The toxicity of patriarchal masculinity has become such a well-worn trope in pop culture (and especially in recent Colombian cinema) that it’s hard to remember its effects continue unabated in streets and households all over the world, and in that Latin American country specifically. And so, while Fabián Hernández’s central concerns in his simply-titled film, “A Man” (“Un Varón”), are all too familiar, his tale of a young man living in a shelter in the center of Bogotá who cannot escape the violence of the world of the streets around him, emerges nonetheless as a powerful portrait of the country’s inescapable machismo.
When Carlos (Dilan Felipe Ramírez Espitia) sits down to get a haircut, he has only one request: He wants one fit for a “varón.” Yet the English translation (“a man”) doesn’t quite capture the specificity of such a word in Colombian slang, for “varón...
When Carlos (Dilan Felipe Ramírez Espitia) sits down to get a haircut, he has only one request: He wants one fit for a “varón.” Yet the English translation (“a man”) doesn’t quite capture the specificity of such a word in Colombian slang, for “varón...
- 12/8/2023
- by Manuel Betancourt
- Variety Film + TV
Valladolid International Film Week’s Independent Film Market saw Spanish distributors showcase acquired films to local streamers, TV networks and exhibitors.
Merci, Valladolid International Film Week’s Independent Film Market, enjoyed a 20% rise in the number of professionals attending this year.
Merci, which ran from October 25-27, provides an opportunity for Spanish independent distributors to meet with platforms, TV networks and distributors, and to show them selection of their recent acquisitions.
Among the 24 titles being screened by distributors at Merci Valladolid this year were Tran Anh Hung’s The Pot Au Feu, Ken Loach’s The Old Oak, Aki Kaurismäki...
Merci, Valladolid International Film Week’s Independent Film Market, enjoyed a 20% rise in the number of professionals attending this year.
Merci, which ran from October 25-27, provides an opportunity for Spanish independent distributors to meet with platforms, TV networks and distributors, and to show them selection of their recent acquisitions.
Among the 24 titles being screened by distributors at Merci Valladolid this year were Tran Anh Hung’s The Pot Au Feu, Ken Loach’s The Old Oak, Aki Kaurismäki...
- 10/30/2023
- by Elisabet Cabeza
- ScreenDaily
Film Factory Ent. – a sales agent on “Wild Tales,” “The Clan,” “Close Your Eyes” and “The Kings of the World” – has boarded “Jokes & Cigarettes” (“Saben Aquell”), the latest movie from Spain’s David Trueba which is fast-emerging as one of Spain’s late year Goya Award contenders after a San Sebastian sneak-peek and the bow of a trailer.
“Jokes & Cigarettes” joins a Film Factory sales lineup which has included, of titles at this week’s Mia Spanish Screenings on Tour, Javier Macipe’s breakout “The Blue Star,” a hit at San Sebastian where it won the TCM Youth Award and Spanish Co-operation Award.
Trueba, also a novelist, journalist and documentarian, has directed four fiction films and four documentaries since “Living is Easy With Eyes Closed,” which swept seven Goyas in 2014 including picture, director, original screenplay, actor (Fernando Cámara and actress (Natalia de Molina).
Released in Spain on Nov.
“Jokes & Cigarettes” joins a Film Factory sales lineup which has included, of titles at this week’s Mia Spanish Screenings on Tour, Javier Macipe’s breakout “The Blue Star,” a hit at San Sebastian where it won the TCM Youth Award and Spanish Co-operation Award.
Trueba, also a novelist, journalist and documentarian, has directed four fiction films and four documentaries since “Living is Easy With Eyes Closed,” which swept seven Goyas in 2014 including picture, director, original screenplay, actor (Fernando Cámara and actress (Natalia de Molina).
Released in Spain on Nov.
- 10/11/2023
- by John Hopewell
- Variety Film + TV
It’s now the fourth year in a row that a female filmmaker has won San Sebastián’s prestigious Golden Shell award. After Déa Kulumbegashvili’s Beginning, Alina Grigore’s Blue Moon and last year’s Laura Mora’s The Kings of the World, it is Jaione Camborda‘s The Rye Horn wins the biggest prize of them all. The film had its world premiere in the Platform section at the Toronto Intl. Film Festival. Isabella Eklöf’s Kalak and María Alché plus Benjamín Naishtat’s Puan doubled up with wins – Kalak grabbed a Special Jury Prize and Best Cinematography, while Puan nabbed Best Screenplay and Best Leading perf for Marcelo Subiotto.…...
