Dispatched from his basement room on an errand for his widowed mother, slacker Jeff might discover his destiny (finally) when he spends the day with his unhappily married brother as he tracks his possibly adulterous wife.
The US President and UK Prime Minister fancy a war. But not everyone agrees that war is a good thing. The US General Miller doesn't think so and neither does the British Secretary of State ... See full summary »
A story that follows a New York woman (who doesn't really have an apartment), apprentices for a dance company (though she's not really a dancer), and throws herself headlong into her dreams, even as their possibility dwindles.
Two highway road workers spend the summer of 1988 away from their city lives. The isolated landscape becomes a place of misadventure as the men find themselves at odds with each other and the women they left behind.
When Andrew unexpectedly shows up on Ben's doorstep late one night, the two old college friends immediately fall into their old dynamic of heterosexual one-upmanship. To save Ben from domestication, Andrew invites Ben to a party at a sex-positive commune. Everyone there plans on making erotic art films for the local amateur porn festival and Andrew wants in. They run out of booze and ideas, save for one: Andrew should have sex with Ben, on camera. It's not gay; it's beyond gay. It's not porn; it's an art project. The next day, they find themselves unable to back down from the dare. And there's nothing standing in their way - except Ben's wife Anna, heterosexuality, and certain mechanical questions. Written by
As he walks to the hotel room for the final scene, Andrew walks in front of the home of Edith Macefield. Macefield was famous for stubbornly resisting the offers of developers and remaining in her tiny 108-year-old farmhouse while the surrounding properties were turned into a five-story commercial development. See more »
As Ben and Andrew explain to their video camera their story so far, Ben mistakenly refers to Andrew as "Ben". See more »
What a wild life you live, my friend.
Enh. You always have the option of doing what I'm doing, and I don't know that I so much have the option of doing what you're doing.
Ah, it's easy. You just go to a grocery store, you find someone with long hair that's a girl, start kissing her, one thing leads to another. Then you buy her a ring, you get married, you buy a house. And soon enough you're converting your upstairs office into a potential baby room.
Are you fucking serious?
Not yet, but we're ...
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When I decided to watch this movie, I was in the mood for some stupid American jackass film and Humpday, with its title and the poster picture appeared spot on. I was in for an unexpected (but very pleasing) surprise. This movie is actually slow, indie and, put simply, nice. It strips off all the douchebagy nonsense someone would expect out of a movie where two straight dudes decide to get down on each other and instead offers talks, discussions and ideas on what brings someone to get to this idea and to go through (or not) with it.
Apart from this, all the three leads are absolutely great. I'm pretty sure more than half of the movie is improvised, you can literally feel the nervousness and tension and chemistry among the cast, and I wish I could have a relationship like the one between Ben and Anna.
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