All his life, Leonard (Joshua Leonard, Humpday (2009)) has dreamed of being a famous filmmaker, but he's better at making excuses than making art. A chance encounter with a wasted A-list ... See full summary »
Dave Brown is a Los Angeles police officer who works out of the Rampart Division. Dave is misogynistic, racist, brutally violent, egotistical and a womanizer, although he defends himself against many of these accusations as he says that his hate is equal opportunity. However unlawful, he uses intimidation and brutal force to defend his ideals. The most notorious of his actions is purportedly murdering a suspected serial date rapist, which is why he has been given the nickname "Date Rape Dave". He lives with two of his ex-wives - sisters Barbara and Catherine - in an effort to keep family together, namely his two daughters, Helen and Margaret, who each have a different sister as their mother. Dave still maintains a sexual relationship with both sisters - whenever the mood suits any of them - while he openly has other sexual relationships. His life is put under a microscope after he is caught on video brutally beating a person with who he got into an automobile crash. This situation is ... Written by
When Brown goes down some stairs into the basement night club, the song playing is "Esther's", by Amon Tobin. The movie is set in 1999, while the song is from Tobin's album Foley Room, released in 2007. See more »
Always watchable largely thanks to Harrelson--he's really quite good---but never quite believable film tracks a couple days in the life of a not exactly dirty, but not exactly clean cop. To my mind, Harrelson's character isn't exactly dirty--we never witness him taking bribes, or stealing money, or looking the other way--he's just way overzealous in his pursuit of bad guys--actually scratch that--something happens at the mid-point that actually changes part of that last statement--but he still remains a clean(ish) cop trying to do right by society, even guys he claims to hate--he tries to give a fair shake to. Its that overzealousness that lands him in trouble tho---he beats 2 people in the first ten minutes of the movie--but in both cases i think they were both understandably beatings given the circumstances. Meh whatever, film starts piling things on for Harrelson--having been caught with a cell phone cam beating up the 2nd guy (who was running away from him!) he's then put on suspension, and then he gets put under investigation which leads to...not a whole lot honestly.
Film is a very shaggy dog story---Not much really happens throughout the movie other then just watching Woody Harrelson walk around and talk tough---he tries to bond with his teenage daughter, he tries to make it right with his ex wives, he tries to figure out what Internal Affairs wants to hear so he can get his job back, and yeah that's about it really. I feel like the events of the end don't really add up to much, and the big climactic scene at the ending is well again not much of anything really. Film is basically a 70's Esq character study of this guy and his life that seems to be arbitrarily falling apart around him. That said, the film's well shot, its nicely acted and not just by Harrelson, the actress playing his teenage daughter i feel scores just as many points as Woody does in their handful of scenes together. There's enough here that you wish it was better instead of the mish-mash stew we got going on here. still its worth a look on cable should you stumble on it.
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