- 9/30/2023
- by Eric Lavallée
- IONCINEMA.com
Spanish director becomes the fourth consecutive woman director to win the festival’s top prize
The Rye Horn (O Corno), the second feature by Jaione Camborda, has won the top prize, the Golden Shell, at the 2023 San Sebastian Film Festival.
Set on an island off the coast of Galicia in 1971, the film tells the story of a woman who earns a living harvesting shellfish. She is also known on the island for helping other women in childbirth but has to flee and try to cross the border into Portugal after an unexpected event.
Camborda, who was born in San Sebastian,...
The Rye Horn (O Corno), the second feature by Jaione Camborda, has won the top prize, the Golden Shell, at the 2023 San Sebastian Film Festival.
Set on an island off the coast of Galicia in 1971, the film tells the story of a woman who earns a living harvesting shellfish. She is also known on the island for helping other women in childbirth but has to flee and try to cross the border into Portugal after an unexpected event.
Camborda, who was born in San Sebastian,...
- 9/30/2023
- by Elisabet Cabeza
- ScreenDaily
Iair Said’s “Most People Die On Sundays” and Michael Fetter Nathansky’s “Mannequins” took two prizes each as Daniela Abad Lombana’s “These Were All Fields,” also triumphed Wednesday at San Sebastian Festival’s prize ceremony for winners at its main industry competitions: the Europe-Latin America Co-production Forum and Wip Latin America and Wip Europa pix-in-post showcases.
Also among winners at the Forum were two high-profile Argentine projects, Bárbara Sarasola-Day’s “Little War” and Lucila Mariani’s “The Days Off.”
Meanwhile, Naomi Pacifique’s “After the Night, the Night” headed home home with the trophy at San Sebastián’s development program Ikusmira Berriak, seen as a pivotal young talent residency in Spain.
Said’s second film uses a sweet and sour comedy tone to follow the vicissitudes of a young homosexual Jew when he has to go home to face his father’s last days. Prizes galore go to the winning film,...
Also among winners at the Forum were two high-profile Argentine projects, Bárbara Sarasola-Day’s “Little War” and Lucila Mariani’s “The Days Off.”
Meanwhile, Naomi Pacifique’s “After the Night, the Night” headed home home with the trophy at San Sebastián’s development program Ikusmira Berriak, seen as a pivotal young talent residency in Spain.
Said’s second film uses a sweet and sour comedy tone to follow the vicissitudes of a young homosexual Jew when he has to go home to face his father’s last days. Prizes galore go to the winning film,...
- 9/27/2023
- by Callum McLennan
- Variety Film + TV
The San Sebastian Film Festival will fete Javier Bardem with its prestigious Donostia Award at its 71st edition, running 22 — 30 September.
The actor will receive the career achievement prize on Friday 22 September at the Kursaal Auditorium, thirty years after his first visit to the Festival for the competition screening of Bigas Luna’s film Golden Balls in 1993. An image of Bardem will also serve as the official poster of this year’s festival. Check out the poster down below.
Bardem is one of Spain’s most prominent cinematic names, with over 70 screen credits. He picked up an Academy Award, Golden Globe, and a BAFTA for his turn in the Coen Brothers’ neo-western No Country for Old Men. Bardem was last at San Sebastian in 2021 with the workplace comedy-drama The Good Boss from Fernando León de Aranoa. The pic was Spain’s submission for the international Oscar race. Later this year, Bardem...
The actor will receive the career achievement prize on Friday 22 September at the Kursaal Auditorium, thirty years after his first visit to the Festival for the competition screening of Bigas Luna’s film Golden Balls in 1993. An image of Bardem will also serve as the official poster of this year’s festival. Check out the poster down below.
Bardem is one of Spain’s most prominent cinematic names, with over 70 screen credits. He picked up an Academy Award, Golden Globe, and a BAFTA for his turn in the Coen Brothers’ neo-western No Country for Old Men. Bardem was last at San Sebastian in 2021 with the workplace comedy-drama The Good Boss from Fernando León de Aranoa. The pic was Spain’s submission for the international Oscar race. Later this year, Bardem...
- 5/12/2023
- by Zac Ntim
- Deadline Film + TV
Former Film Factory executive Manon Barat joins company as dedicated sales executive.
Heading into Cannes XYZ Films has launched New Visions, an initiative to champion bold global voices, kicking off with Directors’ Fortnight entry In Flames.
Former Film Factory executive Manon Barat has joined the company as a dedicated sales executive and will work alongside longtime head of international acquisitions Todd Brown to oversee the slate.
