I was curious to see if Netflix had any good South African films on it and I found this one. Having travelled around the areas it was filmed, I was immediately intrigued and knew that even if the film was lousy, the cinematography was bound to be enjoyable at least due to the filming locations. I was pleasantly very surprised.
Having known absolutely nothing going in, I absolutely loved this film.
SPOILERS FROM HERE ON OUT
Almost the entire first hour takes place entirely in Afrikaans, and virtually everybody on screen is white and Afrikaans speaking. There is nothing wrong with this of course, and in some ways this is not unrealistic; even if not badly intentioned. South Africa is divided, and there are areas where the ethnic make up would reflect this. There's no mention of race and barely an acknowledgement of South Africa's great diversity.
This changes rather suddenly when we arrive in the Transkei. We are surprised to see our lead character Rian, so far a seemingly womanising, hard drinking, bad father, who, while having a certain charm, does not appear to be a very nice person, speaking isiXhosa and suddenly he becomes a much more interesting character.
If I could fault the film at all, it would be the portrayal of its female characters, which I didn't think was incredibly realistic at times, although by the end I thought this improved a great deal.
Finally, there's the cancer. It is upsetting to watch Rian's battle at times, and watching Ben struggle as his barely around all his life father, rolls around in agony while his body fails him. Yes, the film falls into cliches at times 'it's easier to die than to live' etc. but I didn't really care. It does take lots of tropes from other road movies and terminal illness films, but actually, who cares? It does them well and does justice to those genres.
A highly original and interesting film. Give it a watch.
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