While settling his recently deceased father's estate, a salesman discovers he has a sister whom he never knew about, leading both siblings to re-examine their perceptions about family and life choices.
With the help of a mysterious pill that enables the user to access 100 percent of his brain abilities, a struggling writer becomes a financial wizard, but it also puts him in a new world with lots of dangers.
A motorcycle stunt rider turns to robbing banks as a way to provide for his lover and their newborn child, a decision that puts him on a collision course with an ambitious rookie cop navigating a department ruled by a corrupt detective.
Layered romantic drama The Words follows young writer Rory Jansen who finally achieves long sought after literary success after publishing the next great American novel. There's only one catch - he didn't write it. As the past comes back to haunt him and his literary star continues to rise, Jansen is forced to confront the steep price that must be paid for stealing another man's work, and for placing ambition and success above life's most fundamental three words. Written by
The Words draws you in with its beautiful cinematography and engaged dialog. I was especially impressed with the layers of the presentation. Most films these days will spoon feed you a flat story and leave no room for personal interpretation. The Words layers a complex open-ended plot that demands viewer involvement. I was surprised with the simple surface story presented as each deeper layer was uncovered. Sometimes it came as a subtle hint when other times it hits you straight in the face. The film has the flavor of Memento or Inception; which is refreshing these days. Bradley Cooper surpassed my expectations. I never once saw his type-cast Hangover/Limitless ticks or mannerisms. He was completely in touch with the character and never fell back on default techniques.
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