The highly curated New Visions will discover and support the next generation of filmmakers and give established talents room to make smaller, more intimate and challenging work.
Besides Zarrar Kahn’s Pakistani-Canadian horror In Flames,...
Heading into Cannes XYZ Films has launched New Visions, an initiative to champion bold global voices, kicking off with Directors’ Fortnight entry In Flames.
Former Film Factory executive Manon Barat has joined the company as a dedicated sales executive and will work alongside longtime head of international acquisitions Todd Brown to oversee the slate.
The highly curated New Visions will discover and support the next generation of filmmakers and give established talents room to make smaller, more intimate and challenging work.
Besides Zarrar Kahn’s Pakistani-Canadian horror In Flames,...
- 4/19/2023
- by Jeremy Kay
- ScreenDaily
XYZ Films have launched a new label for low-budget international genre films, called New Visions.
The company will launch its first New Visions slate at the Cannes Film Market next month with In Flames, the feature debut of Pakistani-Canadian director Zarrar Kahn. The Urdu-language horror movie, which was just picked for the Cannes Directors’ Fortnight lineup, follows a young woman who is tormented by vivid hallucinations after the death of her boyfriend. Other titles in the New Visions slate include the Czech science fiction title Restore Point from director Robert Hloz, and Irish folk horror All You Need Is Death from Very Extremely Dangerous helmer Paul Duane.
XYZ Films has hired Manon Barat, formerly a sales and marketing executive with Barcelona-based Film Factory Entertainment, as a dedicated sales executive overseeing the new slate, working alongside XYZ head of international acquisitions Todd Brown.
Brown framed the new label as a return to the roots for XYZ,...
The company will launch its first New Visions slate at the Cannes Film Market next month with In Flames, the feature debut of Pakistani-Canadian director Zarrar Kahn. The Urdu-language horror movie, which was just picked for the Cannes Directors’ Fortnight lineup, follows a young woman who is tormented by vivid hallucinations after the death of her boyfriend. Other titles in the New Visions slate include the Czech science fiction title Restore Point from director Robert Hloz, and Irish folk horror All You Need Is Death from Very Extremely Dangerous helmer Paul Duane.
XYZ Films has hired Manon Barat, formerly a sales and marketing executive with Barcelona-based Film Factory Entertainment, as a dedicated sales executive overseeing the new slate, working alongside XYZ head of international acquisitions Todd Brown.
Brown framed the new label as a return to the roots for XYZ,...
- 4/19/2023
- by Scott Roxborough
- The Hollywood Reporter - Movie News
XYZ Films has hired Manon Barat, a former executive at the Spanish sales company Film Factory, to head a slate of titles that will fall under the company’s newly-launched global film initiative, New Visions.
Barat will work alongside XYZ Head of International Acquisitions Todd Brown to oversee the new slate, which the company has described as a “highly curated collection of films.”
XYZ will launch the new slate in Cannes with In Flames, a Pakistani-Canadian horror film directed by Zarrar Kahn and executive produced by Shant Joshi. The pic will screen as part of the Directors’ Fortnight sidebar. Check out a first-look image from the film below.
Other titles from the initial New Visions slate include the Czech sci-fi pic Restore Point, directed by Robert Hloz and produced by Jan Kallista, which will have footage screened at the Marché du Film as part of the Fantastic 7 lineup. Paul Duane...
Barat will work alongside XYZ Head of International Acquisitions Todd Brown to oversee the new slate, which the company has described as a “highly curated collection of films.”
XYZ will launch the new slate in Cannes with In Flames, a Pakistani-Canadian horror film directed by Zarrar Kahn and executive produced by Shant Joshi. The pic will screen as part of the Directors’ Fortnight sidebar. Check out a first-look image from the film below.
Other titles from the initial New Visions slate include the Czech sci-fi pic Restore Point, directed by Robert Hloz and produced by Jan Kallista, which will have footage screened at the Marché du Film as part of the Fantastic 7 lineup. Paul Duane...
- 4/19/2023
- by Zac Ntim
- Deadline Film + TV
Tenerife-based Bendita Films has pounced on international rights to “Almamula,” a buzzy debut, mixing folklore, sexuality and fantasy. From helmer Juan Sebastián Torales, the film will have its world premiere as part of the Generation 14plus’ strand at this month’s Berlinale. The film is nominated for the Gwff Best First Feature Award 2023 and has seen wins already with the Ciné+ Award for distribution at Ventana Sur 2022 and the Eurimages Development Co-production Award at the San Sebastian Co-Production Forum in 2019.
