to the alcoholic father, the side and angle that she is holding the card on changes from angle to angle.
When they are interrogating Hope the slats on the Venetian blind on the door are at a pronounced downward angle. When van Pelt knocks on the door, the close-up of her shows the slats are opened more so that the audience can see who's at the door. When it goes back to the wider shot, the slats are back in their original position.