Cinema Europe: The Other Hollywood (TV Mini Series) The Music of Light (1995) User Reviews

One of the two best shows in the series.

[planktonrules · 9/10 · 20 August 2011]

This fourth episode from the six-part mini-series "Cinema Europe: The Other Hollywood" is an exploration of the French film industry from after WWI up until the introduction of sound. Episode one, an overview of the European film industry's birth actually focuses A LOT on the French until just after WWI and this fourth one picks right up from there.

Just like the previous episode (which focused on the German film industry), I think this fourth show is the best in the series. Unlike the many spoilers given in the third one, this one does far less. It also gives LOTS of behind the scenes information about new techniques--and I loved this. And, it discusses the many great French epics of the time--especially "Napoleon". Well worth seeing--and very exciting for the film lover--especially the silent film lover. Well-constructed and fascinating throughout.

The best episode in Cinema Europe

[jrd_73 · 26 May 2016]

"The Music of Light" is my favorite episode of Cinema Europe. When I first saw it, I had seen The Passion of Joan of Arc, Napolean, Les Vampire, "Un Chien Andalou," and "A Trip to the Moon." I had heard that Jean Renoir had made silent films, but I had not watched them. That was my knowledge of silent French cinema. Because of that first viewing, I went on to watch several films that were featured in the episode, maybe none more important than La Roue.

A second viewing proves that I have not exhausted all the great ones: a version of Les Miserables that was supposed to have been shot entirely in the real locations mentioned in the novel (only about half was though); an adaptation of Joan of Arc's story shot at the same time as the Dreyer film; Casanova, with beautiful, stenciled color; La Belle Nivernaise, which is said to have influenced Jean Vigo's L'Atalante.

Besides the film recommendations, "The Music of Light" offers fascinating insight. The examples of editing in Abel Gance's La Roue and Napoleon are astounding for those of us who learned about montage only through Russian silent cinema. In addition, the "making of" documentary so prevalent as extras on DVDs began in French silent cinema with a film about the making of the film L'Argent. And, I cursed aloud when I learned of the tragically lost To Build a Fire, the first feature film to be shot in scope.

"The Music of Light" should be shown in film history classes. Come to think of it, all of Cinema Europe should be shown.