“We have been following this project since 2019, when we had the opportunity to attend Juan Sebastián Torales impressive pitch at the san Sebastian Co-Production Forum,” says Luis Renart, CEO of Bendita Film Sales.
He added: “We were immediately captivated by the director’s singular vision and that delicate combination of coming-of-age sexuality and fantasy, rooted in the legends and folklore of the Argentine countryside. Now, we are excited to be...
“We have been following this project since 2019, when we had the opportunity to attend Juan Sebastián Torales impressive pitch at the san Sebastian Co-Production Forum,” says Luis Renart, CEO of Bendita Film Sales.
He added: “We were immediately captivated by the director’s singular vision and that delicate combination of coming-of-age sexuality and fantasy, rooted in the legends and folklore of the Argentine countryside. Now, we are excited to be...
- 2/7/2023
- by Callum McLennan
- Variety Film + TV
In a new legal setback for Colombian director Ciro Guerra, best known for his Oscar-nominated film “Embrace of the Serpent,” a Bogota court has denied the injunction that he filed against the journalists behind an explosive 2020 report detailing anonymous accounts of alleged sexual harassment and abuse.
In its statement, the court noted: “The journalists did not violate the rights of the petitioner, but instead presented a report of public and political interest, which reflects a specially protected discourse that is necessary to confront discrimination against women and gender-based violence.”
“These women brought to society the echoes of the voices of other women, insecure in the face of an institution that is still precarious to face harassment and abuse; and that, on many occasions, ends up generating additional damage to the victims,” it added.
“This ruling by the Constitutional Court vindicates the democratic value of feminist journalism as a form of...
In its statement, the court noted: “The journalists did not violate the rights of the petitioner, but instead presented a report of public and political interest, which reflects a specially protected discourse that is necessary to confront discrimination against women and gender-based violence.”
“These women brought to society the echoes of the voices of other women, insecure in the face of an institution that is still precarious to face harassment and abuse; and that, on many occasions, ends up generating additional damage to the victims,” it added.
“This ruling by the Constitutional Court vindicates the democratic value of feminist journalism as a form of...
- 2/2/2023
- by Anna Marie de la Fuente
- Variety Film + TV
That ’70s Show sequel That ’90s Show, Kenya Barris’ feature directorial debut You People and Pamela Anderson documentary Pamela, a Love Story are some of the much-anticipated projects coming to Netflix this month.
Hitting Netflix on Jan. 19, That ’90s Show focuses on the teenage daughter of Eric (Topher Grace) and Donna (Laura Prepon), who is spending the summer of 1995 with her grandparents, Red and Kitty (Kurtwood Smith and Debra Jo Rupp). Soon the Forman home fills up with a group of new friends. Grace, Prepon and fellow That ’70s Show stars Mila Kunis, Ashton Kutcher and Wilmer Valderrama are all set to make guest appearances in the sequel series.
Jonah Hill, Eddie Murphy and Julia Louis-Dreyfus are just some of the big names starring in Barris’ feature directorial debut, You People, written by Barris and Hill and hitting Netflix on Jan. 27. In the rom-com, Hill’s Ezra Cohen and Lauren London...
Hitting Netflix on Jan. 19, That ’90s Show focuses on the teenage daughter of Eric (Topher Grace) and Donna (Laura Prepon), who is spending the summer of 1995 with her grandparents, Red and Kitty (Kurtwood Smith and Debra Jo Rupp). Soon the Forman home fills up with a group of new friends. Grace, Prepon and fellow That ’70s Show stars Mila Kunis, Ashton Kutcher and Wilmer Valderrama are all set to make guest appearances in the sequel series.
Jonah Hill, Eddie Murphy and Julia Louis-Dreyfus are just some of the big names starring in Barris’ feature directorial debut, You People, written by Barris and Hill and hitting Netflix on Jan. 27. In the rom-com, Hill’s Ezra Cohen and Lauren London...
- 1/19/2023
- by Hilary Lewis
- The Hollywood Reporter - Movie News
Collaborators include documentary specialist Kristine Ann Skaret, US producer Jim Stark.
Producer Elisa Fernanda Pirir is leaving Norway’s Mer Film to set up her production company Staer based in Tromso in northern Norway.
Collaborators in the new venture include co-owner Kristine Ann Skaret, a documentary expert from Stray Dogs whose credits include Villagers And Vagabonds and Aswang; and executive producer Jim Stark, the US producer who has credits including co-producing Jim Jarmusch’s Down By Law and serving as one of the executive producers of Triangle Of Sadness.
Staer will work with a mix of Scandinavian and international filmmakers.
Producer Elisa Fernanda Pirir is leaving Norway’s Mer Film to set up her production company Staer based in Tromso in northern Norway.
Collaborators in the new venture include co-owner Kristine Ann Skaret, a documentary expert from Stray Dogs whose credits include Villagers And Vagabonds and Aswang; and executive producer Jim Stark, the US producer who has credits including co-producing Jim Jarmusch’s Down By Law and serving as one of the executive producers of Triangle Of Sadness.
Staer will work with a mix of Scandinavian and international filmmakers.
- 1/18/2023
- by Wendy Mitchell
- ScreenDaily
Establishing herself as one of the world’s few Arctic Circle feature film producers, having set up shop in Norway’s Tromsø, former Mer Films production exec Elisa Fernanda Pirir is launching her own production company, Staer, which is backing productions by Morocco’s Nabil Ayouch and Colombia’s Juan Carlos Arango, among others, as she also develops her first titles by Sami talent.
Born in Guatemala, Pirir is joined at Staer by KriStine Ann Skaret, behind the award-winning film “Villagers and Vagabonds” (2020), the co-production “Aswang” (2019) and the premiere-ready “Not That Kind of Guy” (2022).
Born in Guatemala but moving to northern Norway in 2007, Pirir joined Mer Film, the company behind Jorunn Myklebust Syversen’s “Disco” Eskil Vogt’s “The Innocents” and Ole Giæver’s “Ellos eatnu – Let the River Flow,” which plays in Nordic Competition at this year’s Goteborg Film Festival. Mer also co-produced Jonas Poher Rasmussen’s Oscar-nominated documentary “Flee.
Born in Guatemala, Pirir is joined at Staer by KriStine Ann Skaret, behind the award-winning film “Villagers and Vagabonds” (2020), the co-production “Aswang” (2019) and the premiere-ready “Not That Kind of Guy” (2022).
Born in Guatemala but moving to northern Norway in 2007, Pirir joined Mer Film, the company behind Jorunn Myklebust Syversen’s “Disco” Eskil Vogt’s “The Innocents” and Ole Giæver’s “Ellos eatnu – Let the River Flow,” which plays in Nordic Competition at this year’s Goteborg Film Festival. Mer also co-produced Jonas Poher Rasmussen’s Oscar-nominated documentary “Flee.
- 1/18/2023
- by John Hopewell
- Variety Film + TV
Paris-based Luxbox has pounced on international rights to “20,000 Species of Bees,” one of Spain’s most anticipated feature debuts in 2023.
Distributor of “Holy Spider” and San Sebastian winner “The Kings of the World,” BTeam Pictures will handle the film’s release in Spain.
The latest movie in a growing canon of titles from young Spanish directors that have a grounded sense of place while dealing in large universal issues – think Carla Simon’s “Summer 1993” and Berlin Golden Bear winner “Alcarràs,” Alauda Ruiz de Azúa’s “Lullaby” and Elena López Riera “The Water” – “20,000 Species of Bees” marks the first feature by Basque Country-based Estibaliz Urresola Solaguren whose short, “Cuerdas,” won a Cannes Critics’ Week Rails d’Or plaudit in May and was a Forqué Award best short winner this December in Spain.
It turns on an eight-year-old girl who battles with the fact that people keep addressing her in confusing ways.
Distributor of “Holy Spider” and San Sebastian winner “The Kings of the World,” BTeam Pictures will handle the film’s release in Spain.
The latest movie in a growing canon of titles from young Spanish directors that have a grounded sense of place while dealing in large universal issues – think Carla Simon’s “Summer 1993” and Berlin Golden Bear winner “Alcarràs,” Alauda Ruiz de Azúa’s “Lullaby” and Elena López Riera “The Water” – “20,000 Species of Bees” marks the first feature by Basque Country-based Estibaliz Urresola Solaguren whose short, “Cuerdas,” won a Cannes Critics’ Week Rails d’Or plaudit in May and was a Forqué Award best short winner this December in Spain.
It turns on an eight-year-old girl who battles with the fact that people keep addressing her in confusing ways.
- 1/12/2023
- by John Hopewell
- Variety Film + TV
Before “The Kings of the World,” the latest feature from Colombian writer-director Laura Mora, inserts us in the bustling streets of Medellín, where teenagers wield machetes to protect themselves, a shot of a fairy-tale-appropriate white horse introduces the dreamlike atmosphere of this .
Homeless and with no blood family to guard them, the young souls at the forefront of this electrifying social drama fend for themselves in a gritty urban environment. Their only comfort comes from the brotherly affection they display for one another. That state, caught between tenderness and violence as they navigate an inhospitable reality, defines the visceral energy of “The Kings of the World,” Colombia’s most recent Oscar entry.
The leader of the group, 19-year-old Rá (Carlos Andrés Castañeda), has just learned that the land his grandmother was forcefully evicted from many years in the past has finally been returned to him, the sole heir, as part...
Homeless and with no blood family to guard them, the young souls at the forefront of this electrifying social drama fend for themselves in a gritty urban environment. Their only comfort comes from the brotherly affection they display for one another. That state, caught between tenderness and violence as they navigate an inhospitable reality, defines the visceral energy of “The Kings of the World,” Colombia’s most recent Oscar entry.
The leader of the group, 19-year-old Rá (Carlos Andrés Castañeda), has just learned that the land his grandmother was forcefully evicted from many years in the past has finally been returned to him, the sole heir, as part...
- 1/10/2023
- by Carlos Aguilar
- Indiewire
For Laura Mora, whose visceral and poetic drama “The Kings of the World” represents Colombia at the Oscars, shooting in the region of Bajo de Cauca was an act of defiance.
“I was warned not to shoot there, that it was the most dangerous part of Colombia,” she recalls, adding: “Instead we only came across people who were open, generous and kind.”
“Making a fictional film protected us too as they probably would not have been so welcoming of documentary filmmakers or journalists,” she muses. The production took care to involve communities wherever they stopped, like a gypsy caravan, through villages and towns.
Winning the top awards at San Sebastian and Zurich in the space of just a few days and Mora’s second pic after her breakout hit “Killing Jesus,” “The Kings of the World” follows five homeless teens as they traverse the region to reclaim a plot of...
“I was warned not to shoot there, that it was the most dangerous part of Colombia,” she recalls, adding: “Instead we only came across people who were open, generous and kind.”
“Making a fictional film protected us too as they probably would not have been so welcoming of documentary filmmakers or journalists,” she muses. The production took care to involve communities wherever they stopped, like a gypsy caravan, through villages and towns.
Winning the top awards at San Sebastian and Zurich in the space of just a few days and Mora’s second pic after her breakout hit “Killing Jesus,” “The Kings of the World” follows five homeless teens as they traverse the region to reclaim a plot of...
- 12/12/2022
- by Anna Marie de la Fuente
- Variety Film + TV
Laura Mora’s “The Kings of the World” has no shortage of beautiful shots. The Colombia-set road trip follows a group of four teenagers as they set out to start a life anew away from the violence and poverty they’ve long grown up with. As the film moves away from the bustling streets of Medellin and into the foggy Andean landscapes, Mora captures a vision of this country in transition that is as stunning as it is eye-opening. Every frame begs to be dissected for the way it conjures the promise of futures and freedoms while also stressing the perils and dangers of such possibilities.
One early such shot is that of Rá (Carlos Andrés Castañeda), shirtless and fearless, atop a white horse in the middle of an empty urban street. It’s our first introduction to this young man. By himself atop this wild horse, he looks equally regal and boyish,...
One early such shot is that of Rá (Carlos Andrés Castañeda), shirtless and fearless, atop a white horse in the middle of an empty urban street. It’s our first introduction to this young man. By himself atop this wild horse, he looks equally regal and boyish,...
- 11/22/2022
- by Manuel Betancourt
- Variety Film + TV
Viggo Mortensen is set to star in, write and direct “The Dead Don’t Hurt,” a Western love story set in the 1860s.
The film also stars Vicky Krieps and is slated to begin shooting Oct. 12 in Canada.
“The Dead Don’t Hurt” is a Talipot Studio, Recorded Picture and Perceval Pictures production, produced by Regina Solórzano (“Los Reyes del Mundo”), Oscar winner Jeremy Thomas (“Eo”) and Mortensen.
Also Read:
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Talipot Studio is fully funding the film that will shoot predominantly in Durango, Mexico, where Talipot will manage the production. It is also shooting in Ontario and British Columbia, Canada. HanWay Films will handle worldwide sales and distribution.
Krieps and Mortensen are the two leads and star alongside Solly McLeod (“House of the Dragon”), Danny Huston (“Worlds Apart”), Garret Dillahunt (“Blonde”), Tom Bateman (“Death on the Nile...
The film also stars Vicky Krieps and is slated to begin shooting Oct. 12 in Canada.
“The Dead Don’t Hurt” is a Talipot Studio, Recorded Picture and Perceval Pictures production, produced by Regina Solórzano (“Los Reyes del Mundo”), Oscar winner Jeremy Thomas (“Eo”) and Mortensen.
Also Read:
‘The View’ Host Ana Navarro Taunts Ron DeSantis on Hurricane Relief: ‘You Need Daddy Biden’ (Video)
Talipot Studio is fully funding the film that will shoot predominantly in Durango, Mexico, where Talipot will manage the production. It is also shooting in Ontario and British Columbia, Canada. HanWay Films will handle worldwide sales and distribution.
Krieps and Mortensen are the two leads and star alongside Solly McLeod (“House of the Dragon”), Danny Huston (“Worlds Apart”), Garret Dillahunt (“Blonde”), Tom Bateman (“Death on the Nile...
- 10/6/2022
- by Umberto Gonzalez
- The Wrap
Keep track of all the submissions for best international feature at the 2023 Academy Awards.
Entries for the 2023 Oscar for best international feature are underway, and Screen is profiling each one on this page.
Scroll down for profiles of each Oscar entry
An international feature film is defined as a feature-length motion picture produced outside the US with a predominantly (more than 50) non-English dialogue track and can include animated and documentary features.
Submitted films must have been released theatrically in their respective countries between January 1, 2022 and November 30, 2022. The deadline for submissions to the Academy is October 3, 2022.
A shortlist of 15 finalists is...
Entries for the 2023 Oscar for best international feature are underway, and Screen is profiling each one on this page.
Scroll down for profiles of each Oscar entry
An international feature film is defined as a feature-length motion picture produced outside the US with a predominantly (more than 50) non-English dialogue track and can include animated and documentary features.
Submitted films must have been released theatrically in their respective countries between January 1, 2022 and November 30, 2022. The deadline for submissions to the Academy is October 3, 2022.
A shortlist of 15 finalists is...
- 10/5/2022
- by Screen staff
- ScreenDaily
Colombian filmmaker Laura Mora has clinched the Golden Shell in the main competition of the 70th San Sebastian Film Festival with her latest feature The Kings of the World (Los reyes del mundo).
Billed as a subversive tale of disobedience, friendship, and dignity, the film follows five boys living on the streets of Medellín who set out on a journey in search of the promised land. The film is a Colombian co-production with Luxembourg, France, Mexico, and Norway.
This is the third year running that a film helmed by a woman has taken home the Golden Shell following Dea Kulumbegashvili’s Beginning in 2020 and Alina Grigore’s Blue Moon last year. This is also the first time a Colombian production has picked up San Sebastian’s top prize in the festival’s seven decades.
In other main competition awards, Japanese writer Genki Kawamura picked up the Silver Shell for Best...
Billed as a subversive tale of disobedience, friendship, and dignity, the film follows five boys living on the streets of Medellín who set out on a journey in search of the promised land. The film is a Colombian co-production with Luxembourg, France, Mexico, and Norway.
This is the third year running that a film helmed by a woman has taken home the Golden Shell following Dea Kulumbegashvili’s Beginning in 2020 and Alina Grigore’s Blue Moon last year. This is also the first time a Colombian production has picked up San Sebastian’s top prize in the festival’s seven decades.
In other main competition awards, Japanese writer Genki Kawamura picked up the Silver Shell for Best...
- 9/24/2022
- by Zac Ntim
- Deadline Film + TV
Spanish fest has more Latin American films and projects than ever before.
This year’s San Sebastian InternationaI Film Festival has the highest number of Latin American films across its official selection and marketplaces than ever before, according to festival director José Luis Rebordinos.
The line-up includes three titles in official selection: two from Argentinian directors - Manuel Abramovich’s Pornomelancolia and Diego Lerman’s The Substitute – and The Wonder from Chilean director Sebastian Lelio.
“It’s a very good moment for Latin America cinema for both quantity and the high quality of the proposals,” says Rebordinos.
Argentina in focus...
This year’s San Sebastian InternationaI Film Festival has the highest number of Latin American films across its official selection and marketplaces than ever before, according to festival director José Luis Rebordinos.
The line-up includes three titles in official selection: two from Argentinian directors - Manuel Abramovich’s Pornomelancolia and Diego Lerman’s The Substitute – and The Wonder from Chilean director Sebastian Lelio.
“It’s a very good moment for Latin America cinema for both quantity and the high quality of the proposals,” says Rebordinos.
Argentina in focus...
- 9/21/2022
- by Emilio Mayorga
- ScreenDaily
Festival runs October 12-23.
Jafar Panahi’s No Bears, Alice Diop’s Saint Omer, and Sergei Loznitsa’s The Natural History Of Destruction are among the international competitions line-up at the 58th Chicago International Film Festival next month.
This year’s competitions include 10 films receiving their North American premiere and 17 getting their US premiere as the entries vie for the festival’s Gold Hugo award in the categories of international feature, international documentary, and new directors.
The festival runs October 12-23. The full international competition line-ups are below.
Playing in International Feature Competition are: The Beasts (Sp-Fr), Rodrigo Sorogoyen, US premiere; Before,...
Jafar Panahi’s No Bears, Alice Diop’s Saint Omer, and Sergei Loznitsa’s The Natural History Of Destruction are among the international competitions line-up at the 58th Chicago International Film Festival next month.
This year’s competitions include 10 films receiving their North American premiere and 17 getting their US premiere as the entries vie for the festival’s Gold Hugo award in the categories of international feature, international documentary, and new directors.
The festival runs October 12-23. The full international competition line-ups are below.
Playing in International Feature Competition are: The Beasts (Sp-Fr), Rodrigo Sorogoyen, US premiere; Before,...
- 9/16/2022
- by Jeremy Kay
- ScreenDaily
Thanks in part to a strong co-production drive, 13 Mexican-nationality movies play at San Sebastian this year, a major presence.
Perlak frames Alejandro G. Iñarritu Venice player “Bardo: False Chronicle of a Handful of Truths.” Much of the heat, in industry terms at least, will come from the the premieres and sneak peeks.
In one highlight, Natalia Beristáin will world premiere “Noise” (“Ruido”), before its Netflix November bow. In possibly another, Mexico’s Laura Pancarte (“Non-Western”) unveils “Sueño Mexicano” as a pic-in-post.
Eyes will also be turned to Mexico’s latest generation of auteurs. One director is suddenly very well known: Longtime editor Natalia López Gallardo, a Berlin Jury Prize winner for “Robe of Gems.”
Others are bubbling under: Juan Pablo González whose “Dos Estaciones” impressed at Sundance, Rodrigo Ruiz Patterson, director of “Summer White,” another Sundance title, and Bruno Santamaría, a Gold Hugo best doc winner at the 2020 Chicago Festival...
Perlak frames Alejandro G. Iñarritu Venice player “Bardo: False Chronicle of a Handful of Truths.” Much of the heat, in industry terms at least, will come from the the premieres and sneak peeks.
In one highlight, Natalia Beristáin will world premiere “Noise” (“Ruido”), before its Netflix November bow. In possibly another, Mexico’s Laura Pancarte (“Non-Western”) unveils “Sueño Mexicano” as a pic-in-post.
Eyes will also be turned to Mexico’s latest generation of auteurs. One director is suddenly very well known: Longtime editor Natalia López Gallardo, a Berlin Jury Prize winner for “Robe of Gems.”
Others are bubbling under: Juan Pablo González whose “Dos Estaciones” impressed at Sundance, Rodrigo Ruiz Patterson, director of “Summer White,” another Sundance title, and Bruno Santamaría, a Gold Hugo best doc winner at the 2020 Chicago Festival...
- 9/16/2022
- by John Hopewell
- Variety Film + TV
San Sebastian festival director José Luis Rebordinos: “It’s a sweet moment for the Spanish industry”
The San Sebastian festival director reflects on the innovations for the 70th anniversary
José Luis Rebordinos has been the director of the San Sebastian International Film Festival since 2011.
He talks to Screen about this year’s 70th anniversary edition which will celebrate San Sebastian’s history as well as the exciting present moment for Spanish cinema and host an expanded industry section.
The festival opens today, Friday September 16, and runs until September 24.
San Sebastian prides itself as a festival that showcases both new and established Spanish filmmakers. How would you describe the Spanish productions selected this year?
There’s a...
José Luis Rebordinos has been the director of the San Sebastian International Film Festival since 2011.
He talks to Screen about this year’s 70th anniversary edition which will celebrate San Sebastian’s history as well as the exciting present moment for Spanish cinema and host an expanded industry section.
The festival opens today, Friday September 16, and runs until September 24.
San Sebastian prides itself as a festival that showcases both new and established Spanish filmmakers. How would you describe the Spanish productions selected this year?
There’s a...
- 9/16/2022
- by Elisabet Cabeza
- ScreenDaily
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